Future TV producer Liza Prigozhina: what do we know about Joseph Prigozhin's youngest daughter. Iosif Prigozhin - biography, photo, personal life of the producer About female friendship, usurper husbands and Pokrovsky Gates

Prigogine Iosif Igorevich was born on April 2, 1969 in Makhachkala, in the family of Igor Matveevich and Dinara Yakubovna Prigozhin. Parents were descendants of Ashkenazi and Mountain Jews.

Joseph began to work in childhood, at the age of 12 he already earned a living as a hairdresser. But serious opportunities to realize ambitious plans the boy was not seen in Makhachkala. And he had grandiose plans: to become a popular artist, although creative professions were not welcomed in the family. Therefore, in 1985, Prigozhin, having received a passport, immediately went to conquer Moscow.

Since then turning point biography of Joseph Prigogine flowed in a different direction.

At first, a 16-year-old boy from Makhachkala, who had no friends or relatives in the capital, had a hard time. In order to get a place in a hostel, he entered a vocational school with a degree in thermal and waterproofing. In 1986, Prigozhin simultaneously graduated from a vocational school and a Moscow evening school on Izmailovsky Boulevard. But oh main goal Joseph did not forget. Along the way, he found time to study at the Gamma Theater Studio.

Even in his youth, Prigogine dreamed of brilliant career in show business. But the attempt to enter GITIS was not successful. Not dwelling on failures, the purposeful guy moved forward: he met people from the environment of music business stars, visited their parties and even tried out for films.

In the late 80s, Iosif Prigozhin already worked as a tour manager for concert programs. And he himself sang on the stage and even released an audio cassette with his songs. Touring life begins in the 90s. Gradually, Joseph came to the realization that administrative activity is closer to him than the career of an artist.

Iosif Prigozhin became the administrator and organizer of the first fashion show. This happened in 1989, and Iosif Igorevich's production debut took place in 1991, when the Supershow-91 organized by him aired on the Ostankino TV channel.

Producing career

In 1994, on the second attempt, Joseph Prigozhin entered the GITIS named after him. And in 2000, without interruption from intensive administrative and creative activities, he receives higher education majoring in producer.

The first singer who used the services of aspiring producer Joseph Prigogine was Sona. Now few people remember this star. Soon Prigozhin became a producer and promoter and.

In the late 90s, Prigozhin produced anniversary concerts, dedicated to the 50th anniversary of creative activity and the 10th anniversary of the group, organized the first solo concerts, actions "Golden Gramophone", was the executive producer of the gala concert dedicated to the third anniversary of ORT and the gala concert in honor of the celebration of March 8.

The biography of Joseph Prigozhin is a series of great successes. In less than 30 years, Prigozhin created ORT-Records, the largest audio company in Russia. From June 1997 to July 1999 he was its general producer, and from March 1998 to June 1999 he was also CEO. The ill-wishers immediately associated the successes with Prigozhin's nationality, flavoring this with jokes and caustic comments.

Iosif Igorevich never denied that he was Jewish by origin, but he told the press more than once that he was baptized at a conscious age and did not observe Jewish traditions.

Prigogine spins with ease solo projects little-known, well-known and extremely popular performers, brings new stars to the sky of show business and quickly returns forgotten old ones. In a few months of work, ORT-Records released albums by Vakhtang Kikabidze, Alexander Marshal, Kristina Orbakaite, Nikolai Noskov, A-Studio groups, and others.

Under the leadership of Iosif Igorevich, ORT-Records was awarded the Ovation National Music Prize in 1998 in the Best Recording Company nomination.

Since 1994, Prigozhin has been a member of the Association music producers, Doctor of Arts, Academy of Alternative Sciences. In 1998, he received the Ovation Award as the best producer of the year. In the same year, the Kompaniya magazine recognized Iosif Igorevich Prigozhin as the best businessman of the year in the field of show business.

And Prigozhin managed to unite the producers, convincing them not to compete, but to cooperate. Thus, in 2000, his production center "NOX Music" appeared. Prigozhin eventually achieved that he became almost the most successful producer of Russian show business. The group of companies "NOX" occupies a leading position in the country's music market.

The name of Prigozhin is associated with a scandal with an attempt on his life. The producer started promoting the singer in 2004, at the request of a Moscow businessman. The artist's work impressed the entrepreneur, and he decided to bring Abraham to the international level. Iosif Prigozhin managed to create a name for the musician, which became known outside of Russia.

But after one concert at the Olimpiysky Sports Complex, according to rumors, Abraham secretly took all the profits that were in the safe and emigrated to Cyprus. Ismailov, as a number of media wrote, tricked Iosif Prigozhin into negotiating with the singer and returning him to Moscow. In Russia, Abraham Russo was in for trouble, in which the musician accused Prigogine. The producer himself denied his guilt.

Personal life

The first time Prigozhin married in his youth, a Muscovite Elena from a wealthy and intelligent family. Prigogine's first wife was a housewife. In this marriage, 2 children were born - son Dmitry and daughter.

The second wife of Joseph Prigozhin, Leila Fattakhova, worked as an artist selection manager at the Soyuz company. The man was immediately captivated by the dark-eyed beauty. At the time of the meeting with her, a crack appeared in Prigozhin's marriage with Elena. flared up new novel, and 4 years later the couple had a daughter, Lisa. And after 3 years, Leila left her husband. Now ex-wife Iosif Prigozhin is independent, owns one of the best PR agencies in Moscow, among her clients are famous businessmen and restaurateurs.

In March 2003, there was fateful meeting Joseph Prigogine and singer Valeria. This union brought new marriage and a cooperation agreement. It was signed already in April 2003. Valeria became the third wife of Joseph Prigozhin and, as he himself claims, his first true love. The couple has no joint children. But the personal life of Joseph Prigogine has now become full and happy. Spouses can often be seen on the covers of tabloids and at star parties, Valeria has become a frequent heroine "Instagram" Prigogine.

Shortly before their meeting, the producer, whose height is 172 cm and weight is 75 kg, was given the nickname "Shrek", as those around him found in Prigogine a visual resemblance to this cartoon character. Joseph is well aware of this rumor, which he has demonstrated to the public more than once, and neither the producer himself nor his wife are offended by this comparison. As Valeria told the press, she sees no reason for dissatisfaction. When she watched the cartoon, she realized that it was positive hero, a comparison with which is not offensive at all.

In 2014, participating in the Just the Same project, Prigozhin took advantage of this similarity and went out in a suit during the performance, which caused the audience to delight.

Joseph Prigogine as Shrek

Valeria and Joseph Prigogine are raising 3 children from the singer's previous marriage - Artem and. Joseph Prigogine's children from previous marriages and adopted children meet and communicate with each other.

As it turned out, this communication was not ideal at all. In 2016, a scandal erupted. Prigozhin's first wife, Elena, and her daughter reproached the producer for not paying enough attention to former family. The culprit of this was called Valeria, who allegedly specifically sets her husband against children from his first marriage.

Joseph and Leila broke up as friends, and relations with the first wife differ dramatically. But, according to the man himself, this did not affect the children in any way. He became uninterested in a woman who spent all her time at home “doing nothing”, but Prigogine left an apartment for the children and supported him financially all his life. The producer himself even wondered how such a scandal turned out with his first wife, while complete mutual understanding remained with the second.

The man considered Elena's claims far-fetched. Most The producer always invested the money he earned in the education of children, both from his first marriage, and from his second, and adopted ones. The children visited with the star dad on vacation in different countries. A caring father even tried to arrange for his daughter Danae to study abroad, but her mother was categorically against it.

Prigozhin told the press that the cause of the scandal was not at all in the children. Elena wants him to provide for her herself, and uses the offspring as a source of income. And Iosif Igorevich does not want to finance at all beautiful life and young lovers of a strange woman who has never worked anywhere. He refused to pay her millions in debt.

But most of all, Prigozhin worries about the children, who, as a result of the manipulations of their mother and her boyfriend, may be left homeless. Father was especially worried about Dana, who began to support all Elena's undertakings and take offense at helping other children.

The girl reproached the producer for promoting Anna Shulgina, Valeria's daughter, while refusing her. To this, Prigozhin reminded the press that Anna has talent and a specialized education, but Danai, alas, does not. When his daughter came to him with a request for promotion, Joseph simply asked who he could promote her as, and received no answer.

In addition, Joseph hinted to the girl that in order to succeed in show business with her growth, she needs to lose weight. He also asked his daughter to visit gym, banning liposuction, which he considered harmful, especially in such young age. Then Danae wrote a number of angry comments in social networks about her father and came to the project "House 2" to prove that she herself can succeed.

Iosif Prigozhin and Danae Prigozhina on the project "Live"

The rest of the children took the position of their father, giving Danae a rebuff in a public environment and supporting Joseph Prigogine. The producer himself practically renounced his daughter, saying that he could no longer continue such communication.

Joseph Prigogine now

At the beginning of 2018, rumors spread on the network that Prigogine and Valeria. On Instagram, each of them appeared joint photos where the couple appeared together with two charming twins. At one time, the singer and producer kept intrigue. Among the subscribers there was a version about surrogate birth children, about the appearance of married couple grandchildren. But soon Joseph explained that the babies were born in a family of relatives who often visit the Prigogine couple.

According to Prigogine, he is not against the appearance of new heirs in his family. The producer again wants to know the happiness of fatherhood. The early birth of the first children led Joseph in that period of his life to moral devastation. But now everything has changed.

In the fall, Iosif Prigogine and Valeria became guests of the When Everyone is Home program. The producer said that for the first time after his marriage, he experienced a strong fear of losing the happiness that he had found. Panic attacks led to health problems. Seeing how her husband was suffering, the singer invited him to accompany her on every tour. Thus, this problem was solved.

Today, relations between Iosif Prigogine and his daughter Danae have normalized. On the birthday of the girl, who turned 21 in 2018, the producer posted on his Instagram account touching congratulations. Reconciliation between relatives occurred after participating in the program "Actually", aired at the beginning of the year.

Name: Joseph Prigozhin

Age: 50 years

Place of Birth: Makhachkala, Dagestan

Growth: 172 cm

The weight: 75 kg

Activity: music producer

Marital status: married to

Joseph Prigogine - biography

Iosif Igorevich Prigozhin is an incredibly charming man who has long appeared in the show business and declared himself as a talented producer. long and hard way his progress up the creative ladder was not easy, but he was forever reflected in his biography.

Childhood years of Joseph Prigogine

The family of the future producer combined the incompatible: the blood of Caucasian ancestors and Jewish traditions. A boy was born on April 2, 1969 in the city of Makhachkala. His parents, Dinara Yakubovna and Igor Matveyevich, worked from morning to night, but wage was small. Therefore, since childhood, the boy dreamed of his great future, but Makhachkala was not enough for his plans.

At the age of 12, Joseph begins to work, helping his parents. Of course, the work was not difficult, but it required a special approach. So, he began his career as a child as a simple hairdresser, but, realizing that he succeeds, he began to dream of Moscow, where he could become a famous artist.

Joseph Prigogine - education

In Makhachkala, he did not study very well, so he hardly finished eight classes and immediately went to Moscow. Joseph waited until he was 16 years old and, having received a passport, he hoped to get the desired independence for the implementation of his plans.

But already in Moscow, studying in theater studio"Gamma", was able to graduate from evening school No. 87 in Moscow, realizing that education is very important for the realization of his dream.

In 1986, Prigozhin graduated from evening school, and immediately decided to enter GITIS. But the first attempt is unsuccessful. Then there were several more attempts to pass the exams in this educational institution. But still, the future producer achieves his goal and enters GITIS, but this happens only in 1994. By this time, he was already actively trying to realize his creative plans. In 2000, he graduated from it and received the profession of a theater-manager.

Joseph Prigogine - career

In the biography of Joseph Prigozhin, a successful streak begins in 1990. He not only tried to get training, but was already laid out on the stage, performing both as a singer and as a tour manager of various concert programs. At this time, he manages to record and sell an audio cassette with his songs.

But 1988 turns out to be the busiest year, as he begins to tour himself as a singer, and also continues to organize various concerts. According to the calculations of Joseph Prigozhy himself, in this one year he organized more than 1.5 thousand concert programs for the most various stars, with whom he himself traveled almost the entire former Soviet Union.

A year later, already in 1989, he tries a new activity for himself and already becomes the administrator of these concerts. But in the same year he was invited as the organizer of the fashion show, which took place at the Moscow Variety Theater. The famous and most famous to date showed his fashion collection.

But at present, Iosif Prigozhin is known to everyone as a successful and prosperous producer. His debut in this field took place in 1991, when he organized two new programs on television. But the novice producer liked this activity so much that he began to further develop in this area. So, already in 1992, he becomes the producer of a young singer and undertakes to produce his first music show.

But even such work did not fully meet the requirements of the famous producer, and he decides to expand his capabilities. From 1993 to 1995, Prigozhin became the organizer of the Father's House Foundation.

In 1996, Iosif Prigozhin became the producer of the concert, dedicated to the Day Independence of Georgia. In the same year, a successful producer organizes concerts dedicated to memorable and significant dates in the life of Lyudmila Zykina and creative activity popular group "A Studios". He also takes on the organization of solo concerts of the popular singer Tatyana Bulanova, who was dissatisfied with the high fee, and, in her opinion, poor organization.

Realizing that solo concerts did not work out for him, throughout 1999 he refused the offers that he received in in large numbers, but he still becomes a producer and organizer of many programs.

But his most important asset, as a producer and organizer, is the creation of a large Russian audio company ORT-Recocords. It was at this studio that the songs of such famous performers like: , and many others.

In 1998, he begins to receive awards for his work. So, the first of them was the "Ovation" award, which was awarded in the nomination "Best Producer of the Year".

The year 2000 brought new achievements to the career of Joseph Prigogine. So, he became a producer and organizer of a record label.

Joseph Prigozhin - biography of personal life

The personal life of a famous producer is open, and there are no secrets and mysteries in it. The first wife, Elena Evgenievna, bore him two children: a son, Dmitry, and a daughter, Danae.

This was followed by a relationship without marriage. Such a relationship with Leyla Fattakhova, with whom he lived for 7 years. She gave him a daughter, Elizabeth.

A new streak in the life and career of the popular and famous producer Iosif Prigozhy begins on March 12, 2003, when a cooperation contract was signed with the singer Valeria. And in 2004, Valeria becomes the fourth wife of Joseph Prigogine.

Tell us about yourself. After all, you are a professional musician with a serious education.

I studied music from the age of 6, graduated from the Tashkent Conservatory with a degree in pianist and musical critic.

I remember how, after graduating from the conservatory, I dreamed of doing some kind of project that would have at least something to do with my education and classical music. Now that I have a project like the Bel Suono piano show, I'm enjoying it immensely. But many years passed between these events, during which I went through all the stages of work in Russian show business. Now I know all areas and stages of development of groups and artists. So I came to a personal project already being an experienced and prepared person.

In your opinion, should a producer have a musical education or are organizational skills sufficient?

You know, I do not think that he is required to have a musical education, but it certainly would not hurt him! At a minimum, he must understand music and have good taste! And the producer and organizational qualities, of course, are no less important. In our country, the producer does everything. If there was a division into promoters and sound producers, it would be more correct.

Here, for example, I do everything myself: I select music, accept arrangements, monitor the mixing of tracks. And at the same time knocking on everything closed doors to know about my project. I agree on concerts, I am engaged in promotion in all directions. That is why this business in Russia is much more complicated, and real producers in our country can be counted on the fingers.

It is especially difficult for us, because we do not work in the most popular genre in our country - the classic crossover genre. Although the level of music

and the performance is as high as that of classical musicians, we are a more modern band. And most importantly, we do what our audience likes.

How important are connections?

Very important. No connections anywhere. On one professionalism and quality of music it is not possible to break through. Working as a producer from scratch is still hard. Despite the fact that I have both connections and experience, I also have a difficult time. Yes, sometimes there are happy cases when people just respond to music: they like our work so much that we start to cooperate and come up with something together, but these are exceptions.

In our country, producers are predominantly men. And for you, as a woman, what is it like to work in this man's business?

Probably a little more difficult somewhere. It’s hard for me to judge, because I perceive everything as a woman and I don’t know what it’s like for men. I'm sure it's hard for them too. Women somewhere are more flexible and can give in, otherwise they talk. Men have a different approach. The fact that there are very few female producers is also indicative, which means that everything is really not so smooth. Although I have a slightly different genre, so it's probably wrong to judge the entire industry. I know very successful female producers in both theater and show business.

Why did you choose to be a producer? How did you come to this?

I did not choose anything on purpose, everything just gradually led to this by itself. At first I worked in record companies, then I had my own PR agency. I have always wanted to do creative work so much that in any work I tried to create something. Whether it's a photo shoot, video shooting, record design or project presentation. I have always enjoyed working with an artist full-time. I can say that for the time being it brought me pleasure. And then I realized that I wanted to do something extraordinary, to apply the knowledge that I received 20 years in music educational institutions.

In our industry, in classical music, it is impossible without a serious education. All the guys with whom we cooperate work hard: they start playing music at the age of 5-6 and go a long way to the moment when they can perform on stage. Classical musicians learn to write pieces, perform them, and always practice for several hours a day. It's all very hard work. And I want it to find a response in our country. So that not only popular genres flourish, but that there is a viewer and listener who understands more complex music.

Probably, I could also do a violin show, my education allows me to understand the intricacies of any classical instrument, and knowledge and experience will help to promote such projects. Ordinary popular music is not very interesting to me, I strive to do what I understand. I know that it can bring joy to any person who is drawn to beauty.

How was the Bel Suono team formed?

In musical educational institutions - the Gnessin College, the Conservatory - we posted announcements about the casting. They wrote that we are recruiting a team of pianists for a music show. The main criteria: performing skills, virtuosity, appearance and artistry. We left contact details, and on the very first day, calls and letters began. We began to listen to the recordings that were sent to us, made personal meetings. And thus we found three guys with whom we began to work and create our project. Slowly, the guys began to write their own music, although the first works were created even before the moment we announced the casting - I understood and felt how I wanted to see my project.

And the musicians we found fit into it very harmoniously. We listened to demos, watched videos and photos of applicants and decided whether they would suit us or not. Our guys do not just perform works, they also write themselves. And we pay a lot of attention to developing and cultivating their ability to create music.

Did one of the members change?

Yes, but we have great relationship. We continue to cooperate, work together on musical material and are good friends.

Line-up changes are an integral part of the creative process. I used to think: oh, it must be very difficult when someone leaves. But, believe me, every year all serious educational musical institutions graduate so many professionals that we will definitely never have problems with personnel. And here I can say that I have a small queue to participate in the project and to write music. Someone wants to play and write. Some people just want to write. So now we have a lot of fans and friends, and music too. Another thing is that this music must be in demand.

How do you assess the fate of modern classical music on the pop stage?

The fact is that customers and concert halls themselves are very wary of such projects as ours. They do not understand: we are from the classics or from show business. Here we need progressive people and promoters who will not be afraid and will help (in this case, a young serious team) to move forward, giving a hall for performances. But the audience goes with pleasure to such concerts.

There are no channels in Russia through which our material can be conveyed to the listener: no TV channels, no programs, no radio stations. They just don't know about us. It is always easier to call a pop artist who is familiar to everyone than to show something new and extraordinary. It's very hard for music editors to turn to something new.

There are many similar projects in the West, where the audience is brought up differently. Yes, there is no piano trio either, but there are many other projects: there are solo pianists, ensembles, string players, wind players - a lot of wonderful musicians who gather halls. TV channels, radio stations are created for them, there is a media pool. Many halls and places where they can perform. Every year dozens of festivals are held in the West, which introduce the public to such projects.

How do you, as a woman, manage to lead three men?

We work very well together, and most importantly, we hear each other. We discuss everything, we talk, we have no omissions and misunderstandings. We always discuss the repertoire. The guys in the team are young, and I am an authority for them. They respect me and, to some extent, love me, and this is mutual on my part.

I believe that it is extremely important when everyone in the project is on fire, full of desire to do something: both the producer and the participants themselves. When someone loses interest, you need to change the participant, give a chance to a new, passionate person! The quality of music and performance will not suffer from this. And new, young guys come with such a desire and a twinkle in their eyes that I want to give them this chance. Let them come true!

I remember very well myself at their age, when, having studied at all professional musical institutions, I left the conservatory, not knowing where to go. Where to work? How to be implemented? There were no such projects then. It is almost impossible to break through solo, only a few still manage to do it. We have very few producers and promoters of classical music. Therefore, let there be as many such guys as possible, and everyone should be given a chance to realize themselves.

Are there any other production projects you want to do?

I have a few ideas, but it's too early to talk about it. I hope that now I will put Bel Suono on a strong footing, and together with my guys we will create another project.

Your daughter is growing up. Would you like her to follow in your footsteps? How do you see her future?

I want her to have everything the way she wants it. I want her to choose her own path. Now I understand that the greatest happiness is to do your own thing. And, thank God, I did it. She is 15 years old, and she has not yet decided (I knew at the age of 6 that I would enter the conservatory). There are several areas that she is interested in, and I know that she can succeed in any. For now, it's hard for me to say. She studies at school, intensively studies languages. In a year or two everything will become clear.

Women have to make a decision: either a career or a family. How did you make the decision?

It has never been such a choice for me. I have never seen myself as a housewife. It was important for me that my loved one understood my lifestyle, shared my hobbies, and supported me. Thank God that this is exactly what is happening to me now. After all, meeting a person who will accept your creative impulses, who will like all this and who will be able to tell you is very, very difficult. And I wouldn't be able to talk to anyone else.

It is necessary that a woman be realized both in the profession and in the family. Skewed in one direction or the other - first of all, the collapse for the woman herself. Either she will take place as a businesswoman and be lonely, or she will sit within four walls and cease to be interesting even to herself.

What is your motto in life?

Everything that is done, everything is for the better. Even if something didn’t grow together with me, it didn’t happen, before I went ahead. And I thought: until I achieve this, I will not calm down. Now I have become more flexible and in some things, when it doesn’t work out, I stop and think: maybe I need to go the other way? Maybe take a different direction? After, if necessary, I return. When I say this phrase, I immediately feel a further perspective.

Optimism is also very important. In no case should you, even for a moment, give vent to despondency and give up. Because tomorrow you will look back and realize that you took everything so seriously in vain. Yes, there are times when perseverance is needed, but there are times when you have to walk past with a smile.

It is equally important to have real close friends. Work is work, and close friends and those who believe in you are not many, but they occupy an important place in my life.

Optimism and the ability to move forward is the most important thing!

How do you imagine your life in 10-20 years?

In ten years, I think I will still be actively working and doing my own projects. And in 20 years I will be babysitting my grandchildren on the seashore, giving advice to good musicians and artists. Receive guests and finally arrange sumptuous dinners and chat with friends.

You recently filmed a video for "Lonely Heart". Can you tell about it?

The author of the music is Evgeny Sokolovsky, a member of the trio, who wrote Waltz, Megapolis, Latino, etc. The director is Alexei Rusakov, a young and very promising person. He is also the director of the television version of our last concert at the House of Music. The video has no plot as such, it, like the music itself, is moody.

I came up with the name of the song when I first heard it. This is music for everyone who loves and understands good music.

When you have moments of sadness, thoughtfulness, you want to look at yourself, look back a little, you should turn on "The Lonely Heart". This music is so beautiful and melodic that it doesn't need any plot.

We filmed the video in Malta, in a very beautiful place, and decided that there is nothing more beautiful than these amazing landscapes. The splash of waves, lonely rocks, nature - and nothing more. As a result, we got a beautiful video clip in which our guys appear in thought. What are they thinking? Each viewer will decide for himself. Probably life...

I have been playing music professionally since the age of 6. She studied at the music school and college, at the conservatory in piano. I was born and raised in Tashkent, but I have been coming to Moscow since childhood, for example, to participate in music competitions. I immediately liked this city, and fate decreed so. My musical career, did not develop as I would have liked, but fortunately, the case decreed that I began to engage in show business. For some time she worked in various record companies. I met with artists, helped to shoot videos, was engaged in the selection of repertoire, design of records, and much more. Then I began to have connections, experience of communication was accumulating, the first gained authority appeared. Gradually, from auxiliary positions, I grew up to leadership, and I wanted something of my own.

Thinking about the name of my future campaign, I called up friends and colleagues, but none of the ideas impressed me. And besides, I really wanted the name to be associated with the name of my daughter Lisa. And so the name of the company was born, which as a result everyone approved with admiration - LizMedia. Now Lisa is 7 years old, and thanks to my work she is growing up very sociable, knows many artists by name, she is actively involved in music, dancing and sports. I am happy about my daughter's success and the fact that my work now affects her in such a positive way. Indeed, on the other hand, it was this work that took away from her a considerable part of her mother's care.
When the agency was just getting on its feet, I could mentally solve problems for days and nights, think through options, subordinating myself to the cause entirely and completely. It was simply impossible to do otherwise, the work of a producer, a PR person is based on intuition, on the ability to predict the reaction, to choose the most correct move possible. The main thing in our work is communication. And the ability to communicate is great gift, it is necessary to love people, feel them and understand them. Make contact with famous people doubly difficult. Need tact, understanding creative people. Those people who make stars are also stars in their own way.
It also helped me in my work that once, while studying at the conservatory, I myself felt like a creative person and the “whims” of the artists are understandable to me. However, I have learned to deal with any emotional states, I just can’t afford to become limp, but I can find an approach to the artist’s vulnerable soul. And yet the main reward for me, despite all the difficulties, is that my work is truly beloved. I think if a person is lucky to find a job from which he enjoys, this is happiness!

2016 in the Great Hall of the Conservatory. Project producer Leyla Fattakhova told InterMedia about the upcoming concert and the specifics of working with the crossover project.

— Leila, now that you have a project like the Bel Suono piano show, you can be happy with your success. How long have you been going to this?

— Of course, I am pleased that I managed to realize my dream! The project is very difficult in all respects. He demands from the whole team a high vocational training and a great desire to create something unusual and new. We have existed for five years, and all these years have been very interesting, eventful, but no less difficult.

Is a female producer difficult?

- Difficult. But interesting.

- Leila, you yourself are a professional musician. Why did you decide to change the vector and become a producer?

Yes, I really am a musician, I graduated from the Tashkent Conservatory as a pianist and as a music critic. She not only played the piano, but also wrote about music, which was interesting to me. Then life so happened that I got into show business and eventually became a producer, and my education was very useful to me. Of course, the experience that I got while working with artists in various record and PR companies also helped. I also had my own PR agency, I dealt with artists of all sizes. In general, when I approached the Bel Suono project, all the stages of creating an artist were already familiar to me.

- You do not regret that you went the way of producing?

Absolutely no regrets! Now, fortunately, people have returned to the halls - they began to go to concerts, to theaters. It has become, no matter how terrible it sounds, fashionable! I am very glad that at the conservatory, in the House of Music, in theaters, the halls are full, and not only at concerts of chanson performers. But there are people who do not know the classics at all. Not accustomed to listening to serious music. It's really not easy, it's hard work. I hope that thanks to our project it will be easier for them to understand, learn and love the classics. They will listen to us, then they will want to dig deeper - listen to the original. They will buy CDs, now you can find any work on the Internet!

— What is the uniqueness of the Bel Suono project?

- In everything - in the musical material, first of all. Each composition is individual - whether it is the author's work of Bel Suono soloists or a well-known classical work. In our interpretation, every thing sounds like it has never sounded before. We pay great attention to this aspect! And, of course, no other band performs in this format: three pianos are not only spectacular, but also very unusual, especially in sound! Now we are increasingly practicing performances with an orchestra and various live ensembles of musicians. We hope to have more of these opportunities in the future!

— Before creating a piano trio, you conducted numerous auditions. Modern youth - what is it, in your opinion?

“I can’t speak for all the youth. But the guys who got into our team are real professionals! All of them are graduates of the best musical university in the world — the Moscow State Conservatory, all of them are ambitious, confidently moving towards their dream — to conquer the world with their art! And these are not just words - this is also my original goal, when the project was still maturing in my head...

- Do you remember your first meeting with the guys? How did it happen?

This acquaintance was not accidental, I organized it myself. First, the idea of ​​the project appeared, I found like-minded people, then we began to slowly implement it. When I already understood exactly how it would all look, sound, how many pianos were on stage, we announced the casting. The guys began to come, there were a lot of them, but at first no one came up. But after some time we found one, then the second. They could not decide on the third one, and then the guys themselves advised to listen to their colleague and everything worked out. Our Vasily is the youngest, Cyril and Maxim are older.

- Did you have to overcome many difficulties in order for the trio to form? Did you have to get used to each other?

There were some difficulties, of course, as in any team, but they are all surmountable. The guys are seriously focused on success, on continuing their business, and this is a big plus. Now they have matured and understand that they are lucky in life - they are doing what they love. Not everyone gets the chance to be realized so fully.

- You and yourself - creative person?

I am a very creative person. But I have no less organizational qualities. I choose almost the entire musical repertoire myself. Then we discuss ideas with the guys, decide how, who and what does. Here is Kirill Gushchin - a clever one, of which there are few. Purposeful, very successfully develops his performing, artistic and composing talent. Maxim Tarasov is a very hard-working, also stubbornly looking for himself as a composer, Vasily Opalev - in addition to brilliant technical data, makes excellent arrangements and composes music.

- At what stage are you now?

The first success has already come to us. We have our fans and now our task is to prove to ourselves and the audience the right to exist. And for this you need to find and create the appropriate musical material, improve the quality of performance, give great concerts, surprise the audience!

- How much effort goes into promoting the project?

But how? This is my main job. I not only come up with what and how to play, but also deal with all the negotiations. Still, 20 years of work in show business were not in vain - experience and connections do their job.

- But still, the Bel Suono genre is not quite ordinary ...

Our genre is difficult. For pop we are strangers, but also for the classics. We are a product of our time. We work in the classic crossover genre. In our country, this genre is not yet very developed. In the West, there are bright representatives of it - Vanessa-Mae, Il Divo, 2 Cellos, for example. But no one in the world plays three pianos.

- Leila, please tell us about your immediate plans in Moscow?

On October 1, we will already have the second concert in the Great Hall of the Conservatory, the next one is scheduled for the spring there, and on December 25, two festive Christmas concerts will take place on the same day in the Svetlanov Hall of the House of Music, at 15.00 and 19.00. Next autumn we have planned a concert in the Kremlin! In general, we have grandiose plans! Just keep working!