Many tried to show tricks in childhood

Probably, since childhood, everyone remembers the easiest, and perhaps the most famous trick, when a person, as it were, tears off his thumb, and then puts it in the wrong place. Many, perhaps, tried to show it to their parents, friends, acquaintances in childhood. And they were exposed.

But if you look at how professionals show this trick with their fingers, the thought comes that if you didn’t know the secret, you would never have guessed. You even begin to think that perhaps the magician has some other secret trick that he uses to give the spectacle a greater effect.

In fact, the whole point- in the dexterity and training of the one who shows. There are a huge number of such tricks. All of them are very light and uncomplicated, but if you reach a certain level of skill, you can surprise even adult experienced people.

Despite their simplicity, all require specific training:

• For example, many of them should be shown only to people standing in front of you. If someone from the audience is behind or to the side, he will be able to see what the secret is and expose you.
• Some are best not shown with close range, otherwise the audience will notice what the catch is.
• And absolutely everyone requires a single workout and well-kneaded, flexible hands and fingers.

So, tricks with fingers that you may not know about yet and that you can learn in the video and below in the description:

Focus "Boneless Little Finger"

Most of all, this trick surprises viewers when they see it on video on the Internet, because it is more difficult to see details in the video, for example, in what exact position the hand is.

“Magic” will also work on a live audience, the main thing is not to get close to the crowd.

• The magician will show you his hands, convince you that no devices are hidden in them.
• And then just take the little finger and bend it to the side to the hand, and then to the other, from the palm.
• And then do the same with the other hand. The little finger will naturally bend to the side.
• After that, you can touch his hands as much as you like, make sure that the brushes are the most ordinary.

Unraveling the secret can be very simple if you come closer and take a closer look at the hand, or rather, at the position of the hand.

Exposing the "Boneless Little Finger" trick:

Teaching is a very simple matter. So that the little finger begins to bend not only forward, but also in different directions , you must first of all turn your palm with your fingers towards the viewer, and bend them as much as possible so that the smallest possible angle is formed between the back of the hand and the phalanges.

1. Let's say left hand turned towards the viewer. You put your index right on inside the little finger to the place of the fold closer to the palm, and the big one to the very tip from the outside.
2. And then bend the little finger in the place where you have your index finger, while pushing it with your thumb to the side towards your fingers.
3. Due to the position of the hand, viewers do not notice that the little finger simply turns and bends, it seems to them that it bends to the side.
4. On the other hand, this is done in exactly the same way. And in order to bend the little finger to the outside, the big one should be on the fold, and the index finger should be pulled from the inside by the tip outward.

The trick is simple, but it takes practice. And at first, the fingers will hurt until they are stretched enough.

Severed Thumb Focus

Several a different version of the usual trick. The illusionist grabs the large middle and forefinger of the other hand, jerks sharply and tears off the tip.

At the same time, we see this tip sandwiched between two fingers in the other hand. And then the separated part comes back. It will be more difficult to achieve a certain skill here.

And the solution is very easy. Grasping the big left hand, you bend it as much as possible, and also stick the bent big right hand into the middle and forefinger.

And then abruptly separate the two large ones. The first remains bent, as if torn off, and the second sticks out of the grip. Then everything returns to its place. The real finger unbends, and the "fake" one neatly hides.

These are perfect to show to kids. But even in front of the smallest audience, you can’t skimp. Develop dexterity, and you can become a real professional.

There are many tricks that require no props other than the dexterous hands of an illusionist. They are great help in cases where there is no opportunity to use complex props or prepare a spectacular trick, and others ask for a miracle.

Despite their apparent simplicity, finger tricks require great flexibility and long training. Most of these tricks are based on visual tricks, where the audience sees only one side of the hand. For this reason, they are often performed on stage, at children's parties, or at home parties, but never on the street or during a bar party. When skillfully performed, such tricks are capable of capturing the imagination of the most skeptical viewer.

Rubber band trick

Take 2 identical rubber bands. Put one of them on the thumb and forefinger of the right hand, and passing the second under it, throw it on the corresponding left. You will have a kind of flexible cross in your hands, which cannot be divided without removing the rubber bands from your fingers. Demonstrate to the audience that rubber bands never go through each other, or suggest that someone in the audience try to do it themselves.

However, for an experienced trick, nothing is impossible! A few quick movements - and the elastic bands are easily separated, while continuing to be stretched between the thumbs and forefingers of both hands.

You can learn this trick with this video:

Of course, to repeat this trick, you will have to practice a little. Spread your arms wide to tighten the elastic, and with the middle finger of your right hand, press it firmly against your index finger. Then quickly bring this hand down, slipping your fingers under the loop, and transfer the elastic band from index to middle. Thus, you freed your index finger. Once again, spread your arms and slip it into the loop between your thumb and the intersection point of both elastic bands. You should get a complex design in which the right rubber band is stretched simultaneously on the thumb, index and middle fingers. As soon as you release the middle finger, the elastic will hang in its original position between the thumb and forefinger, but. Already separate from his "neighbor".

It is important! All movements need to be worked out to automatism in order to do it very quickly during the performance. Otherwise, your secret will be easily revealed.

Simple tricks with the disappearance and appearance of fingers, their "passage" through other parts of the body and other metamorphoses are very popular at children's matinees. Ask the audience if they can stick their finger in their own ear? The answer, of course, will be no - but you can do it with ease.

To do this, put your thumb to your ear, and quickly press your index finger against it. upper part auricle. At the same time, you need to pull the earlobe to your finger with your second hand. Your thumb will be almost completely wrapped on both sides of your ear, and your index finger will not allow the flexible cartilage to turn back. Of course, you need to do all this very quickly so that the audience does not have time to see your actions.

Infinite Finger

No less unusual is the trick with the finger suddenly lengthening, as if it were made of rubber. You clamp the tip of the big one with your teeth and, for fidelity, holding it with your other hand, begin to take your head to the side. And - about a miracle! Your finger stretches out, and then just as obediently decreases back to normal size.

The secret of this trick lies in the skillful substitution of the finger of one hand with the finger of the other. Bite it and bring your other hand to your mouth, supposedly clasping your thumb with your palm. Your main task now is to quickly change hands, so that the thumb of the other hand is clamped between the teeth, and the first, “lengthening”, moves freely in the fist. Move your head away while spreading your arms to the side: the finger will stretch. Bring your hands together again, and it will return to its original size. All other movements must be repeated in reverse order: change the fingers touching the lips, and you can go to receive applause.

It is important! The most dangerous moment in this trick is the change of fingers. An attentive person may well notice it, so at the right moment you should turn your head slightly while raising your fist to shield your mouth with it.

severed finger

Straighten your palm and wiggle your fingers. Clamp the big one in the fist of the second hand. Ah, bad luck! The finger came off and remained in the hand, the nail peeps out of the fist ... It's okay, such a powerful wizard like you, it doesn't cost anything to grow it back! Another quick move and he was back in his seat.

Like all finger tricks, this one is based on sleight of hand and the correct position of the magician in relation to the audience. Make sure the audience can't see the back of your hand. Move them a little to divert attention, and squeeze around the big index and middle fingers other hand.

After that, all movements must be performed as quickly as possible. Turn your hands a little and, unclenching your fist, press your thumb in your palm. At the same time, stick the thumb of the other hand in its place. If you did everything right, the second, “tearing off”, palm will show an almost real “fig”, only the tip will protrude between the middle and index. Now you just have to make a picture jerk, as if you were unscrewing your finger from your hand with effort.

You need to “engraft” the finger back in the same way: first, press your hands against one another and straighten your thumb, then slowly “remove” your fist from it, while straightening the “fig” so that the audience sees the gradually decreasing tip of the nail peeking between the fingers.

By the same principle, you can easily do other tricks with tearing off and attaching your fingers back. The main thing is to work out the moment when one finger hides behind the palm and is replaced by another.

Do not forget that an important role in such performances is played by the artistry of the illusionist. An expression of surprise or fright at the right time will help convince the viewer of the reality of the metamorphosis taking place with your fingers. But the words are not required. On the contrary, you can, by experimenting, create own image, based solely on unusual tricks and rich expressive facial expressions.

Having learned the simplest movements, you can begin to master more complex tricks with your fingers. Video training for some of the most spectacular tricks you can watch in this video:

How do you spend your free time? love to play computer games, pass cool tests , chat in in social networks, but what about teaching tricks? Surprise your friends here!

The most important thing in performing any tricks is persistent practice. You can get acquainted with the simplest trick and learn how to perform it step by step in at least half an hour, but in order for everything to really succeed and not be exposed, you need to train a lot and for a long time, honing your technique and skill. You need to learn tricks, moving from simple to complex, so next we will talk about how to learn how to do tricks that any beginner can handle.

Simple trick with cards

Those who want to learn how to learn to do tricks often start with cards. Among card tricks, there are really a lot of easy options that you can quickly learn and surprise the audience with them, and some of the most popular of them include simple tricks with card guessing. We will now consider one of them. The trick is called - "Guess the card."

What the viewer sees. The magician shuffles the deck of cards and hands it to one of the spectators to choose one of the cards. The spectator chooses his card, remembers it and, without showing it to anyone, gives it face down to the magician. The magician returns the card to the deck, shuffles it again, lays out the cards and unmistakably finds the spectator card!

Focus secret. Take a deck of cards and shuffle it. Attention: the key to this trick is to discreetly peek which card will be the bottom, that is, the last one in the deck.

The spectator chooses a card and returns it to you. Divide the deck arbitrarily in half - you have two parts of the cards in your hands, one of which contains the bottom card - you memorized it at the very beginning. Put the spectator card on one part of the deck and cover it on top with the second part. The spectator sees that his card is now hidden, but you know that it lies under the very bottom card.

Lay out the cards in a fan, and then look for your bottom card with your eyes - next to it on the right will be the one that the viewer has guessed. Voila! At the same time, do not choose it too quickly, for example, pretend that you are trying to feel the energy emanating from the card - entertain the viewer.

Coin passing through glass

The next simple trick is the glass and coin trick. It is more difficult than the previous one, because it requires a certain manual dexterity.

From the viewer. The magician shows the audience a coin, takes it in the fist of one hand, and the other brings a glass to him, then knocks the glass on the hand with the coin - and it is inside, passing through the bottom!

In fact. Choose a large coin and a glass, plastic or glass. Show the audience a coin and then act as if you are shifting it to your other hand, covering your palm from above and as if raking the coin in your fist. But the coin, of course, remains in the same hand where it was.

This is the key point: it is important to practice and learn how to hold the coin with an open palm or clamp it between the palm and the little finger, whichever is more convenient for you - the main thing is that it stays inconspicuous and does not fall out.

With the same hand in which you hold the coin, you take the glass and bring it over the hand with your fist, where the coin lies, according to the audience. Tap the glass on your fist several times. At the last knock, relax your hand so that the coin falls into the glass, and at this moment open your palm with your fist, simulating the passage of a coin through the bottom of the glass. It is important to work out this number well so that everything turns out deftly and at the same time quickly, and the audience does not have time to come to their senses and expose you.

Focus with matches

And finally, we will tell you how to do tricks with matches that require only sleight of hand.

How the audience sees. The magician holds a match between the fingers of both hands. Placing them perpendicularly, he strikes the matches against each other, as a result of which one match passes through the second.

Focus secret. Before picking up matches, moisten the index finger of your right hand. After that, pinch the matches between the thumb and forefinger of each hand. The key to this trick is that, held in the right hand, the match with the sulfur head touches the moistened index finger and therefore sticks to it, and if you open your fingers, the match will still continue to “hang”.

Turn the matches clamped in your fingers perpendicular to each other. Now begin to lead the left match to the right, and at the moment of their collision, unclench your fingers, skipping the left match forward, and then squeeze back. You need to learn how to do it quickly and sharply, imitating the blow of matches - then the audience will not notice the catch.

How to learn to do magic tricks with a handkerchief

The audience loves tricks with a handkerchief. One of the most popular such tricks is "Passing a coin through a handkerchief". How to learn how to do it, it will become clear after watching the following video:

In order for your performance to make the right impression on the audience and even the simplest tricks cause surprise, remember a few golden rules that experienced illusionists follow: do not repeat tricks for an encore, do not tell the technique for performing them, and do not warn the audience about what trick you will do next . So the effect of surprise will be achieved, and the riddle will remain.

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