Try to describe nature using vivid images. Description: examples. Artistic description of nature. How to Express Your Thoughts

Summer is a wonderful time of the year. Long sunny days give way to short warm nights. Most often the weather is clear, and the boundless blue sky stretches overhead. The trees are lavishly dressed in bright green robes. Under them, grass grows thickly everywhere, dotted with colorful lights of summer flowers - poppies, bluebells, clover, tansy, chamomile, marigolds ... And above them butterflies flutter and all sorts of goosebumps buzz.

Summer decorates gardens and orchards. Juicy cherries ripen, followed by apricots and peaches. Large red strawberries lean low to the ground. Gradually

Until recently, green tomatoes “sunbathe” in the rays of the summer sun. Here and there cucumbers are tied on the arches. The tenacious thorny branches of the blackberry are completely dotted with sweet dark purple, almost black berries. And so everywhere - a riot of color, a feast of fertility, a pleasant feeling of warmth and comfort.

Summer has a wonderful sonorous voice - it is singing high in the sky or birds hidden in the branches of trees - the maestro nightingale, the morning lark, the cheerful chatterer-sparrow. And in the late afternoon, the music of summer changes - the chorus of crickets enters, which does not stop until the morning.

And even the rain in summer is warm and gentle. Under the tent of the low

The cloud of air becomes hot. Cool raindrops wash away dust from roads and foliage, making it sparkle with an even purer emerald glow.

Summer is bright, colorful… June is not like August, and July has something to please the eye. High clear sky, warm clear water of rivers, ripe fruits, saturated colors around... There is no person in the world who would not love summer!

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Essays on topics:

1. Summer is my favorite season of the year. Not because the longest holidays begin, but because it's warm. In the summer there is...
2. Night hid behind a magic cloud, and a pink morning descended on the earth. The sun is about to rise. Its rays are already lit on...
3. Here comes the spring. And with the advent of spring, all nature around is transformed. At first, the days increase, and the temperature gradually rises by ...

If I were suddenly asked how to correctly describe nature in fics, and even in fantasy ones, I would shrug my shoulders in bewilderment. But to the question of how you describe her, mother, I would answer - like this, as I will write below. Therefore, I do not assume the importance of considering all possible options, I will note only those that I use. We must immediately take into account that there are few Prishvins and Paustovskys among us, not to mention the Turgenevs with their hunting notes, and yet nature does not have bad weather, but without nature, the fic clearly loses something. Let's think about why: 1) Yes, because we are all children of nature and live in it, even if there is no tree visible outside the window. After all, nature is everything: the sky, the sun and water, and our heroes always come into contact with them, relatives. 2) Because the description of nature is beautiful if you choose the right epithets and generally be able to correctly look at the world around us. 3) Because with words we are trying to create a picture in the reader's mind's eye, and in this picture, as in a photograph, there is always a background - and in most cases - this is nature. 4) Because in fiction we are trying to reveal the feelings of the characters, and comparison with nature helps us to better convey experiences. Remember only from the literature lessons of poor Prince Bolkonsky with his oak tree! 5) And so on and so forth ... Each of us can write a certain number of points that are especially significant for him personally. And this is good. Means - the description of the nature is really necessary. I now turn to my understanding of the necessity of nature, namely where and when I include my descriptions. In order not to go far from the application, I will immediately describe the need for descriptions of nature in fantasy. In this genre, we introduce the reader to a fictional world and, like a child, explain our fantasy to him by means of comparison with the reality around us. Like, here we have a blue sky, and they have purple-pink, as if at sunset. The picture in the brain clicked - the passage was a success. Or we describe a world that is very similar to the one in which we live, then by describing nature we confirm this fact. In general, nature in fantasy is necessary to immerse the reader in a new, unknown world. So, from here we immediately deduce a fad of a descriptive nature: 1) The description of nature creates a picture before our eyes, so it is important here not to spread our thoughts along the tree, but to immediately find the oak tree that is in the foreground in the picture. Here it is sometimes enough to describe the color of the sky, the number of trees in the background and the state of the grass at the moment. The non-Prishvinian reader gets tired of a more detailed description. But the sophisticated reader can be killed right here on the spot by the richness of the language that opens in the descriptive part of nature - the cobweb trembled like a thin shawl on the girl’s shoulders ... Or better, like Yesenin’s - as if I galloped on a pink horse in the spring, echoing early ... Where did the pink horse come from, you ask ? Yes, many critics at first believed that it was just for rhythm and rhyme, that is, a beautiful word, but it turned out that the white horse at dawn was really pink, but only the observant eye of the poet caught him and clothed him in words. Therefore, good descriptions require not only a rich language, but also observation - you can wander the streets and take pictures, or you can simply save your favorite photos of nature found on the Internet to an album, and then, like at school, write an essay from the picture. So, it's time to put an end to it, because you can talk about pictures forever. 2) The second point is very close to me - I try to enhance the drama of the narration by nature, that is, two types of comparisons go into work: - nature suffers or rejoices along with the hero. Like, according to Rosenbaum, "nature was saddened by rains." Here we will describe a gloomy sky and a gloomy face, raindrops flowing down the cheeks mixed with tears, and now the reader is crying with the hero, because nature itself sympathizes with him. - nature does not care, that is, the hero is crying, and the sunbeams are laughing in the yard. This is very appropriate when the heroes are not understood by the world - neither people nor nature cares about them. Yet sometimes the contrast also reveals the depth of the experience. Like, he would now be jumping with sparrows through the spring puddles, but he doesn’t even have the strength to lift his leg to step over this very puddle. 3) Point - reflective. The hero sits and looks at nature, like the same Prince Andrei. So I, too, became covered with a crust and tired of life - beautiful on top and rotten inside. Excellent - that's the place of action and the state of the hero. Well, something like this. Perhaps not quite what the author wanted, but I tried to write a drabble. If someone likes it, I will gladly develop each point. While that's the case, brainstorming on the topic of the application. Thanks everyone for reading! And good weather in your fics!

sun day

The night disappeared behind a charming cloud, and a pink morning descended on the earth. The sun is about to rise. Its rays are already flashing on the horizon. Everyone is waiting for the morning: plants, animals, people. But why isn't it there yet? Maybe still sleeping sweet sleep? Or maybe they quarreled with the earth and does not want to shine anymore? What now? And yet the east is gradually turning pink. Finally, as if from under a blanket, the sun rose above the horizon, majestic, beautiful.

A ray of water quickly illuminated the forest, surrounding fields, people's houses. The earth sparkled with a green carpet in its radiance. When a ray of sun reached my face, I woke up, smiled cheerfully at him, opened my eyes and welcomed the new day with joy.

Favorite time of year

Most of all I love spring. This, in my opinion, is the best time of the year.

In spring, everything on earth awakens to new life. The snow melts, young green grass appears. Leaves are blooming on trees and bushes. In the spring, migratory birds return to us: starlings, rooks, storks. They begin to build nests, prepare housing for future chicks.

I love watching spring nature. To see how everything around is updated, decorated after winter sleep. Creeks sing merrily, feathered musicians praising the arrival of spring in all voices. The air is filled with the aromatic smell of plants. Spring is a renewal in nature. That is why I love her.

Dawn

I love to meet the first flashes of the awakening of a new day. Long before sunrise, the sun announces its arrival. It colors the night sky with its rays, extinguishes the stars.

I love to meet the sun, play and flutter the morning flashes of its rays. First, a crimson-red stripe appears on the horizon. Then it turns orange, pink, and then everything around was filled with the sun. And as if for the first time you see a green leaf, a tree that grows up to my window, and a light fog over your hometown, awakens to a new day.

And now the dawn is replaced by a new day, filled with the worries of people's lives, and I hear a gentle: "Good morning, son!"

gold autumn

Here comes the warm summer. Autumn has come. Imperceptibly she crept up to our gardens, fields, groves, forests. At the end of August, the trees began to be covered with yellow leaves, and now it was already sparkling in the sun, like gold. The trees stood in a crimson, yellow letter, which slowly came to the floor. The ground was covered with colored leaves, as if walking on a beautiful carpet. I love to listen to the rustling of fallen leaves, to look at the magical autumn paintings on maple leaves. A short Indian summer flashed by, midwives began with cold, the feathered musicians fell silent. So it's time to say goodbye to the golden autumn.

Essay-description based on the painting by Belokur “Flowers behind the wattle fence”

In the picture Belokur - beautiful flowers against the background of a clear, serene sky. They can be divided into two bouquets. One, near, is in the shade, the second is more expressive, light, illuminated by the sun's rays. There are few flowers: red, green, white, blue. But many intermediate colors are accepted.

I think the craftswoman loves nature very much, immensely in love with flowers. And there are many of them here. Pink mallow reach for the sun. A climbing birch trudged along a birch branch. Snow-white daisies and orange lilies, pink-red tulips and nasturtium with cherry veins on the petals captivate the eye.

The picture captivates with the harmony of colors and shapes, delights with beauty and craftsmanship.

How to describe nature, like the classics?

Textbooks, monographs, articles have been written on this topic, which provide examples, talk in detail about language tools, techniques, ways of depicting nature in literature, but the authors continue to ask the question. Why? Because in practice it is not so easy to understand, but HOW does it all work?

In my opinion, a “step-by-step” comparison, which I will resort to in my article, can help.

I must say right away that writers, like artists, can be portrait painters, battle painters, landscape painters, from landscape painters - marine painters, etc. Conditionally, of course.

Perhaps you are good at battle scenes, then you should not get hung up on landscape descriptions, it is quite possible to get by with accurate and understandable characteristics: “the sky darkened”, “it started to rain”, “sunny morning” and so on. With a few strokes, indicate the time of year, time of day, place of action, weather conditions and follow their changes as the story progresses. As a rule, this is enough for the reader to understand what, where and under what circumstances is happening.

If you want the landscape to be not just a background, but a “speaking” background, a special character of the work (perhaps the main one), who can play a special role and occupy a special place in the plot, then, of course, you need to learn from the classics.

I want to offer you a study game, you will understand the principle and then you can do a step-by-step comparison yourself.

So, we have three small excerpts from the stories of famous landscape writers - Turgenev, Prishvin, Paustovsky.

The passages have three important things in common:

1. The story is told from the 1st person.

2. The same theme: the autumn morning begins.

3. All or some of the attributes of autumn: a feature of light, sky, leaf fall, breeze, birds.

Let's just read them carefully. As you read, you can note something special, in your opinion, for each author.

№ 1

I was sitting in a birch grove in autumn, about half of September. From the very morning a fine rain fell, replaced at times by warm sunshine; the weather was erratic. The sky was now all clouded over with loose white clouds, then it suddenly cleared in places for an instant, and then behind the parted clouds a azure appeared, clear and tender, like a beautiful eye. I sat and looked around and listened. The leaves rustled a little over my head; one could tell from their noise what season it was then. It was not the cheerful, laughing thrill of spring, not the soft whispering, not the long talk of summer, not the timid and cold babble of late autumn, but barely audible, drowsy chatter. A light wind blew a little over the tops. The inside of the grove, damp from the rain, was constantly changing, depending on whether the sun shone or was covered by a cloud; she then lit up all over, as if all of a sudden everything in her smiled: the thin trunks of not too frequent birches suddenly took on a delicate reflection of white silk, the small leaves lying on the ground suddenly became full of color and lit up with pure gold, and the beautiful stems of tall curly ferns, already painted in their autumn color , similar to the color of overripe grapes, they shone through, endlessly confused and intersecting before my eyes; then suddenly everything around us turned slightly blue again: the bright colors instantly went out, the birches stood all white, without shine, white, like freshly fallen snow, which the coldly playing ray of the winter sun had not yet touched; and furtively, slyly, the tiniest rain began to sow and whisper through the forest. The foliage on the birch trees was still almost all green, although it had noticeably turned pale; only in some places stood alone, young, all red or all gold, and one had to see how she flashed brightly in the sun when its rays suddenly made their way, sliding and variegated, through a frequent network of thin branches that had just been washed away by the sparkling rain. Not a single bird was heard: everyone took shelter and fell silent; only occasionally did the mocking voice of the tit tinkle like a steel bell.

№ 2

Leaf after leaf falls from the linden onto the roof, which leaf flies like a parachute, which moth, which cog. And meanwhile, little by little, the day opens its eyes, and the wind lifts all the leaves from the roof, and they fly to the river somewhere along with migratory birds. Here you stand on the shore, alone, put your hand to your heart and fly somewhere with your soul, along with the birds and leaves. And so it is sad, and so good, and you whisper softly: - Fly, fly!

It takes so long for the day to wake up that by the time the sun comes out, we've already had dinner. We rejoice at a good warm day, but we are no longer waiting for the flying cobweb of Indian summer: everyone has scattered, and the cranes are about to fly, and there the geese, rooks - and everything will end.

№ 3

I woke up on a gray morning. The room was filled with a steady yellow light, as if from a kerosene lamp. The light came from below, from the window, and illuminated the log ceiling most brightly.

The strange light, dim and motionless, was unlike the sun. It was the shining autumn leaves. During the windy and long night, the garden shed dry leaves, they lay in noisy piles on the ground and spread a dull glow. From this radiance, the faces of people seemed tanned, and the pages of the books on the table seemed to be covered with a layer of wax.

This is how autumn began. For me, it came right away this morning. Until then, I hardly noticed it: there was still no smell of rotten leaves in the garden, the water in the lakes did not turn green, and the burning hoarfrost did not yet lie in the morning on the plank roof.

Autumn has come suddenly. This is how a feeling of happiness comes from the most inconspicuous things - from a distant steamboat whistle on the Oka River or from a random smile.

Autumn came by surprise and took possession of the land - gardens and rivers, forests and air, fields and birds. Everything immediately became autumnal.

Every morning in the garden, as on an island, migratory birds gathered. Whistling, screeching and croaking, there was a commotion in the branches. Only during the day it was quiet in the garden: restless birds flew south.

The leaf fall has begun. Leaves fell day and night. They then flew obliquely in the wind, then lay down vertically in the damp grass. The forests were drizzling with a rain of falling leaves. This rain has been going on for weeks. Only towards the end of September the copses were exposed, and through the thicket of trees the blue distance of the compressed fields became visible.

Surely you have noticed interesting comparisons, vivid epithets, something else ...

Note that although the descriptions are in 1st person, the narrators are fulfilling their task. Compare:

This is a good technique, not only to understand - from what person you need to write - but also to set the author's task for the narrator in order to convey the idea.

For some reason, many people believe that there is no special idea in the description of nature, except for the transfer of nature itself, but our example shows that it does not just exist, but should be, which distinguishes one text from another.

Epithets, comparisons, etc. are a must. It is widely believed that the autumn landscape, its colors should be conveyed by "color" epithets, imitating Pushkin's "forests dressed in crimson and gold."

But what about the classics? And they have this:

How so? In Paustovsky, colors do not play a special role at all, although the color is included in the title. Prishvin does not have them at all. Even in Turgenev, where the hero is a contemplative and must convey all the beauty, only ten times the color is mentioned, and out of ten - four times white, two times the color conveys the action, one is expressed by a noun, two are very conditional and only "red" does not cause any doubt.

At the same time, the reader clearly feels and "sees" all the colors of autumn.

Each classic has its own reception.

Turgenev loves "cross-cutting" indirect and direct comparisons:

● "...because of the parted clouds, azure appeared, clear and gentle, like a beautiful eye."

● "... thin trunks of not too frequent birches suddenly took on a gentle reflection of white silk ..."

● "...beautiful stems of high curly ferns, already painted in their autumn color, similar to the color of overripe grapes, could be seen through, endlessly confused and intersecting before my eyes..."

In Paustovsky, direct comparisons often bring the object closer to the subject, that is, the attribute of autumn to the attributes of human life:

● "The room was filled with a steady yellow light, as if from a kerosene lamp."

● "From this radiance, people's faces seemed tanned, and the pages of books on the table seemed to be covered with a layer of wax."

However, for Paustovsky it is more important to show the suddenness of what is happening, the unexpected happiness of the autumn space, as a new horizon for a person.

Prishvin, on the other hand, chooses a certain “center”, “core”, around which the picture of the autumn morning is formed. In this passage, it is "flight". Words with the same root sound nine times, not being a tautology at all, but drawing, creating a pattern of autumn fast time.

Let's look at other, familiar to everyone, autumn attributes of the classics. You will see that the above techniques are repeated here.

The classics see the same thing that all people see in autumn, they always take this general (even standard), but convey it in their own way.

You can, of course, not use the general, but then be prepared for the fact that not all readers will perceive your autumn, if they recognize it at all.

However, if everything was limited only to this, we would not recognize the author by style.

Style is made by special features (there may be several), which are repeated from story to story, loved by the authors, filled with a special meaning - this is already a talent.

For Paustovsky, these are constructions with “not”, you yourself can count how many particles and prefixes “not” are in the text: “The strange light - dim and motionless - was unlike the sun.”

Another oxymoron: "burning frost."

And, of course, contrasts: leaf fall / rain, the arrival of autumn / unexpected happiness, etc.

For Prishvin, this is an internal dialogue, a fusion of nature and man: “... put your hand to your heart and fly somewhere with your soul, along with birds and leaves.”

“Speaking” details, personifications: “flying cobweb of summer”, “day opens eyes”, leaf “flies like a parachute” ...

Turgenev has the “matryoshka” technique, when the images are layered and create a picture:

1) The foliage is still green... → 2) it has turned pale somewhere... → 3) one of them is an autumn tree... → 4) it flares up from the beam... etc.

Even Turgenev often uses the “shifter” technique unpredictably, but accurately.

Here it is expressed by comparison: “... the birch trees were all white, without shine, white, like freshly fallen snow, to which the coldly playing ray of the winter sun had not yet touched ...”

And here, with an aptly found word: “The foliage on the birches was still almost all green, although it had noticeably turned pale; just stood alone somewhere young, all red or all gold, and it was necessary to see how it flashed brightly in the sun ... ”, - many would say this about a spring birch, and here about an autumn one - young, radiant.

So let's sum it up:

1. If you need nature only as a background, mark the season, time of day, place of action, weather conditions with a few strokes and follow their changes as the story progresses.

2. It is important not only to understand from what person nature should be written, but also to set the author's task for the narrator in order to convey only his own idea.

3. It is important to know the attributes, a general idea of ​​autumn, but to convey them using observational methods, associations, linguistic means, filling the images with your vision, meaning.

4. The choice of the “center”, “core”, around which the picture of nature unfolds, helps.

5. Nothing human is alien to anything and no one - the landscape too. Do not be afraid of man in the description of nature.

6. Look for your chips, do not forget about them, immediately write down the words, phrases that suddenly came to mind when you were walking in the forest.

7. Read, without it - in any way!

Of course, there are a great many techniques and ways to convey nature in a work. We have considered only three passages. The ability to see a beautiful comparison, epithet, personification in a book, appreciate it, admire it is good, but not enough. It is also important to learn how to compare, explore and, on this basis, look for your own. Good luck.

© Almond 2015

Essay - description

Nature - the material world of the Universe, in essence - the main object of study of science. In everyday life, the word "nature" is often used in the meaning of the natural habitat (everything that is not created by man).
A corner of nature can be found everywhere: on the street, at home, at school, at work in the form of simple flower pots or flowers in a vase that people give to please those who they present them to. But I have a difficult, but let’s say, not the worst task - to describe something so beautiful, charmingly fragile, perfect in its beauty, creative, so that the description of “this” would not bore those reading my essay and, of course, evaluated positively. At the very beginning of my reflections, I thought to describe the nature of my beloved city of Almaty. Trees that in summer give the city a lively blooming look, despite the clutter and a large number of cars that spoil the air. In autumn, the leaves are painted in different tones of yellow, red, green, but in winter this color fades and snow appears on the branches, which shelters them from the cold and wet wind. In the spring, we feel the pleasant smell of blooming lilacs, apples, apricots, which subsequently take on appetizing forms and we want to pick, but we are afraid that a neighbor of retirement age will come out and drive her away, with the experience of a soldier driving the enemy from the battlefield behind her, and such a desired piece of free happiness turns into "quickly hide and rip off."
And yet my thoughts have come to such an urgent solution to the problem, which I hope no one has thought of before me! (At this point, you need to giggle, rubbing your palms together, over the genius and greatness of my imagination) I decided to describe a flower that grows on high limestone mountains and about which legends were made by those who knew how to do it. This flower for me is the most incomprehensible combination of tenderness, vulnerability, beauty, intertwined with a thirst for life, perseverance and determination. I think everyone knows the legend of Edelweiss, scientists call it Leontopodium, which means lion's paw. It has become a symbol of inaccessibility and good luck. Imagine a steep limestone mountain, and somewhere in the depths of the rocks this fragile flower, only 15-25 cm long, is hiding. Its petals seem to be covered with frost, which surround the inflorescence in the form of a star. The size is not at all large, it seemed unremarkable, but there are so many secrets and mysteries in it that fascinates and makes one marvel at such perfect beauty. A soothing beautiful sight, as rare as it is unusual, and found in special places where harmony reigns.