The problem of the valley love test is hard mental work. Love is a difficult mental work, not everyone can master it. Complex text analysis

Love is a difficult spiritual work, not everyone can master it. But everyone dreams of her, looking for her. What are we looking for in love? We are looking for in it a way out of loneliness, spiritual support. It is important for us to know that everything that happens to us, everything that concerns us is important and dear to a loving person. And on the other hand, this person needs us, our care, help, our understanding. Friends - even the closest ones - can only love us. And we are looking for someone who will share our lives, with whom we will share not only joys, but also pains and resentments ... But when love is born, how to raise it so that it survives? How to keep yourself, than to keep the one you love, to remain the one and only among all women, as the rose of the Little Prince remained the only one in the garden, where there were five thousand of the same roses? Many years ago, when I was still a teenager, an elderly woman told me a secret: it is not difficult to win love, it is difficult to keep it. Then I could not understand the worldly wisdom of this secret: I saw something shameful in the word "keep". After all, I read Pushkin: “Who can keep love?” and Blok: “Oh yes, love is free like a bird.” But in fact, there are, there are secrets and laws of love, and Saint-Exupery was one of those who know these secrets. When the Little Prince just started his journey, he visited the planet where the old king lived. Seeing that his guest was tired and therefore yawning, the ruler was not offended, but ordered him to yawn. “Everyone should be asked what he can give. Power must be reasonable,” said the king. In youth, we do not think about the limits of our power over our beloved and loving person, and very often we violate the wise law of the old king: "power must be reasonable." Young wives, yesterday's girls, feeling a ring on their finger - a symbol of absolute power - suddenly begin to demand from their dumbfounded husbands no less than the famous old woman demanded from a goldfish. And in love, no one owes anything to anyone. The main and indisputable law of love is its voluntariness: -I am standing here, under your windows, not because you ordered me, but because I cannot do otherwise. - I cook soup for you and iron your shirts, because it is a pleasure for me to serve you.
When you know that you will endure and endure everything for the sake of the one you love, then love begins. When you know that your power over him is patient, you will not order him to turn into a sea gull, you will patiently tame him, and he will tame you until you become the only one for each other in the whole world. (WITH)

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(1) Love is a difficult mental work, not everyone can master it. (2) But everyone dreams of her, looking for her. (3) What are we looking for in love? (4) We are looking for in her a way out of loneliness, spiritual support. (5) It is important for us to know that everything that happens to us, everything that concerns us is important and dear to a loving person. (6) And on the other hand, this person needs us, our care, help, our understanding. (7) Friends - even the closest ones - can only love us. (8) And we are looking for someone who will share our life, with whom we will have in common not only joys, but also pains and insults ...

(9) But when love is born, how to raise it so that it survives? (10) How to keep yourself, than to keep the one you love, in order to remain the one and only among all women, like the rose of the Little Prince remained the only one in the garden, where there were five thousand of the same roses?

(11) Many years ago, when I was still a teenager, an elderly woman revealed a secret to me: it is not difficult to win love, it is difficult to keep it. (12) Then I could not understand the worldly wisdom of this secret: I saw something shameful in the word "keep". (13) After all, I read Pushkin: “Who is able to keep love?” and Blok: “Oh yes, love is free like a bird.”

(14) But in fact, there are secrets and laws of love, and Saint-Exupery was one of those who know these secrets.

(15) When the Little Prince just started his journey, he visited the planet where the old king lived. (16) Seeing that his guest was tired and therefore yawning, the ruler was not offended, but ordered him to yawn.

“(17) Everyone should be asked what he can give. (18) Power must be reasonable,” said the king.

(19) In youth, we do not think about the limits of our power over a loved and loving person, and very often we violate the wise law of the old king: "power must be reasonable." (20) Young wives, yesterday's girls, feeling a ring on their finger - a symbol of absolute power - suddenly begin to demand from dumbfounded husbands no less than the famous old woman demanded from a goldfish.

(21) And in love, no one owes anything to anyone. (22) The main and indisputable law of love is its voluntariness: I am standing here, under your windows, not because you ordered me, but because I cannot do otherwise.

(23) And from a different position: I cook soup for you and iron your shirts, because it is a joy for me to serve you.

(24) When you know that you will endure and endure everything for the sake of the one you love, then love begins. (25) When you know that your power over him is patient, you will not order him to turn into a sea gull, you will patiently tame him, and he will tame you until you become the only one for each other in the whole world.

(According to N. Dolinina*)

* Natalia Grigorievna Dolinina (1928-1979) - philologist, teacher, writer.

Text Information

Problems

Author's position

1. The problem of finding love. (Why does every person strive to find love?) People strive to find love in order to get away from loneliness and get spiritual support, to share their life with a person: to make common not only joys, but also insults and sorrows.
2. The problem of attitude to love. (How should one feel about newfound love?) Found love must be preserved, cherished and carefully cultivated, and not destroyed, thoughtlessly using power over a loved one.
3. The problem of the essence of love. (What is love? When does love begin?) Love is a difficult mental work that not everyone can do. Love begins when people understand that they will endure everything and endure everything for the sake of their loved ones.
4. The problem of saving love. (Is it necessary to hold on to love? How can you hold on to love? How can you use the power that people have over those who love them?) There is worldly wisdom in the advice to keep love. In order to keep love, one must wisely use the power that a person has over the one who loves him, and not demand the impossible from the lover, but gradually tame him and allow him to tame himself.
5. The problem of the existence of the laws of love. (Are there laws of love?) Love has its own laws, and its main and indisputable law is voluntariness: people do something good for their loved ones, because they themselves receive joy from it, because they cannot live otherwise.

For example, A. Akhmatova, who inherited the best traditions of her great predecessors, is as high as D.S. Likhachev, appreciated the role of Pushkin in our life:

A dark-skinned youth wandered through the alleys,

At the lakeside, the shores were sad,

And centuries we cherish

Barely audible rustle of steps.

Almost all the classics of our literature considered Pushkin their teacher. In particular, A.M. Gorky urged: “Read more often Pushkin, this is the founder of our poetry and we are all always a teacher!” That is why Tyutchev said about Pushkin:

You as first love

Russia will not be forgotten by the heart.

Thus, the role of Pushkin in our life is enormous and enduring.

6. DI. Kabalevsky. “There are still people who treat art, especially music, as entertainment”

1) There are still people who treat art, especially music, as entertainment. 2) What a huge delusion!

3) “I would be sorry if my music only entertained the listeners. I strove to make them better,” wrote Handel, the remarkable German composer of the 18th century.

4) “To strike fire from the hearts of people” - this is what the great Beethoven aspired to.

5) The genius of Russian music Tchaikovsky dreamed of "bringing comfort to people."

6) How do these words echo with Pushkin’s amazingly simple and clear words: “And for a long time I will be so kind to the people that I awakened good feelings with my lyre! ..”

7) How accurately the poet defined the highest purpose of art - to awaken feelings in people! 8) And this applies to all types of art, including music - the most emotional art.

9) Music is a big and serious part of life, a powerful means of spiritual enrichment.

(According to D. Kabalevsky)

Option 1.

Is it possible to treat art, especially music, as entertainment? This issue is explored by D. Kabalevsky in the text proposed for analysis.

In order to draw attention to this problem, the reliability and accessibility of its solution, to give the text solidity, the author of the text resorts to reasoning with a deductive method of proof. The thesis about the inadmissibility of treating music as entertainment is not given in finished form to attract the reader to co-creation. The main idea of ​​the text is further substantiated by references to the opinions of prominent composers and A.S. Pushkin. In conclusion, the author repeats the main idea, speaking about the importance of music in the spiritual enrichment of a person. All this is important for understanding the commented problem.

The position of the author, as is characteristic of reasoning, is expressed quite clearly in the arguments and conclusion. D. Kabalevsky believes that a frivolous attitude to music is unacceptable, since it makes people better, strikes fire from hearts, brings comfort to people, awakens good feelings. Music, the author concludes, is a powerful means of spiritual enrichment.

For example, for the hero of the novel A.S. Pushkin's "Eugene Onegin" art, unfortunately, did not become a powerful means of spiritual enrichment. For Onegin, the theater is just a meeting place. He is a fickle admirer of charming actresses, an “honorary citizen of the backstage”, for whom the theater is a kind of etiquette, a place where you can see unfamiliar ladies, show yourself to them. Pushkin's hero does not languish with spiritual thirst; he reduces his spiritual life to a cultural pastime. For Pushkin, art is food for the soul. And this is the sharpest difference between the author and his hero and the special role of Pushkin's heritage.

Pushkin, and not his hero, truly loves the theater, which for him is a “magic land”. He idolizes actresses (“My goddesses! What are you? Where are you?”), sings of the “Russian Terpsichore, the flight filled with soul”, creates a captivating image of Istomina. Pushkin perfectly knows the history of the Russian theater, its repertoire, the playwrights of that time. Fonvizin for him is “a bold ruler of satire”, “a friend of freedom”. Speaking about other playwrights of the era, the poet is laconic: “the receptive Knyazhnin (used other people's plots), “the caustic Shakhovskoy” (comedian), “Katenin resurrected Corneille, the majestic genius. One stanza contains an almost complete picture of the life of the theater of Pushkin's time.

Thus, the spiritual life is not a cultural pastime, but a tireless work on the creation of oneself, one's soul. The flight from the painful processes of soul formation to the outside world, to the filling of one's inner emptiness with external stimuli, is a flight to the herd, to death, to an external cultural, faceless standard. This is the anti-Pushkin way.

Option 2.

Why can't art, especially music, be treated as entertainment? D. Kabalevsky explores this problem in his text.

In order to draw attention to this problem, the availability and reliability of its solution, the author resorts to reasoning with a deductive way of presenting thoughts. The thesis about the inadmissibility of a frivolous attitude to art, including music, Kabalevsky substantiates through four arguments. The first three proofs consist only of arguments. The latter, in addition to the argument, has a corresponding explanation. In conclusion, the author repeats the thesis in an extended and problematic version, speaking of music as a serious part of life, a powerful means of spiritual enrichment. Understanding the problem being commented is also facilitated by references to the opinions of prominent composers and poet A.S. Pushkin.

The position of the author, as is characteristic of reasoning, is expressed quite clearly in the thesis, arguments and conclusion. The author believes that treating art, especially music, as entertainment is a huge delusion. After all, music makes people better, strikes fire from their hearts, brings consolation, awakens good feelings. She, according to Kabalevsky, is a powerful means of spiritual enrichment.

One cannot but agree with the position of the author, since there are many confirmations of its legitimacy. In particular, many word artists also believe that art, including music, should not be treated as entertainment.

For example, in the novel by A.S. Pushkin "Eugene Onegin" the main character treats art as entertainment. He goes to the theater not for spiritual enrichment. Eugene Onegin is a fickle admirer of charming actresses, an honorary citizen of the backstage. For him, the theater is also an opportunity to make new acquaintances, to look at the ladies, to show oneself. What is happening on the stage, the hero of Pushkin is of little interest. He arrives at the theater not at the beginning of the performance and leaves without waiting for it to end.

And Eugene Onegin is not alone in the novel. Many people go to the theater to show themselves. For example, "shock Phaedra, Cleopatra, // call Moina in order // to be heard only".

F.M. Dostoevsky said: "Beauty will save the world!" Maybe he meant music.

7. N.G. Valley. “Love is a hard mental work…”

(1) Love is a difficult mental work, not everyone can master it. (2) But everyone dreams of her, looking for her. (3) What are we looking for in love? (4) We are looking for in her a way out of loneliness, spiritual support. (5) It is important for us to know that everything that happens to us, everything that concerns us is important and dear to a loving person. (6) And on the other hand, this person needs us, our care, help, our understanding. (7) Friends - even the closest ones - can only love us. (8) And we are looking for someone who will share our life, with whom we will have in common not only joys, but also pains and insults ...

(9) But when love is born, how to raise it so that it survives? (10) How to keep yourself, than to keep the one you love, in order to remain the one and only among all women, like the rose of the Little Prince remained the only one in the garden, where there were five thousand of the same roses?

(1) Love is a difficult mental work, not everyone can master it. (2) But everyone dreams of her, looking for her. (3) What are we looking for in love? (4) We are looking for in her a way out of loneliness, spiritual support. (5) It is important for us to know that everything that happens to us, everything that concerns us is important and dear to a loving person. (6) And on the other hand, this person needs us, our care, help, our understanding. (7) Friends - even the closest ones - can only love us. (8) And we are looking for someone who will share our life, with whom we will have in common not only joys, but also pains and insults ...

(9) But when love is born, how to raise it so that it survives? (10) How to keep yourself, than to keep the one you love, in order to remain the one and only among all women, like the rose of the Little Prince remained the only one in the garden, where there were five thousand of the same roses?

(11) Many years ago, when I was still a teenager, an elderly woman revealed a secret to me: it is not difficult to win love, it is difficult to keep it. (12) Then I could not understand the worldly wisdom of this secret: I saw something shameful in the word "keep". (13) After all, I read Pushkin: “Who is able to keep love?” and Blok: “Oh yes, love is free like a bird.”

(14) But in fact, there are secrets and laws of love, and Saint-Exupery was one of those who know these secrets.

(15) When the Little Prince just started his journey, he visited the planet where the old king lived. (16) Seeing that his guest was tired and therefore yawning, the ruler was not offended, but ordered him to yawn.
“(17) Everyone should be asked what he can give. (18) Power must be reasonable,” said the king.


(19) In youth, we do not think about the limits of our power over a loved and loving person, and very often we violate the wise law of the old king: "power must be reasonable." (20) Young wives, yesterday's girls, feeling a ring on their finger - a symbol of absolute power - suddenly begin to demand from dumbfounded husbands no less than the famous old woman demanded from a goldfish.

(21) And in love, no one owes anything to anyone. (22) The main and indisputable law of love is its voluntariness: I am standing here, under your windows, not because you ordered me, but because I cannot do otherwise.
(23) And from a different position: I cook soup for you and iron your shirts, because it is a joy for me to serve you.

(24) When you know that you will endure and endure everything for the sake of the one you love, then love begins. (25) When you know that your power over him is patient, you will not order him to turn into a sea gull, you will patiently tame him, and he will tame you until you become the only one for each other in the whole world.

(According to N. Dolinina*)

* Natalia Grigorievna Dolinina (1928-1979) - philologist, teacher, writer.

Of our entire company after the war, only Venya and I remained. (2) Vadim went missing, Misha died, Boris died in the blockade of Leningrad, Ira died of typhus, Luda died a few years ago, Inna left for Moscow. (3) We didn’t even notice how we were left alone with him. He came to me on Sunday, at twelve o'clock. (5) I just walked by and went in, without a call, for no reason. (b) We usually saw each other on holidays, birthdays. (7) I didn’t want to talk, we sat down, drove two games of chess.

    (8) Let's go for a walk, he suggested.
Rare snow fell; the sky, low, grey, hung like damp laundry.
    (10) Okay, - I said reluctantly, - I will accompany you.
On the street, we talked with him about China, about our diseases, I brought him to a stop and suddenly said:
    Let's go to Vadim.
He was not surprised, but was silent for a long time, then asked:
    What for? (13) Do you think Galina Osipovna will be pleased with this?
No, I didn't think so.
    (15) And to us? (16) Is it worth it? (17) As you wish.
Although his tram approached, we took another number, drove to the circus and walked along the Fontanka. (19) All the way we discussed the death of American astronauts. (20) A hundred steps before Vadim's front door, I stopped:
    What shall we say? (21) Let's say that we had been going for a long time, but everyone thought it was inconvenient. (22) And now it's convenient? (23) You are a resourceful guy. (24) Well, let's not go, - Venya patiently agreed. (25) It’s better to say that we were nearby by chance.

(26) So it seemed easier to me, maybe because it was not true. (27) Doomedly, we rearranged our legs. (28) Cowardice and fear tormented us. (29) How many times over the years have I happened to pass this gray granite house on the Fontanka.

I quickened my pace, averted my eyes, as if someone was watching me. (31) Gradually I got used to it. (32) Almost mechanically, just to get off, I noted - this is Vadim's house. (33) Everything else was compressed in his name, and feelings were also compressed. Indeed, why didn't we visit his mother, his closest friends? We were met by Nina Ivanovna, aunt Vadima:

    Galina Osipovna died thirteen years ago...
It was so long ago that I felt only belated pity. (37) We really are very, very late with the visit. Thirteen years... (39) I had no idea. (40) It turns out that she died a few years after I stopped visiting. (41) It was not necessary to link these events. (42) Apparently, I then assured myself that it was cruel to make her reopen wounds. (43) I couldn’t help her in any way - what was the point of coming? Is it necessary to visit the wives and mothers of our dead comrades - that's the question ... (45) You always feel guilty. (46) And what? (47) What remained alive? It's my fault that I'm healthy, that I'm laughing. (49) Galina Osipovna, of course, did not understand why they did not come to her, what happened. (50) But something happened ... (51) However, nothing happened, everything was very good, that's the point ... We stood, not knowing how to leave. (53) Because it was harder than coming here.
    (54) Excuse me, we have to go, - Venya said hoarsely. (55) Well, you boys, I was glad, - Nina Ivanovna ceremoniously bowed her head. - (56) Who would have thought ...

(57) Nevsky Prospect was deafened by the noise of Sunday crowds. (58) Fast heels pounded, cars rushed, sounds collided, scattered, disturbing, as if they were looking for someone.

    (59) They disturbed, stirred up, - said Venya. - (60) It’s hard for her, and it’s hard for us. (61) It's strange, what drew us? (62) Are you sorry? (63) No, he said. - (64) Someday we should have come.

* Daniil Aleksandrovich Granin (born in 1919) is a Russian Soviet writer and public figure.

Text from the exam

(1) Love is a difficult mental work, not everyone can master it. (2) But everyone dreams of her, looking for her. (3) What are we looking for in love? (4) We are looking for in her a way out of loneliness, spiritual support. (5) It is important for us to know that everything that happens to us, everything that concerns us is important and dear to a loving person. (6) And on the other hand, this person needs us, our care, help, our understanding. (7) Friends - even the closest ones - can only love us. (8) And we are looking for someone who will share our life, with whom we will have in common not only joys, but also pains and insults ...

(9) But when love is born, how to raise it so that it survives? (10) How to keep yourself, than to keep the one you love in order to remain the one and only among all women, like the rose of the Little Prince remained the only one in the garden, where there were five thousand of the same roses?

(11) Many years ago, when I was still a teenager, an elderly woman revealed a secret to me: it is not difficult to win love, it is difficult to keep it. (12) Then I could not understand the worldly wisdom of this secret: I saw something shameful in the word "keep". (13) After all, I read Pushkin: “Who is able to keep love?” and Blok: “Oh yes, love is free like a bird.”

(14) But in fact, there are secrets and laws of love, and Saint-Exupery was one of those who know these secrets.

(15) When the Little Prince just started his journey, he visited the planet where the old king lived. (16) Seeing that his guest was tired and therefore yawning, the ruler was not offended, but ordered him to yawn. “(17) Everyone should be asked what he can give. (18) Power must be reasonable,” said the king.

(19) In youth, we do not think about the limits of our power over a loved and loving person, and very often we violate the wise law of the old king: "power must be reasonable." (20) Young wives, yesterday's girls, feeling a ring on their finger - a symbol of absolute power - suddenly begin to demand from dumbfounded husbands no less than the famous old woman demanded from a goldfish.

(21) And in love, no one owes anything to anyone. (22) The main and indisputable law of love is its voluntariness: I am standing here, under your windows, not because you ordered me, but because I cannot do otherwise. (23) And from a different position: I cook soup for you and iron your shirts, because it is a joy for me to serve you.

(24) When you know that you will endure and endure everything for the sake of the one you love, then love begins. (25) When you know that your power over him is patient, you will not order him to turn into a sea gull, you will patiently tame him, and he will tame you until you become the only one for each other in the whole world.

(According to N. Dolinina)

Introduction

Love is the strongest emotion that fills our life with meaning and special meaning. For the sake of love, we perform feats, for the sake of love we compose poems and songs, we sacrifice everything for the sake of happy moments next to our loved one. Love pushes us to crime and revives us to a new fabulous life.

Does love bring happiness? Mutual - yes, but not always this feeling resonates in the heart of the object of adoration. The thing is that not each of us is able to build our relationships correctly, treat the one you love and who loves you correctly.

Problem

Comment

She says that love is a complex mental work that not every person can do. Of course, everyone dreams of love, hoping to find salvation from loneliness in it. We long to share our whole life with someone, not only its joyful moments, but also pain, resentment, injustice.

Taking care of someone also brings us a kind of spiritual satisfaction, especially the realization that we are needed and needed by someone. This feeling fills our existence with significance.

Further, the author reflects on how love is born and what needs to be done to keep it. Sometimes in youth it seems insulting to us the expression “keep love”, because according to the legend of poets, love is free like a bird. But N. Dolinina recalls the work of A. Saint-Exupery "The Little Prince", who comprehended the secret of love and found his only rose.

Traveling around the planets, the Prince met the old king, who knew the only true law of life: “Everyone should be asked what he can give. The government must be reasonable." The author applies these words to the relationship between a man and a woman.

In our society, families exist according to other principles - inexperienced wives begin to demand too much from their husbands.

Author's position

N. Dolinina is convinced that in love no one owes anything to anyone. The main rule of love is its voluntariness. A person will sing serenades under the window or cook food, not because he was ordered to do so, but because he so wants to.

According to the author, love is when you feel that you can endure all the obstacles on the way for the sake of your loved one. When the power over a person is patient and does not force him to reincarnate into what he is not, then, having tamed each other, you will become the only and irreplaceable for each other.

own position

I understand what the author wants to say. Freedom is essential to love. If, due to distrust, jealousy, or for other reasons, it is absent, then sooner or later the feeling will wither, die. You can not force a person to love, not to change, to perform feats or give gifts. Love is voluntary and free in its manifestations.

Argument #1

In the play by A.N. Ostrovsky's "Thunderstorm" we see a vivid example of how love dies under the yoke of rules and restrictions that no one needs. Katerina and Tikhon are a young married couple who live in the house of a merchant's wife, Kabanova, who idealizes the house-building commandments. She turns her son against his wife Katerina, forcing her to keep her in fear and obedience.

Katerina loved her husband, but in conditions of despotism and an atmosphere of oppression, her love faded away. As a result, the girl cheated on her husband, and subsequently committed suicide.

Argument #2

I recall an example from the novel by M.Yu. Lermontov "A Hero of Our Time", where the main character Grigory Pechorin kidnapped a Chechen girl he liked and, locking her in a fortress, demanded reciprocal feelings from her. However, having tried everything - from persuasion to bribery, only by allowing her to leave, he achieved his goal. When the girl felt free, she realized that she also loved the young Russian officer. And for a while they were really happy.

Conclusion

Love is a fragile and strong concept at the same time. How we treat our chosen ones depends on how happy we build a family, how long our union will be.

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