Lidia Nikolaevna Kozlova is familiar to fans of the national stage, first of all, with her hit "Iceberg", performed by Alla Pugacheva. Lidiya Kozlova-Tanich: “Misha loved to host big companies Inga Kozlova Tanich’s daughter year of birth

The childhood of Mikhail Tanich, the years of the war

Misha was born into a Jewish family in the provincial Taganrog. His last name at birth is Tankhilevich. He began to read at the age of four, and soon wrote his first poems. The boy's biggest hobby was football.

He replaced everything for Michael. The first soccer ball given to him by his father appeared at the age of five. Misha tried to draw, but realizing that he was not the first in this business, he stopped doing it. But he always wrote poetry, realizing that he did it very well. From childhood, Tanich accepted only victories, did not tolerate losses. When he was only fourteen years old, his father was shot and his mother was arrested. Misha moved to his maternal grandfather in Mariupol. He graduated from school in 1941, and in May 1943 (according to other sources, in July 1942) Mikhail was drafted by the Kirov district military registration and enlistment office of the Rostov region into the Red Army.

Mikhail Tanich. Once again about love

He fought on the Belarusian and Baltic fronts. In 1944, Tanich was seriously wounded, was near death. Considering the young man dead, he was almost buried in a mass grave.

Arrest of Mikhail Tanich

Arriving after the victory in Rostov-on-Don, Mikhail became a student at the Civil Engineering Institute, but he did not have time to graduate from it, as he was arrested. The reason for this was the talk about the Germans, their way of life, German cars. Tanich was arrested under an article for anti-Soviet agitation. Reported, most likely, one of the students.

At first he was in prison, and then he was sent to a camp for logging. The camp was located in the area of ​​Solikamsk. Thanks to the fact that Mikhail ended up in the brigade responsible for visual agitation in the camp, he survived. All the people who arrived with him and got directly to the felling of the people did not survive. Thus passed six years of his life. He returned under an amnesty only after Stalin's death.

The beginning of the work of the poet Mikhail Tanich

At first, Mikhail lived on Sakhalin. In the local newspaper, he published his poems, signing them with the name Tanich.

The poet was rehabilitated only in 1956, which meant that from that time on he had the right to live in Moscow. There he settled. Mikhail changed his surname to Tanich. He worked in the press, as well as on the radio. A year later, the first collection of his poems was published.

Once Tanich, while at the Moskovsky Komsomolets publishing house, met Yan Frenkel. Their joint work was the song "Textile Town", which gained popularity among listeners. It was performed by several famous singers, among them Maya Kristalinskaya and Raisa Nemenova. Mikhail considered the meeting at the publishing house with Frenkel to be significant. He said that if it were not for her, it is not known how his creative fate would have developed.

Mikhail Tanich and gr. "Lesopoval" - I understand

The fact that the song has become a favorite for many listeners, he realized when buying ice cream, he heard the saleswoman humming it. He was proud and even told her that it was his song. The saleswoman, of course, did not believe.

The best poems and songs of Mikhail Tanich

After such a successful co-authorship, Tanich worked more than once with other poets and composers, these are Nikita Bogoslovsky, Eduard Kolmanovsky, Oscar Feltsman and Vladimir Shainsky. The result of working with Yuri Saulsky was the appearance of the popularly beloved song "Black Cat". For the beginning Alla Pugacheva, the poet wrote the song "Robot", the music was written by Levon Merabov. Subsequently, the poet regretted that Alla Borisovna found other authors for herself. He thought he could write a lot of hits for her. Such singers, who later became famous, like Igor Nikolaev and Vladimir Kuzmin, collaborated with Tanich at the beginning of their career. The first hit "Iceberg" was written by Nikolaev to the verses of Mikhail Isaevich. Kuzmin performed at the "Song of the Year" for the first time with a song that was also directly related to Tanich.


The well-known song "Three Minutes", performed by Valery Leontiev, was once written specifically for Alexander Barykin, but he did not want to perform it. The first video clip of Igor Sarukhanov was filmed for a song called "Guy with a Guitar", its words were written by Mikhail Isaevich.

Many songs were written by the poet for Larisa Dolina, Edita Piekha and Alena Apina. Tanich especially liked working with Apina, he was impressed by her character, he called this singer “his own”.

Mikhail Tanich and the Lesopoval group

The poet was the organizer of the Lesopoval group. Its leader was Sergei Korzhukov, who was both a singer and a composer. Unfortunately, in 1994 he died. A year later, thanks to Sergey Kuprik, who became the new soloist, the group seemed to be reborn. Alexey Fedorkov became the composer and arranger.

Mikhail Tanich. Poems (On Victory Day. Hour of Memories 1993)

At the end of the poet's life, "Lesopoval" was his main project. Fifteen albums were released during his lifetime, the sixteenth was released after Tanich's death. For "Lesopoval" he wrote more than three hundred songs. Initially, Tanich thought that the group would perform Russian chanson. Later, journalists wrote about "Lesopoval" as a musical group performing "blatnyak".

Currently, both Fedorkov and Kuprik have left the group, and Tanich is no longer there. But more and more new songs continue to appear, for which Mikhail Isaevich left verses. A new album is currently being prepared for release. Fifteen books were published by the poet during his life. The last two came out in 1998.

Death of Mikhail Tanich

Somehow the poet felt bad. Arriving ambulance decided to hospitalize. It was April 10, 2008. The poet stayed in the hospital for a week, the condition only worsened. He was transferred to intensive care. On the 17th, the poet died.

Personal life of Mikhail Tanich

Elfriede Lane is a German woman with whom Mikhail began a serious relationship while at the front, but they did not end with a wedding. After the war, she lived in Germany.

The poet's first wife divorced him while he was serving his sentence. Her name was Irina. The second wife of Mikhail was Lydia Kozlova. He met her at a party where she sang, and these were songs based on his poems. Then she did not yet know that the author of these poems was in their company. It was in Volzhsky. They soon got married. The couple moved to the capital when the poet was rehabilitated. Lydia and Mikhail had two daughters, who later gave them two grandchildren.

The famous poetess Lidia Nikolaevna Kozlova was born in 1937 in a poor family. Childhood passed in a difficult wartime. The girl studied at an ordinary Moscow school.

Lydia graduated construction college in Stalingrad. After graduating from a technical school, Lidia Nikolaevna left to work in her specialty to Saratov. Young beauty offered a job at the Volga hydroelectric power station.

Career

In her youth Lydia Kozlova learned to play the guitar. The girl sang well and even wrote poetry. Lydia was talented and artistic, so she devoted all her free time to her favorite pastime.

In 1955 the young poet wrote her first book "Next to the war."

In 1956 secretly from her husband Lidia Nikolaevna began to write compositions based on his poems.

In 1986 a significant event took place in the life of Lydia Nikolaevna. Female met with the head of the Lesopoval group. So Kozlova helped her husband write lyrics for the group.

The poetess is currently produced by the Lesopoval group.

Prophetic dream

In 1956 Lidia Kozlova lived in a rented apartment in Saratov. One day girl performed the ritual who helped her see her future husband in a dream.

Turns out Lydia I saw in a dream a man who looked like Mikhail Tanich. At the first meeting with the great poet, the girl told the man that she had seen him in her dream. However, the skeptical Mikhail did not believe his future wife.

In the 80s the spouses remembered this mystical story. Tanich did not believe in the words of Lydia, considering the words of his wife only a fiction.

Family and Children

In 1956 Lydia met her future husband, a famous poet Mikhail Tanich. The girl showed Mikhail her poems, which the man liked.

Since that time, a fruitful union has arisen between the two creative personalities, which has grown into true love.

Lidia Kozlova and Mikhail Tanich legalized their relationship, however, the poetess did not take her husband's surname.

Spouses lived in Saratov, then moved to Orekhovo-Zuevo. Here the couple two daughters were born Svetlana and Inga. The girls left their mother's surname because they wanted to achieve certain heights in life on their own.

First gift

Lidia Kozlova and Mikhail Tanich lived modestly. The family had to save money, as they raised two daughters. There was no money for luxury gifts at that time.

In 1976 Lydia Nikolaevna received the first gift from her loving husband. Mikhail Isaevich gave Lydia ring with diamonds. The woman was not accustomed to luxury, so she did not accept the gift. Tanich was very offended by his wife.

Six months later, Lydia Kozlova put on a ring. Mikhail was glad that his wife began to wear jewelry. After the death of Tanich, the poetess often recalls this story.

Incredible Success

Before 1976 there were no bright events in the life of Lydia Kozlova. She was engaged in housekeeping and raising children, but she did not forget about her favorite business - continued to be a co-author of her husband.

In 1979 spouses went to England. During a meeting with one lord, the poetess was surrounded by influential men. One lord liked the beautiful Lydia, but the woman did not attach any importance to this.

In 1981 a talented poetess wrote a song "Snow swirls, flies, flies." Lydia did not tell her husband about her creation, but showed the text Sergei Berezin. The team liked the song VIA "Flame".

Thus was born the first hit of the poetess is the song "Snowfall".

The history of the song "Iceberg"

In 1983 between Kozlova and Tanich there was a quarrel. The couple reconciled, but the family "drama" became the reason for the creation of the song "Iceberg".

Family friend Igor Nikolaev wrote music to lyrics by Lydia Nikolaevna. The singer did not dare to show his work for a very long time Alla Pugacheva.

One fine day, the Primadonna heard a song that she really liked. However, there is an opinion that for the first time this song was performed by Olga Zarubina.

Second hit talented Lydia - song "Iceberg"- sounded in the program “Song of the Year-1984”

Weather in the house

In 1997 Kozlova's husband wrote a song "Weather in the house". The lyricist suggested Larisa Dolina perform the composition. The singer agreed, and soon the song became very popular.

Many believed that the song reflected the relationship between Lydia and Mikhail, but both authors refuted this assumption, referring to the conflict Valley with her husband.

Everlasting memory

In 2008 the idol of millions, Mikhail Isaevich Tanich, died of a serious illness. The poet's widow continued the work of Michael and became the head of the Lesopoval group. Now Lydia is preparing for the release of a new album on the poems of her husband.

Lidia Nikolaevna supported daughter Svetlana, which took up the archive of the famous father. In the personal library of Mikhail Isaevich hundreds of unpublished poems and songs.

Today Lydia Kozlova continues to write poetry. Poetess admitted to the Writers' Union of Russia.

Lidia Nikolaevna Kozlova is a beautiful woman, a poetess who for a long time remained in the shadow of her husband Mikhail Tanich. Few people know that it is she who is the artistic director of the Lesopoval group. The life of this poetess-songwriter is very interesting and fascinating.

Childhood and youth

Lida was born on the eve of the Great Patriotic War on November 19, 1937 in Moscow. The childhood of the poetess passed in difficult years for the whole country, when the war destroyed families and cities. Memories of childhood turned out to be the most difficult in the life of the future poetess. She saw not only destroyed cities and destroyed houses, but also felt all the hardships of the post-war period.

In the photo Lida in childhood
Even as a child, Lida began to play the guitar, because she really liked music. There was no opportunity to learn to play the guitar, music schools were closed, so the girl learned a little by herself. At the same time, the future poetess began to sing. Her voice was beautiful, and friends were very fond of listening to songs performed by her.

After graduating from school and receiving a certificate, Lydia immediately enters the construction college. She studied well, did not stand out among her peers. But fellow students loved to listen to her musical performance.


After graduating from a technical school, Lydia, like many of her fellow students, received a job assignment in Volgograd, where they were to build the Volga hydroelectric power station. This construction was a kind of turning point in Kozlova's biography, because here she met her husband, Mikhail Tanich. It was at the construction site that the girl began to sing, continuing to play the guitar.

Musical career

The creative biography of Lydia Nikolaevna began after meeting Mikhail Tanich. The poetess began to write poetry. And her husband tried to do everything to ensure that all these hobbies of hers became a profession.

At the age of 18, the young poetess wrote her first song. She took poems for her from her husband. But still, she was more interested in writing, because she saw the war and its consequences. Therefore, one day she took up the pen and soon Kozlova’s book “Next to the War” was published, in which she told about the fate of the soldiers who were able, crippled, to return from the war and how difficult and difficult their life was in the future. This book is a vision of the world of the poetess herself, these are memories of her childhood and youth.

After the release of the book, Lydia devoted herself completely to her family. And only 20 years later she suddenly wanted to write poetry again. According to the poetess herself, this desire was served by her husband's work. But she was embarrassed to show her poems to her husband, but to Sergei Berezin, the head of the Flame VIA, she gladly gave them away. So the famous and popular song "Snow is spinning, flying, flying" appeared. This song, called "Leaf Fall", became a real musical hit.

So Kozlova imperceptibly entered the circle of composers. She wrote songs for both Edita Piekha and Lyudmila Gurchenko.

It is known that sometimes Mikhail Tanich himself sent his customers to his wife, realizing that she could handle this or that musical composition better than he did. So there was a meeting then still with the young and unknown. And the result of such an acquaintance was the song "Iceberg", written by Lydia Nikolaevna, which Alla Pugacheva began to perform with pleasure.

Soon Kozlova began to write musical compositions for many performers. Among them are not only Alla Pugacheva, Lyudmila Gurchenko, Edita Piekha, but also Valentina Tolkunova, Philip Kirkorov, Vyacheslav Malezhik and Alexander Malinin. She also worked in a duet with other composers. And when her husband, Mikhail Tanich, died, she took over his duties - the head of the Lesopoval group.

It is worth noting that shortly after this event, Lydia Nikolaevna was enrolled in the Writers' Union of Russia. After the death of her husband, she puts in order his archive, where many unknown poems remain, and which must definitely turn into songs that will become the most popular hits.

Personal life

A new page in Kozlova's biography opens after meeting her only husband. Immediately after graduating from college, the poetess met her husband and fell in love with him. After the wedding, the young family moved to the village of Volzhsky. But it was hard for them to live, as they were on the verge of poverty. Despite all the hardships and difficulties, their love continued to exist. Together they lived 52 years.

Lydia Nikolaevna became both a muse and an assistant for her husband. It was she who insisted that he send his poems to Galich, thanks to which Mikhail Tanich became famous for his work.


In this happy marriage, the couple had two beautiful daughters: Svetlana and Inga. Svetlana became the guardian of her father's work.

"Iceberg".

Biography

She began to compose her first poems in her youth. Plays the guitar.

The author of a number of popular songs, including: "Iceberg", "Snow is spinning", "My Red Rose", "Tumbleweeds". Her songs are performed by popular artists. Among them are Alla Pugacheva, Philip Kirkorov, Alexander Malinin, Nadezhda Chepraga, Valentina Tolkunova, Edita Piekha, Lyudmila Gurchenko and Vyacheslav Malezhik. Among the composers-co-authors: Igor Nikolaev, Sergey Korzhukov, Igor Azarov, David Tukhmanov, Sergey Berezin, Vyacheslav Malezhik, Ruslan Gorobets, Anatoly Kalvarsky, Alexander Levshin, Alexander Fedorkov, Alexander Malinin, Mikhail Muromov, Irina Gribulina, Vadim Gamalia and others.

The widow of the most popular songwriter Mikhail Isaevich Tanich (1923-2008). It is Lidia Nikolaevna who can be considered the first co-author of Mikhail Isaevich, she composed her first songs when she was 18 years old, writing music to his poems.

After the death of her husband, she is the producer and artistic director of the Lesopoval group.

  • 1984 - "Iceberg" (music by Igor Nikolaev) - Spanish. Alla Pugacheva
  • 2000 - "My Red Rose" (music by Sergei Korzhukov) - Spanish. Philip Kirkorov

Discography

  • 1990 - "Tumbleweed" - Songs to the verses of Lydia Kozlova
    • Nadezhda Chepraga - Tumbleweed (A. Lunev (S. Korzhukov))
    • Larisa Dolina - Do not repeat (A. Kalvarsky)
    • Vladimir Kuklin - I'm waiting for you (V. Kuklin)
    • Gaya Galitskaya - Kupavna (G. Galitskaya)
    • Alice Mon - I'm worried (S. Muravyov)
    • Alla Pugacheva - Iceberg (I. Nikolaev)
    • Alisa Mon - Warm me (S. Muravyov)
    • Gaya Galitskaya - Black River (G. Galitskaya)
    • Ensemble "Flame" - Snow is spinning (S. Berezin)
    • Gaya Galitskaya - Fireplace (G. Galitskaya)
  • 2015 - “Fly, my dear” - Songs to the verses of Lydia Kozlova
    • Nadezhda Chepraga - Tumbleweed (music by S. Korzhukov)
    • Alexander Malinin - Pugachev (music A. Malinin)
    • Philip Kirkorov - My red rose (music by S. Korzhukov)
    • Igor Azarov - It only seems (music by I. Azarov)
    • Lev Leshchenko - Snow is spinning (music by S. Berezin)
    • Alla Pugacheva - Iceberg (music by I. Nikolaev)
    • Alisa Mon - I promise (music by S. Muravyov)
    • Olga Zarubina and Mikhail Muromov - Bird - blue wing (music by M. Muromov)
    • Edita Piekha - This evening (music by I. Nikolaev)
    • Valentina Tolkunova - Seeing off (music by I. Gribulin)
    • Vyacheslav Malezhik - Mozart (music by V. Malezhik)
    • Ensemble "Flame" - Blue wave (music by S. Berezin)
    • Olga Zarubina - Fly, my dear (music by R. Gorobets)
    • Valentina Ponomareva - Amulet (music by S. Korzhukov)

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An excerpt characterizing Kozlova, Lidia Nikolaevna

- Speak, mother, why are you silent? Speak, - she said, looking back at her mother, who looked at her daughter with a tender look and because of this contemplation, it seemed that she forgot everything she wanted to say.
“That won’t do, my soul. Not everyone will understand your childhood connection, and seeing him so close to you can harm you in the eyes of other young people who travel to us, and, most importantly, torment him in vain. He may have found himself a party of his own, rich; and now he's going crazy.
- Coming down? Natasha repeated.
- I'll tell you about myself. I had one cousin...
- I know - Kirilla Matveich, but he is an old man?
“There was not always an old man. But here's the thing, Natasha, I'll talk to Borey. He doesn't have to travel so often...
“Why not, if he wants to?”
“Because I know it won’t end.”
- Why do you know? No, mom, you don't tell him. What nonsense! - Natasha said in the tone of a person from whom they want to take away his property.
- Well, I won’t get married, so let him go, if he’s having fun and I’m having fun. Natasha looked at her mother smiling.
“Not married, but like this,” she repeated.
- How is it, my friend?
- Yes, it is. Well, it’s very necessary that I won’t get married, but ... so.
“So, so,” repeated the countess, and, shaking with her whole body, she laughed a kind, unexpected old woman’s laugh.
- Stop laughing, stop it, - Natasha shouted, - you are shaking the whole bed. You look terribly like me, the same laughter ... Wait a minute ... - She grabbed both hands of the countess, kissed the bone of the little finger on one - June, and continued to kiss July, August on the other hand. - Mom, is he very in love? How about your eyes? Were you so in love? And very nice, very, very nice! Only not quite to my taste - it is narrow, like a dining room clock ... Don't you understand? ... Narrow, you know, gray, light ...
– What are you lying about! said the Countess.
Natasha continued:
- Do you really not understand? Nikolenka would understand... Earless - that blue, dark blue with red, and it is quadrangular.
“You flirt with him, too,” said the countess, laughing.
“No, he is a Freemason, I found out. He is nice, dark blue with red, how do you explain ...
“Countess,” came the voice of the count from behind the door. - Are you awake? - Natasha jumped up barefoot, grabbed her shoes in her hands and ran into her room.
She couldn't sleep for a long time. She kept thinking about the fact that no one can understand everything that she understands and what is in her.
"Sonya?" she thought, looking at the sleeping, curled-up kitty with her huge braid. “No, where is she! She is virtuous. She fell in love with Nikolenka and doesn't want to know anything else. Mom doesn't understand. It's amazing how smart I am and how ... she's sweet," she continued, speaking to herself in the third person and imagining that some very smart, smartest and best man was talking about her ... "Everything, everything is in her , - continued this man, - she is unusually smart, sweet and then good, unusually good, dexterous - she swims, she rides excellently, and her voice! You can say, an amazing voice! She sang her favorite musical phrase from the Kherubinian opera, threw herself on the bed, laughed at the joyful thought that she was about to fall asleep, shouted to Dunyasha to put out the candle, and before Dunyasha had time to leave the room, she had already passed into another, even happier world of dreams. , where everything was just as easy and beautiful as in reality, but it was only better because it was different.

The next day, the countess, having invited Boris to her place, had a talk with him, and from that day he stopped visiting the Rostovs.

On the 31st of December, on the eve of the new year 1810, le reveillon [night dinner], there was a ball at the Catherine's nobleman. The ball was supposed to be the diplomatic corps and the sovereign.
On the Promenade des Anglais, the famous house of a nobleman shone with countless lights of illumination. At the illuminated entrance with red cloth stood the police, and not only the gendarmes, but the police chief at the entrance and dozens of police officers. The carriages drove off, and new ones kept coming up with red footmen and with footmen in feathers on their hats. Men in uniforms, stars and ribbons came out of the carriages; ladies in satin and ermine carefully descended the noisily laid steps, and hurriedly and soundlessly passed along the cloth of the entrance.
Almost every time a new carriage drove up, a whisper ran through the crowd and hats were taken off.
- Sovereign? ... No, minister ... prince ... envoy ... Can't you see the feathers? ... - said from the crowd. One of the crowd, dressed better than the others, seemed to know everyone, and called by name the noblest nobles of that time.
One-third of the guests had already arrived at this ball, and the Rostovs, who were supposed to be at this ball, were still hastily preparing to dress.
There were many rumors and preparations for this ball in the Rostov family, many fears that the invitation would not be received, the dress would not be ready, and everything would not work out as it should.
Together with the Rostovs, Marya Ignatievna Peronskaya, a friend and relative of the countess, a thin and yellow maid of honor of the old court, who led the provincial Rostovs in the highest St. Petersburg society, went to the ball.
At 10 pm, the Rostovs were supposed to call for the maid of honor to the Tauride Garden; and meanwhile it was already five minutes to ten, and the young ladies were still not dressed.
Natasha was going to the first big ball in her life. She got up that day at 8 o'clock in the morning and was in feverish anxiety and activity all day long. All her strength, from the very morning, was focused on ensuring that they all: she, mother, Sonya were dressed in the best possible way. Sonya and the countess vouched for her completely. The countess was supposed to be wearing a masaka velvet dress, they were wearing two white smoky dresses on pink, silk covers with roses in the corsage. The hair had to be combed a la grecque [Greek].
Everything essential had already been done: the legs, arms, neck, ears were already especially carefully, according to the ballroom, washed, perfumed and powdered; shod already were silk, fishnet stockings and white satin shoes with bows; the hair was almost finished. Sonya finished dressing, the countess too; but Natasha, who worked for everyone, fell behind. She was still sitting in front of the mirror in a peignoir draped over her thin shoulders. Sonya, already dressed, stood in the middle of the room and, pressing painfully with her little finger, pinned the last ribbon that squealed under the pin.
“Not like that, not like that, Sonya,” said Natasha, turning her head from her hairdo and grabbing her hair with her hands, which the maid who held them did not have time to let go. - Not so bow, come here. Sonya sat down. Natasha cut the ribbon differently.
“Excuse me, young lady, you can’t do that,” said the maid holding Natasha’s hair.
- Oh, my God, well after! That's it, Sonya.
- Are you coming soon? - I heard the voice of the countess, - it's already ten now.
- Now. - Are you ready, mom?
- Just pin the current.
“Don’t do it without me,” Natasha shouted: “you won’t be able to!”
- Yeah, ten.
It was decided to be at the ball at half past ten, and Natasha still had to get dressed and stop by the Tauride Garden.
Having finished her hair, Natasha, in a short skirt, from under which ballroom shoes were visible, and in her mother's blouse, ran up to Sonya, examined her and then ran to her mother. Turning her head, she pinned the current, and, barely having time to kiss her gray hair, she again ran to the girls who were hemming her skirt.
The case was behind Natasha's skirt, which was too long; it was hemmed by two girls, hastily biting the threads. A third, with pins in her lips and teeth, ran from the countess to Sonya; the fourth held the entire smoky dress on a high hand.
- Mavrusha, rather, dove!
- Give me a thimble from there, young lady.
– Will it be soon? - said the count, entering from behind the door. “Here are the spirits. Peronskaya was already waiting.
“It’s ready, young lady,” said the maid, lifting a hemmed smoky dress with two fingers and blowing and shaking something, expressing with this gesture the awareness of the airiness and purity of what she was holding.
Natasha began to put on a dress.
“Now, now, don’t go, papa,” she shouted to her father, who opened the door, still from under the haze of a skirt that covered her entire face. Sonya closed the door. A minute later, the count was let in. He was in a blue tailcoat, stockings and shoes, perfumed and pomaded.
- Oh, dad, you're so good, lovely! - said Natasha, standing in the middle of the room and straightening the folds of smoke.
“Excuse me, young lady, excuse me,” the girl said, kneeling, pulling at her dress and turning the pins from one side of her mouth to the other.
- Your will! - Sonya cried out with despair in her voice, looking at Natasha's dress, - your will, again long!
Natasha stepped aside to look around in the dressing-glass. The dress was long.
“By God, madam, nothing is long,” said Mavrusha, who was crawling along the floor after the young lady.
“Well, it’s a long time, so we’ll sweep it, we’ll sweep it in a minute,” said the resolute Dunyasha, taking out a needle from a handkerchief on her chest and again set to work on the floor.
At that moment, shyly, with quiet steps, the countess entered in her toque and velvet dress.
- Wow! my beauty! shouted the Count, “better than all of you!” He wanted to hug her, but she pulled away, blushing, so as not to cringe.
“Mom, more on the side of the current,” Natasha said. - I'll cut it, and rushed forward, and the girls who were hemming, who did not have time to rush after her, tore off a piece of smoke.

Lidia Nikolaevna Kozlova is familiar to fans of the national stage, first of all, with her hit "Iceberg", performed by Alla Pugacheva. And Kozlova is also known as the widow of the famous songwriter Mikhail Tanich. Lydia Kozlova was born on November 19, 1937 in the capital. Her childhood years were burned by the Great Patriotic War. After receiving a school certificate, Kozlova entered the construction college. When she graduated, she immediately went with the rest of the graduates to Saratov. Young builders were supposed to build the Volzhskaya GRES. It was there, in Saratov, that Lydia Kozlova met her future husband, Mikhail Tanich. A few years after the wedding, the young family was able to move closer to Moscow - to the town of Orekhovo-Zuevo. Creativity The creative biography of Lydia Kozlova "bloomed" next to Mikhail Tanich. In her youth, the girl learned to play the guitar and sang well. She also wrote poetry. But after marriage, an amateur occupation turned into a profession for Kozlova. Lydia wrote her first song to her husband's poems. At that time she was 18 years old. Writing has long attracted the young Lydia Kozlova. She had something to tell her contemporaries. She saw the tragedy of soldiers crippled from the front. Many of them, armless and legless, did not want to return home and become a burden for their relatives. For such unfortunates, nursing homes were created, where these people could live out their lives at public expense. About such a house, Lidia Nikolaevna Kozlova wrote the story "Next to the War." Then came a long pause that lasted 20 years. Once Kozlova caught herself wanting to write poetry. She claims that the impetus was the creative atmosphere that reigned in their house thanks to her husband. Lidia Nikolaevna decided not to show her works to Mikhail Tanich. She gave the song “Snow is spinning, flying, flying” to the head of the VIA “Flame” Sergey Berezin, asking her not to tell her husband who wrote it. After 2 days, Berezin said that everyone liked the song. It was called "Snowfall" and became Lidia Kozlova's first hit. Soon Kozlova wrote compositions for songs that Lyudmila Gurchenko and Edita Piekha took into their repertoire. Mikhail Tanich, to whom singers and composers lined up, sent some of them to his wife. He sent young Igor Nikolaev to Kozlova. Thus was born her second hit called "Iceberg". This is one of the best songs in the repertoire of the Russian pop prima donna Alla Pugacheva. Soon, pop stars such as Philip Kirkorov, Valentina Tolkunova, Edita Piekha, Alexander Malinin, Lyudmila Gurchenko and Vyacheslav Malezhik sing songs based on lyrics by Lydia Kozlova. Often Kozlova wrote her works in collaboration with composers whose names are familiar to everyone today. These are the already mentioned Igor Nikolaev, Sergey Korzhukov, Igor Azarov, David Tukhmanov and many others. When Mikhail Tanich passed away, Lidia Kozlova did not allow her husband's favorite brainchild, the Lesopoval group, to disappear. She took on the production of the team and became its artistic director. Together with Kozlova, Lesopoval recorded several more albums. After the death of Tanich, Lydia Kozlova was finally admitted to the Writers' Union of Russia. But the widow of the famous poet, despite her considerable achievements, considers herself, in comparison with her husband, "a first-class student who diligently draws sticks." In our time, Lidia Nikolaevna not only continues to write poetry and produce a well-known musical group, but also puts in order the huge archive of Mikhail Tanich. She claims that the late songwriter still has a lot of poems left for wonderful songs to appear on. Personal life The only love of Lydia Kozlova's life was her husband Mikhail Tanich. Together they lived a happy 52 years. And few people know that the first years of their life together they had to overcome incredible poverty and deprivation. They walked a long and thorny path to fame hand in hand, managing not to lose love. Before his death, Mikhail Tanich confessed to his wife that they "did not fall in love", despite the decades they had lived. Lydia Kozlova was both a muse and a creator. It was she who forced her husband to send his works to Moscow, where Alexander Galich read them and called the poet from the Siberian province to the capital. At the same time, Lydia Nikolaevna managed to realize her talent, remaining in the shadow of her famous spouse. The personal life of Lydia Kozlova, according to her, has developed happily. She says that once in her early youth she saw her future husband in a dream. And when I met, I immediately recognized. The marriage produced two daughters, Svetlana and Inga. At the request of their father, none of them connected life with music and singing.

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