Ricardo hush personal life. How did poor Italian boy Ricardo Tisci become the creative director of Burberry? And what about raincoats and a cage

Loud reshuffles in the fashion world continue. 2017, the anniversary year for Givenchy, founded in 1952, began with a scandal: Ricardo Tisci, who had determined the face of the house since the mid-2000s, decided to leave.

Rumors that Ricardo Tisci will leave the post of creative director of the house began to circulate on January 31 and were confirmed on February 2. According to one version, the reason for the departure of the great designer was the intrigues of his girlfriend Donatella Versace, who allegedly managed to finally lure him to her.

The basis for such assumptions is the close friendship of designers, which in 2015 even resulted in an incredible Givenchy advertising campaign featuring Donatella Versace. In 2015, having become the advertising face of Givenchy, she made a loud statement to the press: “I think that you need to break the rules. Ricardo Tisci is incredibly talented and is also my friend. We are Family. I want to get rid of the old system, work together, support each other and make the fashion industry a truly global community."

Whether she was talking about a one-time collaboration or working for one brand is not yet clear, but if Donatella herself can afford to break the rules (Versace is a private company), then for Ricardo Tisci this was a very bold step (the house that he headed until the last moment , is part of the LVMH group).

Ricardo Tisci, Donatella Versace and Naomi Campbell

The ex-director himself claims that he is leaving the position due to the fact that his contract has come to an end.

Another reason is Tisha's long-standing dream of creating clothes of her own brand. The designer had plans to launch his collection even before the work at Givenchy, which he started in 2005. According to him, having received a job offer from a fashion house, he did not want to accept. However, financial difficulties forced the designer to accept the offer.

The Pre-fall 2017 women's and men's collections, as well as the Haute Couture collection shown in January, were the Italian fashion designer's latest creations for Givenchy. At the Paris pret-a-porter fashion week, which will take place from February 28 to March 7, the Givenchy show will still take place, but the line was created under the creative guidance of the house's in-house designers. Who will take the place of the new creative director is still unknown.

For 12 years of work, Ricardo Tisci managed to develop a corporate identity for the house, which was lost after the retirement of the founder of the brand, Hubert de Givenchy, in 1995.

At the time of Givenchy, the brand personified the elegance and aristocracy that suited the muses of the fashion designer - and. But in the mid-90s, the era of glamor began. Between Givenchy and Tichy, the brand was led by designers more suited to other fashion houses.

Charles Platiau/Reuters

In 1995, by decision of the head of LVMH, he was invited to replace Hubert de Givenchy. He immediately attracted attention with his frilly and at the same time provocative collections, demonstrated with a theatrical effect unexpected for that time. However, his talent was more suitable for the Christian Dior house, so the designer was transferred to another brand, and his place was taken. But he didn't fit the job either.

The collections created by the designer have been subjected to serious criticism more than once. Then fashion designer Julian McDonald took over the post, but he did not last too long.

Tisci, who joined Givenchy in 2005, not only brought stability to the legendary brand, but also revived it for a new generation of luxury consumers.

Now Givenchy is associated with a sexual provocation that echoes street fashion.

It was Ricardo who introduced the gothic trend in clothing, he also came up with a print with a huge star, and his T-shirts with growling Rottweilers (autumn-winter 2012 collection) became iconic.

Photo report: How Ricardo Tisci entered fashion history

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Tisci wanted his clothes to be worn by people of all ages, genders and races. One of his favorite muses is the transgender Lea T, whom Tisci made the face of the fall 2010 collection.

The designer has repeatedly created images for world stars. Concert dresses and Beyoncé, evening dresses for Madonna, and Rooney Mara, wedding dress. One of Ricardo's latest ideas was to expand Givenchy's reach as a lifestyle brand by introducing a range of clothing for babies and children.

Riccardo Tisci took Givenchy to the next level. Today the brand has 72 stores (there were seven before Tisha's arrival). In addition, the company recently took over the direct distribution of its collections in two key luxury markets: Dubai and Singapore. With the arrival of Ricardo Tisci, Givenchy's profits increased more than six-fold, according to market sources. And the number of employees of the company has tripled - from 290 in 2005 to 930 now.

Despite the fact that celebrity confessions of belonging to sexual minorities are rare, since the fear of harming the successful course of their careers is stronger than the inconvenience associated with trying to keep their personal lives in the strictest confidence, many stars still decide to confess in the face of the public and, judging by the consequences of their unexpected coming outs, they only benefit from it.

Riccardo Tisci is an Italian fashion designer who, since 2005, has successfully headed the famous French house Givenchy. Among his close friends: Beyonce (Beyonce), Lady Gaga (Lady Gaga), Kanye West (Kanye West), Madonna (Madonna) and Courtney Love (Courtney Love). In the list of his muses: artist Marina Abramovic (Marina Abramovic) and top model Mariacarla Boscono (Mariacarla Boscono). Behind him are dozens of successful collections and several high-profile collaborations. Other interesting facts about Riccardo - in our review.

Ricardo Tisci personal life, orientation

Irina Shayk does not comment on reports of a breakup with civil husband Bradley Cooper. Instead, the model participates in social events and intersects with famous couturiers. This time the photographer captured Shayk with the famous designer Riccardo Tisci.

For a walk around the city at night, Irina Shayk chose a white dress, a black cardigan and her favorite army boots. Fans especially liked the clutch in the form of Dostoevsky's book. “Idiot” is a bag with a hint,” they joked in the comments.

There have been reports in the media that Irina Shayk is ready for a new relationship. Riccardo Tisci called the model the best and wrote "love" in Italian. Shayk responded to his comments with hearts.

Fans hope that the model will find happiness in her personal life. At the same time, there have been rumors about the unconventional orientation of the designer for a long time, which Riccardo Tisci gladly reinforces.

Russian supermodel supported gays and pissed off Russians

Russian supermodel Irina Shayk took part in the New York gay parade Pride Month along with the creative director of the British brand Burberry Ricardo Tisci. The model posted photos from the celebration on her Instagram account.

In the pictures, Shayk hugs Tisci in t-shirts with the brand's logo and LGBT rainbow symbols.

“Love is the answer,” the model signed a series of photos.

The publication was flooded with negative comments from Shayk's Russian-speaking subscribers.

“I don’t want my children to see all this, and I don’t know how to explain it all to them,” one of them wrote. “Irina, just not this, please, I beg you,” another was indignant. “Why support depravity and immorality,” a third user of the social network was perplexed. “Ugh, how can you propagate this perversion! Irina, just disappointed in you,” said the fourth.

At the moment, Shake's post has collected more than 400 thousand likes.

(Riccardo Tisci; born August 8, 1974) – famous italian fashion . In 1999 he graduated from the prestigious London educational institution Central Saint Martins Academy.

In 2005, he was appointed creative designer for women's fashion and French Givenchy. In 2008, he also began managing Givenchy's menswear and menswear departments.

The designer's passion for the gothic and the era of minimalism, embodied in the works for the Givenchy fashion house, contributed to attracting a new wave of attention from critics and buyers to the brand. Before Tisha came to the post of creative director of the brand, reviews of Givenchy were rather vague and infrequent, but now the designer is called the future of the fashion house. According to critics, he brought Givenchy to life with his precision and unusual imagination.

In February 2017, the designer decided to leave the Givenchy Fashion House, having worked as the creative director of the brand for 12 years.

Biography

Riccardo Tisci was born in 1974 in the Italian city of Taranto, founded by the inhabitants of Sparta as a city-state in 706 BC, and known for numerous myths about mermaids and other sea creatures. This mysterious theme can be traced from time to time in the design works of Tisha in different directions.

The youngest of nine children, Riccardo, was the only son in the family. His mother Elmerida lost her husband very early and was forced to raise her children alone. The family was so poor that the state almost took the children away from Elmerida to take them under its care. Riccardo himself, as a child, wore out the clothes of his sisters, altered for him. With no money for school trips and other trips, the mother was constantly inventing entertainment for the children, trying to make up for the lack of what others had. But Tisha alone was always enough with his head: he literally bathed in the love of nine caring women.

“We never had enough money, so my childhood was hard. The ingredients of my work were Latin romanticism and the forces I needed.

“We were poor. Poor in the sense that they mostly ate once a day.”

Tisci grew up in the Italian commune of Cermenate and, in order to somehow support his family, from the age of 12 he took on any job, from a plasterer to playing the role of Santa Claus on Christmas holidays. In addition, Riccardo distributed leaflets, worked in nightclubs and was an assistant to local florists.

At an early age, the boy showed a unique talent for drawing. He plunged into the mythological, fictional world of centaurs, and later became interested in music: he began to listen to the Cure group and became obsessed with modern musical culture and.

"Honestly, I love art and music even more than I love fashion."

In 1990, Riccardo won an internship with the textile company Faro in Como, which later allowed him to work for Paloma Picasso, creating ornaments, drawings and designs.

Tisci excelled at school, but, due to poverty and the inability to pay for education, he had no prospects for further education. At the age of seventeen, disillusioned with the policies of Italian President Sandro Pertini, Riccardo decided to try his luck by leaving for London.

“The moment my feet set foot on the ground in London, I knew this was my chance. I felt the energy of this city."

"I came to London to survive."

Within a few weeks of staying in London, the young man managed not only to master English, but also to find work in hotels and restaurants in the city. One day, on the tube, he picked up a free newspaper and saw an advertisement for the London College of Fashion. Tishi entered training without any problems, and Priyesh Shah became his mentor. It was he who noticed the unique talent of Riccardo and arranged him for an internship with his business partner. Berardi, in turn, encouraged Tisci to enter the prestigious Central Saint Martins College of Art and Design Academy. The young man managed to successfully pass the entrance exams, but he did not have money to visit the Academy. Willy Walters, director of the fashion course, insisted that the young man should not give up trying to start studying and apply to the state for a scholarship. Tisci subsequently won a grant that gave him a pass to the second year of a three-year study program at Central Saint Martins.

“I dreamed of being independent, having a real opportunity to express myself, learning to sew.”

In 1999, Tisci graduated with honors and, despite the dominant dark style of the time, proved that he could attract attention with the sexuality and lightness of being expressed in his dissertation, which was inspired by the films of Pasolini and Fellini. To attend Riccardo's graduation show, his mother left Italy for the first time and made her first flight. Since then, she has not missed a single show of her son.

After studying the archives of the fashion house, Tisci decided to continue working in the direction that characterized the brand in the 50s and 60s. He created full-fledged images, adding accessories, shoes to them, and even keeping in mind the woman who would wear all this. He came to the office at 6 am, along with the cleaners, and left the workplace after midnight. One fine day, having learned about such devotion to his work, Hubert Givenchy himself invited the young designer to breakfast at his mansion.

“He was so sweet and hospitable. And he didn’t talk about fashion at all during the meeting.”

After showing Tisha's first collection for Givenchy Haute Couture, Queen Rania of Jordan called the office of the fashion house and asked Riccardo to design a complete wardrobe for her. When the fashion designer flew to London, the Queen greeted him fully dressed in Ricardo Tisci.

Unlike most other designers who have worked at Givenchy since the departure of the founder of the brand, Riccardo Tisci not only achieved positive reviews from critics, but also contributed to a significant improvement in the financial situation of the House. In his collections, he presented not only stylish and original, but also practical, wearable wardrobe items. His Haute Couture collections also became a great success.

“When I started working, we had only 5 clients from the Haute Couture line. Now there are 29 of them.

In 2008, in addition to the lines of women's clothing and accessories already in his charge, Riccardo Tisci began to develop collections of clothing and accessories for men. Here, too, he made his mark, offering unexpected and bold solutions, such as sweatshirts in sequins or lacy pinks.

“In recent times, fashion can be found anywhere. This is rather strange. When I was a kid, Versace looked like Versace and Armani looked like Armani. You could always figure out who did what, whether you liked it or not. Now I see similarities in many things. But only those who go their own way, work on their own style, will achieve success.

Under the Givenchy brand, the designer also designed costumes for Madonna's Sticky & Sweet tour in 2008 and for the number for the song "Candy Shop" in 2009. In addition, Tisci created the singer's clothes for everyday life.

In 2009, the designer began to develop the first inexpensive line of the Givenchy Redux fashion house.

Riccardo Tisci included the well-known transgender model Lea T, who worked with him for many years and was his assistant, in the Givenchy show of the autumn-winter season of 2011. In the same year, after a long work with the main "nose" of Givenchy, the designer introduced a new brand fragrance - "Dahlia Noir".

Also in 2011, the fashion designer was named the main contender for the post of dismissed from the House. At the end of the year it became known that this information was not confirmed.

In February 2017, the designer decided to leave the Givenchy Fashion House.

Other projects

In 2008, Riccardo Tisci oversaw the creation of the 8th issue of A Magazine. The designer also took part in the creation of individual issues for a number of other glossy publications, for example, Dazed & Confused, Visionaire, Muse.

The boundless love for music led the designer to collaborate with famous hip-hop artists Jay-Z and Kanye West. In 2011, he became creative director of their collaborative album Watch The Throne, designing the artwork for the CD and two singles ("H.A.M" and "Otis").

In the same 2011, Tishi collaborated with the world famous brand. For this brand, he created an exclusive sneaker model.

“When I do something, I put all my strength into it.”

Awards and ratings

In 2008, Tisci was awarded the title of best designer by Marie Claire.

Blog by Riccardo Tisci: www.ablogcuratedby.com/riccardotisci

Givenchy official website: www.givenchy.com

Donatella Versace interview with Riccardo Tisci for Interview magazine (June 2011)

D.V.:Let's talk about your latest collection, which I find very beautiful and sexy. I would love to wear everything!
R.T.: Bravo! In fact, the collection is very Donatella-esque because it is about a strong woman. I find inspiration in different sources, and one of these sources is the house of Versace. You know, when I was a little boy, we were very poor. My dad passed away when I was 4 or 5 years old. I grew up with my mother and eight sisters. These are nine incredible women and all a little “a la Donatella Versace”. Real, strong women from the South of Italy, women who had sensuality. They had confidence in their bodies and in their femininity.

D.V.:The fact that you have as many as eight sisters, in my opinion, is very good.
R.T.: Quite right. And even if they did not have the financial means to dress fashionably, they were women with a graceful style. The elegance of the South is a very strong elegance and I try to convey that to others. This is sexy elegance, or, to put it another way, less chaste. It was the end of the 70s and the beginning of the 80s, a special time not only for the fashion house Versace, but also for me, since my sister, who worked in a hairdresser, brought fashion magazines home on Saturdays. This period introduced us to many top models and celebrities, like you and Gianni, as well as things that made me dream. These early impressions had a strong influence on me.

D.V.:The early 90s was a particularly amazing period for fashion because it was the height of allure, and there were no limits on what you could do. But I see that you have not stopped pushing the boundaries, you are always moving forward. This feeling is felt in your collections, which I admire.
R.T.: Thank you!

D.V.:Has your initial passion for those things remained the same, or has it subsided?
R.T.: I have to be honest: the only thing I believe in is my family. For me, family is more than just DNA. I mean people close to me. My mother and my sisters are my energy and inspiration that feed me throughout my life. Fashion is my job. I like it. This is my passion. But the most important thing for me is life. I have always been surrounded by women, and I am very attracted to the world of women, because I love both strength and romanticism at the same time. All this you can see in my style.

D.V.:It is clear from the things that you create that you know the body of a woman. You know how to revalorize it.
R.T.: Imagine all my sisters. Each of them had their own form and lifestyle. So my path to becoming a designer was pretty specific. Even when I came to Givenchy, there were people who supported me, but not everyone loved me. They said: "Why does an Italian create things in the Gothic style?", not taking into account the fact that Italy is the cradle of the Gothic. But they argued: “No, Italians should only do sexy things!” My base is Italian roots. And this is a strong passion for fashion and a passion for sensuality. When I went to London to study at Saint Martins, I got a sense of transgression and goth. And when I went to Paris, I mixed these two directions in myself.

D.V.:In your latest collection, you could observe an improved sexuality.
R.T.: I hate vulgarity. I hate vulgarity even though it attracts me. I love everything that is infringing or vulgar. But, in my opinion, you need a limit, which is always a little surreal. Fashion house Versace creates very sexy things, but never crosses that line of sexuality and vulgarity. Many other brands that have tried to outdo Versace have crossed that line. I think you and I, Donatella, are similar in this. We have this sense of proportion. It makes me proud to be Italian. I am proud of what I do.

D.V.:When I worked with Gianni, it was I who was the person he could trust and say anything. If I didn’t like something, then I honestly spoke about it: “No, no, no! Do something else." Is there such a person on your team?
R.T.: Certainly. It is very important. Even though I have a small team. For a male designer, it is very important that he listens to some kind of female opinion. And as I told you, my luck depends on the women around me. At the moment in my life there are women whom I adore and appreciate, for example, Maria Carla Boscono, and Marina Abramovic. Many people think that for many years Karin Roitfeld was my stylist. And this is not true. She was just Maria Carla Boscono to me. Yes, there are some people whose opinion I want to hear first. But it's still my way. Maybe with age I lose a little. It's hard to convey. After all, there are two or three people on my team that I always listen to.

D.V.: Knowing your character, it's hard to believe what you're doing!
R.T.: Yes, that's because I'm from the South of Italy. And I'm proud of it. I develop all projects together with my team. She's small, but she's fantastic. I listen to someone's opinions because they are important to me. I am a Leo by the zodiac sign and it is important for me to stand firmly on my feet. But I also have a softer side. On this side, I am a little boy who has not yet grown up and for whom it is important to listen to others.

D.V.:I would like to note that the transparent shirts you created this year are simply amazing.
R.T.: Donatella, you are definitely a Givenchy woman! I say this because I want the world to know this. You are the epitome of a true Italian woman. There is pure American rock chic, British chic, but Italy has always been the epitome of all that. We have repeatedly tried to make a joint project. I would really like to see you in Givenchy clothes.

D.V.: I would be very happy about it. I have already chosen a few Givenchy items for myself.
R.T.: Which? Tell me!

D.V.:I liked the jacket with the lacquered trim. He has wonderful proportions. Narrow to the knees, without pantyhose - very sexy.
R.T.: Naturally! After you create the same things for a long time, you have a desire to come up with something new. And this season has been just that. I don't like shock per se, I like shock chic.

D.V.:Americans really love you, but I find that you are not the kind of designer who has an American sensibility. You have more European, Italian sensibility.
R.T.: I am an absolute Italian! And this is a very precise concept. But the United States of America also attracts me. Why? A small child from a poor family in southern Italy had a dream to visit the Big Apple. I don't really like classical music, I like the kind of music that Americans listen to. I love the American ghetto. I love the Bronx. I love hip-hop and R&B, I love electro-latino, latin music and stuff like that.

D.V.:I like to work when the music is playing at full volume.
R.T.: Yes. And I love finding new things. For example, right now I'm listening to Nicki Minaj and Antony and the Johnsons. I also love changing musical directions. I like the conceptual aspect of Anthony Hegarty (lead singer of Antony and the Johnsons) and anything in the style of Lil' Kim, Missy Elliott and Ciara. I love what evokes emotions in me. Because I'm Italian. Marina Abramovic is a close friend of mine, so I like strong, very aggressive political art. She is like a mother who wants to adopt me. People say, "You're dark, you make dark clothes, you probably like The Cure or Diamanda Galas." Yes, I love Diamanda Galas, but I also love Madonna, Beyoncé and Courtney Love. They are all from different worlds. They are all different, but they evoke emotions in me. I am someone who needs emotions, someone who wants to convey them. Otherwise, I would have changed my profession.

D.V.:Clothing evokes emotions in the same way that music does.
R.T.: Quite right. Every now and then she makes my heart beat like I just met my first love.

D.V.:Your latest couture collection made me feel strong emotions. It turned out beautiful, modern and very stylish. It can be seen that she is made great.
R.T.: When I started, everyone said that the era of Haute Couture was coming to an end, and it scared me. More to the point, I was terrorized by this idea. I came from a provincial region of Italy. When I was invited to work at Givenchy, the only thing I thought was: “Wow!” I signed a contract. But I'll be honest and say that I went through all this just because of my mother, to buy a house for her. Then I didn't even think about what I was doing. It could not be Givenchy, but any other company ... I didn’t care, I just didn’t want my mother to live in a nursing home. I have nothing against nursing homes, but my mother, who went through so many trials, who raised nine children ... I could not allow this. So, I started working at Givenchy. And I want to say that the era of Haute Couture is not over at all, it is simply undergoing changes.

D.V.: I agree with you.
R.T.: Couture was the first phase of my career. Couture has changed because, for example, there used to be princesses, they are still there, but they no longer ride horse-drawn carriages, but go to parties, go to resorts, sail on yachts. They all want to be in constant motion. I understood this, and immediately began to create things for such girls. In addition to haute couture, we also create men's and pret-a-porter collections. When you do all this, you want to somehow differentiate directions.

D.V.: It is better to do not so many things, but to make them amazing. Your samurai pieces (from the Haute Couture Spring-Summer 2011 collection) seemed ingenious to me. Rigidity and softness come together without weighing each other down. It is excellent.
R.T.: It can be said that in this spring couture collection I showed the romantic side of my nature, because everyone thinks that I am gloomy, like a Rottweiler. I show this romantic side to few people. I can only open myself to people like you Donatella, because we have known each other for 5 or 6 years. I still remember our first meeting with you. You were then with Miuccia Prada at a dinner at the editorial office of Vogue Italia. We stood upstairs and smoked. You introduced yourself and I thought you were a very tough woman. So we started to be friends.

D.V.: I am very happy to see such a talented Italian designer in Paris. And your last show (Autumn-Winter 2011) reminded me of Gianni.
R.T.: You are not the only one telling me this. You know, for most kids, robots or Barbie dolls were an obsession. But my obsession was the fashion house Versace. I was saving money just to buy a Versus T-shirt. I was fixated on it. Today I am still the same fan of Versace and Versus. In fact, the Versace shows were the only shows I attended. I only work in fashion because of the few designers I admire. And this does not mean that I do not like all the others or that I consider them bad designers. I'm just very selective. I love Versace and I love Helmut Lang even though the brand no longer exists.

D.V.: You also dress celebrities. At the Oscars, I saw Cate Blanchett wearing Givenchy Haute Couture. She was the most graceful.
R.T.: Thanks a lot. I will tell you that when I started working at Givenchy, there was some kind of confusion. Before me, the post of creative director was held by such geniuses as John Galliano and Alexander McQueen. They have contributed to the history of the brand. But when I replaced Julian MacDonald, I could no longer define Givenchy's true style. Everyone associates this brand only with Audrey Hepburn, but there is a whole world on the other side of this perception. I closed all the doors and didn't want to let anyone inside. Only then could I find myself. So in the beginning, I didn't want to dress celebrities. I started to do it later: I dressed one, two ... We dress some stars because they are part of the family. These are the women I admire. And I don't care how famous they are.

D.V.: Now I have to ask this: do you have any new ideas for Givenchy or for your brand? I hope you understand what I mean.
R.T.: I understand what you mean. This question is related to the fashion house Dior. I am truly sorry about what happened to John. And I want to stay out of all this gossip about me and the Dior fashion house. I will say one thing: I am happy to work at Givenchy. Here I feel at home. Givenchy is like my son. It's hard to explain, but it would be very difficult for me to leave.

D.V.: Givenchy is really your baby.
R.T.: Absolutely. I started working with the almost destroyed House, I started from scratch. I did everything very slowly. And we have really achieved a lot. I am happy here. At the moment it is Givenchy by Riccardo Tisci. And hopefully it will continue for a long time.

D.V.:We'll see if this is true!
R.T.: For now, this is the truth. But my truth is this: you never know what will happen tomorrow.

Riccardo Tisci is an Italian fashion designer who, since 2005, has successfully headed the famous French house Givenchy. Among his close friends: Beyonce (Beyonce), Lady Gaga (Lady Gaga), Kanye West (Kanye West), Madonna (Madonna) and Courtney Love (Courtney Love). In the list of his muses: artist Marina Abramovic (Marina Abramovic) and top model Mariacarla Boscono (Mariacarla Boscono). Behind him are dozens of successful collections and several high-profile collaborations. Other interesting facts about Riccardo - in our review.

1. Riccardo Tisci was born in 1974 in the Italian city of Taranto, which was founded by the inhabitants of Sparta as a city-state in the distant 706 BC. This area is known for numerous myths about mermaids and other fabulous and mystical characters. These mysterious motifs often form the basis of most of the designer's collections for Givenchy.
2. In 1990, Riccardo won an internship with the textile company Faro in Como, which landed him a job at Missoni and Paloma Picasso, designing ornaments and designs for these famous brands.

3. I live more for music than for the fashion world. Art and music leave the most vivid impressions in life, and it does not matter at all what your social status is and who you are. This is pure creativity.

4. Riccardo got into the prestigious Central Saint Martins College of Art and Design Academy thanks to his mentor, designer Antonio Berardi. The young fashion designer managed to successfully pass the entrance exams, but he did not have money to visit the Academy. Willy Walters, director of the fashion course, insisted that the young man should not give up trying to start studying and apply to the state for a scholarship. Tisci subsequently won a grant that gave him a pass to the second year of a three-year study program at Central Saint Martins.
5. On February 28, 2005, the entire fashion world was shocked by the unexpected news about the appointment of a young designer to the post of creative director of the French Givenchy House. Incredibly, Tisci was willing to turn down the offer as he wanted to focus entirely on his own brand and its development. Only because of the lack of money and the threat of selling the house to his mother, the fashion designer decided to take the proposed position.

6. Yes, I love goth. But I also love rave, and dancing until you drop. I understand Gothic not as depression, but as a gloomy beauty. I love the night. Because at night you can do cool things, like sex. Or go to parties, meet people there. Night is the time of sleep and the time of dreams.

7. After the show of Tisha's first collection for Givenchy Haute Couture, Queen Rania of Jordan called the office of the fashion house with a request to create a whole wardrobe for her. When the designer flew to London, the Queen greeted him fully dressed in Ricardo Tisci.
8. A few months ago, Ricardo Tisci

Sensitive, emotional Tisci called the inner circle of employees, models and friends of the house nothing more than a family - and this was completely sincere and serious. The family also became new faces that he discovered, and celebrities for whom he sewed dresses and stage costumes. Even couture shows were quickly abandoned by the designer in favor of more intimate presentations where he interacted with clients: "I dress the ones I like," he told The New York Times. Tisci has always loved "women of color" - long before brands begin to fall for insufficient racial diversity at shows, he released young Joan Smalls (whose relatives he even went to Puerto Rico to meet) and Lakshmi Menon, and in 2010 was the first designer to invite a Brazilian transgender model, Leia T, to star in a campaign. For all her popularity, Tisci always carried the idea of ​​unconventional beauty, his heroine was never someone who could be called, for example, “pretty”. He released models on the catwalk with faces covered with rhinestones or black patterns, or even plates imitating mustaches and beards. Among the faces of the brand were the singers Beyoncé and Erika Badu, and among the most unexpected heroines of the campaigns - Julia Roberts and Donatella Versace, a close friend of the designer and, according to rumors, his next employer.Tisci's approach to women's dress is unique: while the amount of decorativeness and intricate cuts can be pushed to the limit, his outfits are always surprisingly solid and flattering to the female figure (surprisingly, almost any) - many critics suggest that such coverage originates from the designer's nepotism and from the fact that he grew up surrounded by nine women of different ages. This talent, the mastery of styling, lush romance, famous friends (who are friends, of course, with Tisci, and not with Givenchy and will follow him further) and the fact that he is, after all, Italian - all this today looks just like ready gift set for Versace. Moreover - let's make a bold assumption - it is likely that Donatella herself is already very, very tired.

It is interesting that when Tisci was offered to manage the men's collection as well (this was in 2008, and for several years before that, the men's Givenchy had been assembled by the forces of the existing team), Ricardo hesitated. At the same time, he quickly became one of the most influential men's designers. He managed not only to rethink the elegance of suits (which began to regularly hit the red carpet along with dresses), but also to make convincing luxury streetwear: sweatshirts with prints, bright graphic sweaters, T-shirts, sneakers - the designer himself prefers street style in life, and, perhaps, , which is why his works are so organic. As a result, on the male field, he managed to create an aesthetic no less striking than on the female one - and attract a separate army of fans, from the famous (with a spread from Jared Leto to Jay Z and Kanye) to teenagers who saved up for printed slip-ons or for the NikeLab x collaboration. Riccardo Tisci.