The last cloud of the scattered storm! Alone you rush through the clear azure. The last cloud of the scattered storm Poet's house is the last cloud

The poem "Cloud" refers to the landscape and philosophical lyrics of Alexander Sergeevich Pushkin, and although at that time the poet had already begun to move away from romanticism, this work is fully sustained in this direction. It is necessary to read the verse "Cloud" by Pushkin Alexander Sergeevich carefully, because this work is not accidental. It was written on April 13, 1835. The next day, the poet was supposed to get an appointment with the head of the Third Department, A.K. Benkendorf, to whom he filed a petition to publish his own newspaper. The poet hoped that the thunderclouds above his head would finally dissipate and life would return to normal. The image of a cloud is a classic for romantic works. It is a symbol of sadness, anxiety, danger. The poet, as it were, describes everything that happens in his life, revealing to the reader his fears and hopes. In the first part of the poem, the cloud is just approaching, bringing fear and despondency to the poet, in the second part the storm has already broken out and the long-awaited rain has poured on the ground, but in the third the cloud has gone, fears and anxieties have dissipated. The poet, with the help of symbols, images and allegories, tries to convey to the reader the idea that worldly storms are a temporary, passing phenomenon.

The poem also carries a different meaning. Pushkin, using the antithesis, paints the storm and the calm after it with watercolor accuracy, as if saying that the time for his fame has passed, that it is necessary to leave the “poetic stage”, to give way to young talents. At this time, the poet was really experiencing a certain creative crisis, he and his works were no longer admired by readers, and critics directly said that "Pushkin is no longer the same." Some researchers believe that "The Cloud" is a poem dedicated to the decade that has passed since the Decembrist uprising. The poet in his work, as it were, says that the time for storms, when his poems were really needed, has passed. In this poem, Pushkin uses many different epithets that enhance the "picture" of the narrative, convey the mood of the initial house and the ensuing peace, the personifications enliven nature and the main "hero" of the narrative - the cloud. The poet resorts to the technique of alternating female and male rhymes, which is atypical for landscape works. The rhythm of the work is very even, soothing, measured. Learning this piece by heart is easy. This work was recognized as the best landscape poem by Pushkin. The richness and beauty of artistic images impress readers today. They usually disassemble it at literature lessons in grade 9.

The text of Pushkin's poem "The Cloud" can be downloaded from our website or read completely online.

The last cloud of the scattered storm!
Alone you rush through the clear azure,
You alone cast a sad shadow,
You alone grieve the jubilant day.

You recently circled the sky,
And lightning wrapped around you menacingly;
And you made a mysterious thunder
And watered the greedy earth with rain.

That's enough, hide! The time has passed
The earth was refreshed and the storm passed
And the wind, caressing the leaves of the trees,
Drives you from the calm heavens.

Analysis of Pushkin's poem "Cloud"

Alexander Pushkin is rightfully considered one of the first Russian poets, who in his poems used the literary method of identifying nature with a living being, which is very common today. An example of this is the lyrical work "Cloud", written in 1835 and which became a kind of hymn to the summer rain.

From its first lines, the author turns into a cloud, which, after a storm, rushes alone through the azure sky, as if looking for shelter. Watching her, Pushkin admires how thoughtfully our world is arranged, but at the same time reminds the heavenly wanderer that her mission has already been completed, and now it's time to leave the sky. “One you cast a sad shadow, one you sadden the jubilant day,” the poet notes.

Trying to drive away the cloud that so darkens his mood, Pushkin, nevertheless, perfectly understands that everything in this world is interconnected, and until recently this heavenly wanderer was so necessary and long-awaited. The poet emphasizes that it was she who "watered the greedy earth with water" when everything around needed life-giving moisture. And the thunder and lightning accompanying this amazing phenomenon served as a reminder to all of us that even an ordinary cloud should be treated with reverence, loftiness and with a certain amount of respect.

However, the author immediately contradicts himself and addresses his interlocutor rather familiarly: “Enough, hide! The time has passed,” the poet calls, emphasizing that the cloud has already fulfilled its mission, and now “the wind, caressing the leaves of the trees, drives you from the calmed skies.” With this appeal, Pushkin wants to emphasize not only the fact that the world is changeable and diverse, but also draw the attention of readers to a simple truth - everything in life must obey certain laws established not by people, but by some higher powers. The author emphasizes that their violation deprives both nature and man of that amazing harmony, which gives a feeling of true happiness. After all, if a harmless cloud could darken the mood of the poet, what can we say about human thoughts and actions that can bring much more pain and disappointment? Understanding this, Pushkin, using a simple and very understandable example, explains how important it is to do everything in a timely manner, so that later you do not regret what happened and not be expelled, like a rain cloud that turned out to be in the wrong place and at the wrong time in the sky.

You recently circled the sky,
And lightning wrapped around you menacingly;
And you made a mysterious thunder
And watered the greedy earth with rain.

That's enough, hide! The time has passed
The earth was refreshed and the storm passed
And the wind, caressing the leaves of the trees,
Drives you from the calm heavens.

1835

"The Cloud" by Alexander Sergeevich Pushkin was written in 1835.
« Late Pushkin achieves amazing spiritual enlightenment in prose and in lyrical creativity. The delight before the rebellious beauty of sensual passions disappears, the dark clouds and blizzards of vain earthly anxieties go away, there appears a tender contemplation of spiritual beauty in nature and in man.
Just as nature is cleansed and renewed in a thunderstorm, so the soul (in the poem it is symbolized by the image of a cloud), passing through violent sensual temptations, is renewed and reborn, joins the harmony and beauty of the surrounding world. In the poem "Cloud" Pushkin joyfully welcomes this harmony, this spiritual enlightenment» .
« The images of the storm in the literal and figurative sense were used by the great poet more than once in his works, for example, in the poem "Storm", "Winter Evening", "Cloud" and others ... The philosophical meaning of the poem by A.S. Pushkin's "Cloud" lies in the fact that the author shows that nature and man are inextricably linked ... In the poem "Cloud" (1835), Pushkin joyfully welcomes this harmony, this spiritual enlightenment» .
A poem by A.S. Pushkin's "Cloud" can be viewed not only as a sketch of nature, as a philosophical reflection, but also as a response to the decade of the Decembrist uprising. From a historical point of view, the poet recalls the events of the recent past (the Decembrist uprising, exile), sees the echoes of those events in the present (the ban on the publication of his works). In this regard, the image of a thunderstorm is the semantic center of the poem, since the images of clouds, storms, thunderstorms are symbolic. A thunderstorm is the persecution that the poet was subjected to for freedom-loving poems.
From the foregoing, it follows that the theme of the poem "Cloud" is the contemplation of nature by a lyrical hero, and the idea is a reflection of the social upheavals and hardships that the poet had to endure through an inextricable connection and unity with nature. Nature is cleansed and renewed in a thunderstorm - so the soul of a person (a lyrical hero) is resurrected in admiring the beauty and harmony of the world around.
Consider the text of the poem in more detail.
The composition of the poem is unique. Before us are three pictures, three parts, linked together in meaning. Conventionally, they can be designated as follows:
1. The present(a lonely cloud rushes across the sky / a ban on publishing works);
2. Past(recent thunderstorm / Decembrist uprising);
3. appeasement(the last trace of a cloud in the calmed heaven / the soul of the lyrical hero seeks solace, familiarization with the harmony and beauty of the surrounding world).
Each part has its own keywords, a certain style is inherent.
So the first quatrain is characterized by despondency. It helps us to understand words like “you alone”, “a sad shadow”, “sorrow ... day”.
The second quatrain is aggressive. This is evidenced by the use of phrases such as “wrapped around you menacingly”, “published a mysterious thunder”, “greedy earth”. In addition, aggression is created by repeated "Growling" consonants in the words "around", "terrible", "thunder".
In the last stanza, there is a sense of peace due to words such as “passed”, “refreshed”, “rushed”, “drives from the calmed heavens”.
The poem is written in four-foot amphibrach with truncation (in this case, with an incomplete foot at the end of the last two lines of each stanza), which makes the poem look like a philosophical reflection of a lyrical hero. On the other hand, smooth-sounding lines, as it were, calm the raging elements.
Let's pay attention to vocabulary. At first glance, all the words in the text are simple and understandable, but if you read carefully, we will notice such words as “azure”, “hide”, “passed”, “wood”.
« Azure" is one of the shades of blue, the color of the sky on a clear day. According to some scholars, this word is borrowed from Polish or Czech.
An expressive tone to the text of the poem is given by the outdated forms of the words "hid" and "passed by".
« Drewes» - i.e. trees, this word is not used in modern Russian.
These words set the reader in a solemn mood, serve to more fully reveal the meaning of the poem.
To give the text a special elegance, the author uses semantic repetitions: exact lexical repetitions ( "one you", "and"), synonymous repeats ( “fitted” - “wrapped around”, “passed” - “rushed”), root repeats ( "sky" - "heaven", "earth" - "earth", "storm" - "storms").
Of particular note is the pronoun " you"and its forms" you", which is the content center of the poem. This keyword occurs six times in the text; it concentrates the ideological content of the text of the poem.
Most of the text is verbs. Saturation with verbs (plus one gerund) gives the poem dynamism, vigor, intensity of rhythm, indicates a quick change of action: rushing, directing, saddening, hugged, wrapped around, published, watered, hide, passed, refreshed, rushed, drives, caressing. Interesting tense and form of verbs. In the first stanza, the verbs are present tense, in the second - the past. Thus, we see a response to the events of the past and a reflection of the phenomena of reality.
The poem is characterized by a parallel rhyme. Male and female rhyme successfully alternate: the first two lines of each stanza are female - the last two stanzas are male rhyme. Thanks to the female rhyme, the poem is sung in a singsong voice. The completion of each stanza with a male rhyme, on the one hand, gives completeness to each paragraph, on the other hand, makes the poem more solemn and sonorous.
Let's pay attention to the phonetic side of the text. It is not difficult to notice alliteration on sonorant consonants r, l, m, n:

pos l units n ya cloud R assay nn oh boo R and!
od n and you n eat your ass n oh l azu R and,
od n and you n you drive at n s l oh those n b,
od n and you bake l ish l hiccup de n b.

You n ebo n eating n oh circle m about l ega l a,
And m ol n ia g R oz n wrapped around you l a;
And you published l and thai n stve nn th g R about m
And a l h n yu ze m liu poi l but the rain m.

Dovo l b n oh juice R oh! By R a m and n ova l ace,
Ze ml I refresh l ace and boo R i p R about m cha l ace,
And vete R, l askaya l sources d R eves,
you with peace nn th n it n hell.

The combination of these consonants is very successful. Thanks to this device, it seems to the reader that the lyrical hero pronounces these words easily, in a singsong voice; they are like music flowing from his heart.
The syntax of the poem is peculiar. In the first two paragraphs, we observe an anaphora:

One you rushing through the clear azure,
One you cast a gloomy shadow
One you sad jubilant day ...
And lightning wrapped around you menacingly;
And you made a mysterious thunder
And watered the greedy earth with rain.

Anaphora " alone you ”sets the rhythm of the poem. Behind the threefold repetition of words sounds reproach and indignation. Anaphora on " And ” shows the stringing of simple sentences as part of a complex one. Such a stylistic figure is called a polyunion. The triple use of the union here is not accidental, but intentional. Thanks to this technique, speech is slowed down by forced pauses, polyunion emphasizes the role of each of the words, creating a unity of enumeration and enhancing the expressiveness of speech.
There are two exclamatory sentences in the text, the first of which is nominative. This offer is an appeal The last cloud of the scattered storm!". The second is an motivating exclamatory sentence " That's enough, hide!". Rhetorical appeal and rhetorical exclamation create the content center of the work, convey the mood of the poet, who feels a sense of indignation towards those who deprive him of the opportunity to freely create.
The sentences of the first paragraph are built clearly and concisely, according to a certain scheme: subject - predicate - secondary members (definition - addition).

Alone you rush through the clear azure,
You alone cast a sad shadow,
You alone grieve the jubilant day.

The same rigor in the construction of sentences is observed in the last stanza: subject-predicate:

... The time has passed,
The earth was refreshed, and the storm rushed…

The integrity of the text is achieved through the coordinating unions " and”, as well as non-union sentences connected in meaning.
The text contains epithets denoting the internal state: "pos l units n ya cloud", " R assay nn oh boo R and", "yas n oh l azu R and", "at n s l oh those n b", " l hiccup de n b”, “tai n stve nn th gro m", "a l h n yu ze ml yu", "with peace of mind nn s n hell". A peculiar epithet greedy land". To enhance the impression of the reader, the poet uses the hyperbolic word " greedy". Before us appears an exaggerated greed, a desire to absorb something. Unexpected compatibility of lexico-semantic words clear azure, calm skies, scattered storm, mysterious thunder fills them with new content.
The animation of the cloud comes through not only in the clear landscape-symbolic nature of the poem, but also in the presence of personifications. “you are rushing”, “you are suggesting”, “you are sad”, “you fit”, “lightning ... wrapped around”, “you published ... watered”, “wind ... drives”, “the earth has refreshed”, “time has passed”. A cloud is a living being, symbolizing the soul of a lyrical hero, which goes through violent sensual temptations, is renewed and reborn, joins the harmony and beauty of the surrounding world.
Thus, this lyrical miniature is an opportunity to talk about the world of man, his soul. After analyzing the text, it is easy to see that the basis of the poem is the technique of allegory - allegory. The images of clouds and storms reflected the social upheavals and hardships that the poet had to endure. Lexical means, syntactic constructions, morphological features, expressive means contribute to this, make the text richer and more unique. Metric, rhyme and type of rhyme introduce an element of philosophical reflection into the poem.

The poem "The Cloud" was written on April 13, 1835. And a month later it was published in the Moscow Observer. This magazine began to be published in 1835, existed for 4 years, and Pushkin was among its first authors.

Some literary critics saw in the masterfully written, colorful poem "The Cloud" an allusion to the Decembrist uprising that took place 10 years ago. Others believe that the poet compares himself with this cloud, they see a hint that he must leave, making way for the young.

The next day, after writing the poem, Pushkin was supposed to meet with the chief of the gendarmes, Alexander Benkendorf, to get an answer to a request to publish his own newspaper. Some biographers of Pushkin are trying to connect this event with a poem written the day before. Although it is difficult to see any connection in this.

It is impossible not to agree with Belinsky, who believed that the poem "Cloud" is an example of "Pushkin's contemplation of nature." Once, after a torrential, refreshing rain, the poet saw a cloud lingering in the sky. This picture served as a theme for creating a lyrical sketch.

The last cloud of the scattered storm!
Alone you rush through the clear azure.
You alone cast a sad shadow,
You alone grieve the jubilant day.

You recently circled the sky,
And lightning wrapped around you menacingly;
And you made a mysterious thunder
And watered the greedy earth with rain.

That's enough, hide! The time has passed
The earth was refreshed and the storm passed
And the wind, caressing the leaves of the trees,
Drives you from the calm heavens.

A.S. Pushkin "Cloud". The last cloud of the scattered storm! You alone rush through the clear azure, You alone cast a gloomy shadow, You alone grieve the jubilant day. You recently covered the sky all around, And the lightning wrapped around you menacingly, And you emitted a mysterious thunder, And watered the greedy earth with rain. That's enough, hide! The time has passed, the Earth has refreshed itself, and the storm has rushed by, And the wind, caressing the leaves of the trees, drives you from the calm skies. Olympiad task Conduct a linguistic analysis of the text. Give detailed answers to the following questions: 1. What feeling is the poem imbued with? How does the construction of a poem help determine the mood of a lyrical hero? 2. Find in the poem: - stylistic figures and paths; - categorical difference and similarity of tenses of the verb; - individual-author's combination of words. 3. Explain what is the role of these artistic and linguistic means in the text. 4. Give a linguistic commentary on the words: "azure, greedy, passed away, hide, tree." What “meanings” does the use of these words bring to the poem? 5. Is the image of a cloud in this poem traditional for the poetic language of the first half of the 19th century? Explain your point of view. Pushkin's poem "Cloud" is imbued with the freshness of a summer day after a thunderstorm, penetrated by sunlight, only a cloud that lingers, for some reason, in the sky "casts a dull shadow." The poem is "impatient": both the poet and nature, as if waiting for the sky to become clear, the cloud to hide behind the horizon. Interesting structure of the poem. In the first quatrain, the poet reproaches the cloud for not hiding yet, evoking melancholy and memories of the past downpour. In the second quatrain, the author recalls the past thunderstorm, when the earth greedily swallowed life-giving moisture, when lightning flashed dazzlingly, thunder rumbled ... When this cloud was at the height of its power. In the last four lines, the poet turns to the cloud, says that its time has passed and urges to hide from sight as soon as possible. It is no coincidence that the poem is so constructed. I quatrain tells us about the cloud, the main character, this is a kind of "introductory" quatrain. Here the author regrets that the cloud still darkens the "clear azure" of the sky. I quatrain - apotheosis, the climax of the poem. Memories of inspire the poet, he paints a picture of her with bright juicy colors. We can say that these four lines are the most aggressive in the entire poem. The last, III quatrain is filled with appeasement. The author no longer threatens anyone, but only persuades the cloud to hide. This is a fitting end to the poem. In the poem we see a variety of stylistic figures and tropes. Despite the fact that the theme and idea of ​​the poem is the same, each quatrain has its own style. I quatrain - a little dull; the stylistic images created by the poet help to feel his mood: “a “dull shadow”, for example, or the whole line “You alone sadden a jubilant day”. On the other hand, this quatrain seems to be preparing us for the next, more "militant" one. Here one can feel the poet's annoyance at the recalcitrant cloud. This makes us understand both the appeal to the cloud and the threefold repetition of “one you”. Style II quatrain - aggressive "combat". This is also evidenced by some phrases: “she wrapped around you menacingly”, “published a mysterious thunder”, “greedy earth”. They help us better perceive the mood of the quatrain and the repeated “growling” consonants in the words “around”, “terrible”, “thunder”. It should be noted that they are absent in the last line, which is the main transition to the third quatrain. His style and keyword is appeasement. The author does not demand, but asks for a cloud: "Enough." The stylistic images here are also calm. We seem to imagine “leaves of trees” and “calm skies”. Characteristic words are also used here with phrases: “passed by”, “refreshed”, “caressing the leaves of trees”. All this helps us to better feel the freshness and style of the final quatrain. In the poem, one can note the categorical difference and similarity of the verb tenses of the verb. The present tense of the verb is used in both I and III quatrains. It should be noted that they are similar in style: the poet now demands, then asks the cloud not to overshadow a sunny day. In quatrain II, the author used the past tense of the verb, recalling the past thunderstorm. By this, he, as it were, emphasized the difference between the calm I, III and “warlike” II quatrains. In a lyrical miniature by A.S. Pushkin's "Cloud" we can also note the individual-author's combination of words. The poet used here a lot of bright epithets, except for him, not peculiar to anyone else. Among them, the following combinations stand out: “scattered storm”, “clear azure”, “dull shadow”, “jubilant day”. Note: not a joyful, not cheerful, but a “rejoicing” (!) day. “It wrapped menacingly”, “greedy earth”, “mysterious thunder”, “calm heavens”. These artistic means play a huge role: they help us understand and feel the mood of the poem. They make it richer and brighter, If it weren't for them, would there be a poem? Let's conduct a small experiment: we will remove only epithets from quatrain I. What will happen? The last cloud of ... storms! One you rush through the sky, One you direct ... a shadow, One you grieve ... the day. Well, is this a poem? Of course not. We must not forget that we have removed only epithets, but what will happen if we leave the poem without metaphors, inversions, comparisons, hyperbole?! Now, I think, it is clear that without artistic and linguistic means in a poem (and even prose!) It is absolutely impossible! 4. Azure - the word means bright, pure blue. This is a very important word in the poem. Compare: “by clear azure” and “by clear blue”. Greedy means "greedy", this word is no less important in the poem. Passed - that is, passed, passed. This word is obsolete and no longer used. Hide - hide, get away, this word is also outdated. Dreves - trees, this word is not used in modern Russian. These words, it seems to me, set the reader in a solemn mood, serve to more fully reveal the meaning of the poem. 5. I think yes, it is. It was at the beginning of the XIX century. flourishing of romanticism. It was marked by enthusiasm, impetuosity. The poem, as they say, corresponds. It is imbued with delight from a clear "jubilant" day, from "clear azure", the poet is in admiration for nature. Yes, and he describes the recent thunderstorm brightly, colorfully, which is no less characteristic of romanticism. A poem by A.S. Pushkin's "Cloud" is imbued with a sense of hope for the best. We see the victory of good over evil. The mood of the lyrical hero changes in the course of the poem. At first it is gloomy, and dull, and sad, but as nature “reborns” after rain and thunder: “the earth is refreshed” and the wind “caresses the leaves of trees”, so the poet’s soul becomes clear and bright. The first line of the poem "The last cloud of the scattered storm!" the lyrical hero-author shows that the whole main storm is already behind, thunder, lightning - everything has already passed. This means that in the composition of the poem there is as if there is no peak moment - the climax. The last cloud is only a remnant of the raging elements. So we can call the whole poem “Cloud” the denouement of some action: the hero is already calming down, his mood is improving, his soul becomes light and free, and nature is gradually recovering from the storm. In a poem by A.S. Pushkin's "Cloud" we see the artistic image of the cloud. It is a combination of all the negative emotions of the author, but at the same time, nature needs a cloud, grass and trees need rain. A cloud is the personification of something fickle: here it “makes a mysterious thunder”, and now it is already rushing across the sky, driven by the wind. So, a cloud is a symbol of impermanence, sad and dull, but very necessary for nature. There are many interesting tropes in the poem. For example, the epithets “scattered storm”, “mysterious thunder”, “greedy land”, “jubilant day”, etc. In the first stanza of the poem there is an anaphora - unity of command: You alone rush through clear azure, You alone cast a dull shadow, You alone grieve jubilant day. In the second stanza, we can notice the intentional repetition of vowel sounds by the author - assonance. In this case, the repetition of the vowel sound “O” creates the sound image of a storm. We seem to hear thunder, we are scared, and the sounds of fear and delight involuntarily break out - the interjection "O" and "A". You recently lightened the sky all around, And the lightning wrapped around you menacingly, And you emitted a mysterious thunder. Describing a recently raging storm, the author uses assonance. The author seems to participate in the action of his poem. In the third stanza, one can see an individual-author's combination of words: “Enough, hide!” So the author seemed to imagine himself the master of storms, ordering the cloud to rush away as soon as possible. The poem also has a linguistic means - a categorical difference in tenses of verbs. The author describes two actions in the poem: the past storm and the remaining cloud. Consequently, the storm that ruled a few minutes ago has already ended, which means that the author uses the past tense for verbs associated with the elements (fitted, wrapped around, published, went). But now a new, quiet and calm time has come, when the cloud is left alone and carries out its last actions (rushing, inducing, saddening). The poem "Cloud" refers to the last stage of A.S. Pushkin. The poem depicts a landscape picture, very dynamic. Movement, development is given through the antithesis, which is transmitted by the present and past tenses of verbs. The poem consists of three stanzas. In the first stanza, the image of the lyrical hero is imbued with a feeling of loneliness. The repetition of the word "one" and the anaphora of stylistic figures ("a sad shadow" - "a jubilant day") once again emphasize the feelings of the lyrical hero. In the second stanza, the lyrical hero is immersed in thoughts about the past. This is conveyed by the use of past tense verbs (“fitted”, “published”, “wrapped”, “went”). To give eccentricity, high spirits, the author uses lexical anaphora (and ..., and ...) and the frequent repetition of the word "you". We can also observe exclamations in stanzas 1 and 3. In the third stanza, the lyrical hero addresses the cloud (“Enough, hide! ) This request seems illogical in light of the events that have taken place. But further this is explained by the use of the past tense of the verbs ("passed", "rushed"). The vocabulary of the poem is very interesting. The word "azure" is used in the meaning of a bright, blue sky. "Greedy" - thirsty, asking for moisture. When combined with a noun, it becomes a personification. The words "passed", "hide", "tree" are archaisms. They are used to keep the rhythm and rhyme of the poem. The poem is written in four-foot amphibrach using paired rhyme (male and female). The images in the poem are not only symbolic, but also allegorical. Perhaps the storm means some kind of stormy feeling that left a mark in the soul of the poet. Or is it a kind of appeal to the king. Alexander Sergeevich reminds him of the Decembrist uprising. He hopes for the release of the exiled Decembrists. If this is so, then the image of the cloud in this poem is unconventional for the poetic language of the first half of the 19th century. The cloud meant danger ("The Tale of Igor's Campaign", "Ruslan and Lyudmila"). I believe that A.S. Pushkin found a new sound and expanded the meaning of the word "cloud". Conduct a linguistic analysis of A.A. Feta "Learn from them - from the oak, from the birch." Learn from them - from the oak, from the birch. Around winter. Tough time! In vain, tears froze on them, And the bark cracked, shrinking. The blizzard is getting worse, and with every minute the heart tears the last sheets, and a fierce cold grabs at the heart; They stand silent; shut up and you! But believe in spring. Her genius will rush, Again breathing warmth and life. For clear days, for new revelations A grieving soul will hurt. A poem by A.A. Feta "Learn from them - from the oak, from the birch" was written in the early 80s. Already in the 50s, Fet's romantic poetics was formed, in which the poet reflects on the connection between man and nature. He creates whole cycles: "Spring", "Summer", "Autumn", "Evenings and Nights", "Sea", in which, through pictures of nature, the reader and the lyrical hero comprehend the truth about man. In this sense, the poem "Learn from them - from the oak, from the birch" is very characteristic. The discreet picture of Russian nature is reflected in poetry in a peculiar way. The poet notices her elusive transitional states and how the artist “draws”, finding ever new shades and colors. The term "poetry of the impressionists", applied to the lyrics of Fet, perfectly reflects the search for poets-thinkers, poets-artists. Even Fet's contemporaries, especially Saltykov-Shchedrin, emphasized the complete fusion of man with nature in his lyrics. In the voice of Fet, the voice of a living being is heard, such as grass, trees, animals. The poet can "be silent" in their language, plunging into statistical contemplation. And after the poet, before the reader there are severe pictures of disharmony in nature, and in Fetov's way, in the human soul. They cause a number of associations: trouble, disorder, anxiety, worry. This is facilitated by metaphorical images: “tears froze in vain”, “a fierce cold grabs the heart”; negatively emotionally colored epithets: “fierce cold”, “cruel time”, “mourning soul”, inversion “tears in vain froze on them” The culmination of bad weather in nature is associated with spiritual sensations. In the first and third stanzas, mostly simple and simple complicated sentences are used (complication with adverbial phrases, homogeneous definitions). The second stanza has a different syntactic structure: a complex non-union sentence. Short, informative and rich sentences give the poem dynamics. The second stanza stops the dynamics of the poem, slows it down, in the third stanza the dynamics is restored. Motivating sentences set the tone for the entire poem, forms of verbs in the imperative mood give elements of didactic instruction, outdated forms of the words “shrinking”, “life” give the solemnity of speech. At first, the poem is imbued with pessimistic moods. The injection of tragic motives is especially noticeable in the second stanza, where the author allowed himself to use lexical repetitions: “the heart breaks” - “grabs the heart”, “they are silent; shut up and you. Such a technique reinforces the expectation of a denouement, which is why the third stanza begins with the opposing union “but” (“But believe in spring”). The union “but” invades the last stanza, contradicts the world of disorder and discord. carries a bright image of beauty, harmony. Now the figurative system serves to create feelings of a different kind - faith in the triumph of goodness, beauty, harmony. Perhaps Fet saw in nature what he so lacked in life, in the sphere of human relations (many years were spent on restoring the noble title, tragic love for Maria Lazich). I believe that this poem is a vivid example of the fact that Fet did not stop re-reading the great and sublime book of nature all his life, remaining her faithful and attentive student. And after the poet, the reader should also learn about nature, because in it is the key to all the secrets of human existence. Nature is the best teacher and mentor of man. We have a metaphor in front of us. The philosophical and psychological subtext of the poem is obvious. Oak is a symbol of perseverance, strength, strength. Birch is a symbol of vitality, resistance to adversity, flexibility, love of life. The key words are winter - adversity, spring - a full-blooded free life. The point in the poem, therefore, is that a person must courageously endure the blows of fate and believe in the inevitability of change. The poem breathes movement, but there is not a single word that directly expresses movement in it. To a greater extent, the poem is unique in that two very different series of events converge in one aesthetic reality. The ending is the strongest emotionally; all the power of the poem is concentrated in it. The artistic world is created by a variety of rhythms, sounds and a special syntax, i.e. chant style. In the first stanza, nominative incentive sentences are used, since Fet sought to express the complexity of the spiritual life of man and nature. The second stanza closes the climax in the soul and in nature. In the third stanza, the antagonistic union changes the mood of the lyrical hero, and behind the pictures of a cruel winter, one feels a revival of hope. The poem is written in three-syllable amphibrach with cross w/m rhyme. The poet liberated the word and increased the load on it - grammatical, emotional, semantic. At the same time, the semantic unit of a poetic text is not a single word and not even individual words and expressions, but the entire near and far context. The poem itself is a vivid lyrical experience, an instant lyrical flash. Also in the poem, outdated forms are used: “life”, “shrinking”. The author's presence is felt: "tears froze on them in vain", "a grieving soul". Fet is perceived as a symbolist poet who, as a sage, transforms tragedy, pain, compassion into beauty. It is in the indestructible ability to pass everything through the heart that his work is perceived. Expressively read the poem by I. Severyanin "Two Quiet". Conduct a linguistic analysis of the poem. Quiet double High is the moon. The frosts are high. Distant carts creak. And it seems that we can hear the Arkhangelsk silence. She is heard, she is visible: There are sobs of cranberry bog in her. There are crunches of snowy canvas in it, In it of quiet wings is the whiteness of Arkhangelsk silence. Igor Severyanin chose an unusual name for the poem - "Tish double." On the one hand, the reader can hear it, the silence is described in such a “detailed way”, it contains a lot of things, from “sobs of cranberry bog” to “crunches of snowy canvas”. It would seem, well, what can be special in silence? But only at first glance it may seem that the silence is lifeless and dull, not for nothing that Igor Severyanin belonged to the poets of the “Silver Age”, because he was able to make the reader not only hear the silence, but also “see”, feel it ... The moon is high. The frosts are high. Anaphora "high" is rather unusual for the first lines. I want to raise my head and see this moon, feel such a frost. The poem is written in iambic tetrameter using a ring composition. This helps the author to reveal the idea: to describe the silence so that every sound is distinguishable in it. The alliteration of the sounds "sh", "zh", "x" creates the effect of a crunch, rustle, sobs. If you read the poem aloud, you can really hear it. Incomplete sentences with missing predicates also help create an image of silence. The poet repeats the word "heard" to once again draw the attention of readers: so quiet that silence can be heard. and this all-consuming silence allows you to hear the "distant creak of carts." The dash sums up everything that “is in the Arkhangelsk Silence”. It is interesting to compare snow with "snow canvas", that is, snow is white, like the sail of a ship at sea. It is complex, it is visible: There are sobs of cranberry bog in it. The colon proves that it is indeed visible from what is happening around. The epithet "quiet" emphasizes that even the wings try not to disturb this peace. It is difficult to talk about silence, if most often it is associated with deadness, eternal peace. But the silence, "overheard" by the poet is different - this is a leisurely course of life, sleep and awakening, the absence of an alarming, tense flow of everyday affairs. The techniques and figures used complement the image of this complex phenomenon called silence. The poem by I. Severyanin “The double silence is built on a system of interconnected echoing images. It is not so much individual words or phrases that are important, but the associations that they generate in the reader. It is as if we are plunging into another world, we find ourselves in the snowy Russian outback, where we peer and listen to the silence, “twofold silence”. "Speaking" is the very title of the poem. What does "double silence" mean? And in general, how can you hear silence, because silence is the absence of any sounds?! But for Severyanin, this very silence is made up of “sobs of a cranberry quagmire”, from the creak of carts and “crunch of snow canvas”, i.e. In other words, the crunch of snow underfoot. Severyaninskaya silence is "visible"; this is not silence and not just a combination of sounds, this is a special feeling, a special atmosphere hovering over the expanses of Arkhangelsk. Talking" are epithets used later to describe the picture he presents: "high moon" - this is because the moon in the north seems far away, located high, high in the sky; “High frosts” means severe frosts; "sobbing cranberry bog" - this phrase tells a lot. Firstly, about the fact that in the summer cranberries grow in the swamps in the Arkhangelsk outback, that the bog makes strange sounds, similar to sobs, evoking melancholy. “Quiet wings of whiteness” - this is probably said about angels looking from ancient Arkhangelsk icons. From all this, “twofold silence”, “Arkhangelsk silence”, an Arkhangelsk, incomparable spirit, is formed. The poem is written at such a pace, using such techniques for constructing phrases and sentences, that the reader has a feeling of a leisurely flow of time, peace. Short, complete sentences give definiteness to everything said by the poet. A technique is used when several lines begin with the same phrase (one word), which emphasizes the features of the described object (or phenomenon), and, in addition, gives the poem some resemblance to a simple, soulful song. Analyze the poem based on the questions. Wonderful hail will sometimes merge From flying clouds; But as soon as the wind touches him, He will disappear without a trace; Thus the instantaneous creations of a poetic dream Disappear from the breath of extraneous fuss. E. Baratynsky 1. What is this poem about (specify the topic), 2 b. its main idea (formulate yourself or find a poem in the lines). 2 b. 2. What semantic parts can this poem be divided into? 2 b. On what basis is it built? 2 b. 3. What "extraneous fuss" is referred to in the last line? 2 b. 4. What, according to the author, is the death of poetry? 2 b. 5. Try to define in one word what "disappears." 1 b. 6. What means of expression help the author convey his thought? From 1 b. 7. Determine the poetic size. 2 b.