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About once upon a question of the questionnaire of the daughter of Leo Tolstoy Tatyana “How long would you like to live?” Fet replied: "The least long." Nevertheless, the writer had a long and very eventful life - he not only wrote many lyrical works, critical articles and memoirs, but also devoted whole years to agriculture, and apple marshmallow from his estate was even supplied to the imperial table.

Non-hereditary nobleman: childhood and youth of Athanasius Fet

Afanasy Fet in childhood. Photo: pitzmann.ru

Afanasy Fet was born in 1820 in the village of Novoselki near the city of Mtsensk, Oryol province. Until the age of 14, he bore the surname of his father, the wealthy landowner Afanasy Shenshin. As it turned out later, Shenshin's marriage to Charlotte Fet was illegal in Russia, since they got married only after the birth of their son, which the Orthodox Church categorically did not accept. Because of this, the young man was deprived of the privileges of a hereditary nobleman. He began to bear the name of his mother's first husband, Johann Fet.

Athanasius was educated at home. Basically, he was taught literacy and the alphabet not by professional teachers, but by valets, cooks, courtyards, and seminarians. But Fet absorbed most of his knowledge from the surrounding nature, the peasant way of life and rural life. He liked to communicate for a long time with the maids, who shared news, told tales and legends.

At the age of 14, the boy was sent to the German boarding school Krummer in the Estonian city of Vyru. It was there that he fell in love with the poetry of Alexander Pushkin. In 1837, young Fet arrived in Moscow, where he continued his studies at the boarding school of Professor of World History Mikhail Pogodin.

In quiet moments of complete carelessness, I seemed to feel the underwater rotation of flower spirals, trying to bring the flower to the surface; but in the end it turned out that only spirals of stems were striving outward, on which there were no flowers. I drew some verses on my slate board and erased them again, finding them meaningless.

From the memoirs of Afanasy Fet

In 1838, Fet entered the law faculty of Moscow University, but soon switched to the historical and philological department. From the first year he wrote poems that interested classmates. The young man decided to show them to Professor Pogodin, and he to the writer Nikolai Gogol. Soon Pogodin conveyed a review of the famous classic: "Gogol said this is an undoubted talent". The works of Fet and his friends were approved - the translator Irinarkh Vvedensky and the poet Apollon Grigoriev, to whom Fet moved from Pogodin's house. He recalled that "the house of the Grigorievs was the true cradle of my mental self." The two poets supported each other in their work and life.

In 1840, Fet's first collection of poems, Lyrical Pantheon, was published. It was published under the initials "A. F." It included ballads and elegies, idylls and epitaphs. The collection was liked by critics: Vissarion Belinsky, Pyotr Kudryavtsev and the poet Yevgeny Baratynsky. A year later, Fet's poems were regularly published by Pogodin's magazine Moskvityanin, and later by the magazine Domestic Notes. In the last year, 85 Fetov's poems were published.

The idea to return the title of nobility did not leave Afanasy Fet, and he decided to enter the military service: the officer rank gave the right to hereditary nobility. In 1845, he was accepted as a non-commissioned officer in the Order's cuirassier regiment in the Chersonese province. A year later, Fet was promoted to cornet.

Well-known metropolitan author and "agronomist-master to the point of desperation"

Friedrich Mobius. Portrait of Maria Fet (detail). 1858. State Literary Museum, Moscow

In 1850, bypassing all the censorship committees, Fet released a second collection of poems, which was praised on the pages of major Russian magazines. By this time, he was transferred to the rank of lieutenant and quartered closer to the capital. In the Baltic port, Afanasy Fet participated in the Crimean campaign, whose troops guarded the Estonian coast.

In the last years of his life, Fet received public recognition. In 1884, for the translation of Horace's works, he became the first recipient of the full Pushkin Prize of the Imperial Academy of Sciences. Two years later, the poet was elected its corresponding member. In 1888, Athanasius Fet was personally introduced to Emperor Alexander III and awarded the court title of chamberlain.

While still in Stepanovka, Fet began to write the book “My Memoirs”, where he talked about his life as a landowner. The memoirs cover the period from 1848 to 1889. The book was published in two volumes in 1890.

On December 3, 1892, Fet asked his wife to call a doctor, and in the meantime he dictated to his secretary: “I don’t understand the conscious increase in inevitable suffering. Volunteering towards the inevitable" and signed "Fet (Shenshin)". The writer died of a heart attack, but it is known that at first he tried to commit suicide by rushing after a steel stiletto. Afanasy Fet was buried in the village of Kleymenovo, the Shenshin family estate.

I was offended to see how indifferently the sad news was received even by those whom it most of all should have touched. How selfish we are! He was a strong man, fought all his life and achieved everything he wanted: he won a name, wealth, literary celebrity and a place in high society, even at court. He appreciated all this and enjoyed everything, but I am sure that his poems were dearest to him in the world and that he knew that their charm is incomparable, the very heights of poetry. The further, the more others will understand it.

From a letter from Nikolai Strakhov to Sofya Tolstoy, 1892

Already after the death of the writer, in 1893, the last volume of memoirs "The Early Years of My Life" was published. Fet also did not have time to release the volume that completes the cycle of poems "Evening Lights". The works for this poetic book were included in the two-volume "Lyric Poems", which was published in 1894 by Nikolai Strakhov and Grand Duke Konstantin Romanov.

Afanasy Afanasyevich Fet(real name Shenshin) (1820-1892) - Russian poet, corresponding member of the St. Petersburg Academy of Sciences (1886).

Afanasy Fet was born December 5 (November 23, old style), 1820 in the village of Novoselki, Mtsensk district, Oryol province. He was the illegitimate son of the landowner Shenshin, and at the age of fourteen, by decision of the spiritual consistory, he received the surname of his mother Charlotte Fet, at the same time losing the right to nobility. Subsequently, he achieved a hereditary noble rank and returned the surname Shenshin to himself, but the literary name - Fet - remained with him forever.

Athanasius studied at the verbal faculty of Moscow University, here he became close to Apollon Grigoriev and was a member of a circle of students who were intensively engaged in philosophy and poetry. While still a student, in 1840, Fet published the first collection of his poems - "Lyrical Pantheon". In 1845-1858 he served in the army, then acquired large lands and became a landowner. According to his convictions, A. Fet was a monarchist and a conservative.

The origin of Afanasy Afanasyevich Fet is still not fully understood. According to the official version, Fet was the son of the Orel landowner Afanasy Neofitovich Shenshin and Charlotte-Elizaveta Fet, who had fled from her first husband to Russia. The divorce proceedings dragged on, and the wedding of Shenshin and Fet took place only after the birth of the boy. According to another version, his father was the first husband of Charlotte-Elizabeth Johann-Peter Fet, but the child was born already in Russia and was recorded under the name of his adoptive father. One way or another, at the age of 14, the boy was recognized as illegitimate and deprived of all noble privileges. This event, which overnight turned the son of a wealthy Russian landowner into a rootless foreigner, had a profound impact on Fet's entire subsequent life. Wanting to protect their son from litigation regarding his origin, the parents sent the boy to a German boarding school in the city of Verro (Võru, Estonia). In 1837, he spent half a year in the Moscow boarding school of Mikhail Petrovich Pogodin, preparing to enter Moscow University, and in 1838 he became a student of the historical and philological department of the Faculty of Philosophy. The university environment (Apollon Alexandrovich Grigoriev, in whose house Fet lived throughout his studies, students Yakov Petrovich Polonsky, Vladimir Sergeevich Soloviev, Konstantin Dmitrievich Kavelin, etc.) contributed to the formation of Fet as a poet in the best possible way. In 1840, he published the first collection of A. F. Lyrical Pantheon. The Pantheon did not produce much resonance, but the collection drew the attention of critics and opened the way to key periodicals: after its publication, Fet's poems began to appear regularly in Moskvityanin and Otechestvennye Zapiski.

You tell me: I'm sorry! I say goodbye!

Fet Afanasy Afanasyevich

Hoping to receive a letter of nobility, in 1845 Afanasy Afanasyevich enrolled in the cuirassier order regiment stationed in the Kherson province, with the rank of non-commissioned officer, a year later he received the rank of officer, but shortly before that it became known that from now on the nobility gives only the rank of major. During the years of the Kherson service, a personal tragedy broke out in the life of Fet, which left its mark on the subsequent work of the poet. Beloved Feta, the daughter of a retired general, Maria Lazich, died from her burns - her dress flared up from a match accidentally or deliberately dropped. The version of suicide seems the most likely: Maria was a dowry, and her marriage to Fet was impossible. In 1853, Fet was transferred to the Novgorod province, having received the opportunity to visit St. Petersburg frequently. His name gradually returned to the pages of magazines, this was facilitated by new friends - Nikolai Alekseevich Nekrasov, Alexander Vasilyevich Druzhinin, Vasily Petrovich Botkin, who were part of the editorial board of Sovremennik. A special role in the poet's work was played by Ivan Sergeevich Turgenev, who prepared and published a new edition of Fet's poems (1856).

In 1859, Afanasy Afanasyevich Fet received the long-awaited rank of major, but the dream of returning the nobility was not destined to come true then - since 1856 this title was awarded only to colonels. Fet retired and, after a long trip abroad, settled in Moscow. In 1857 he married the middle-aged and ugly Maria Petrovna Botkina, receiving a solid dowry for her, which made it possible to purchase an estate in the Mtsensk district. “He has now become an agronomist - a master to the point of desperation, let go of his beard to his loins ... he doesn’t want to hear about literature and scolds magazines with enthusiasm,” I. S. Turgenev commented on the changes that happened to Fet. Indeed, for a long time, only accusatory articles about the post-reform state of agriculture came out from the pen of a talented poet. “People don’t need my literature, and I don’t need fools,” Fet wrote in a letter to Nikolai Nikolaevich Strakhov, hinting at the lack of interest and misunderstanding on the part of contemporaries who were fascinated by civil poetry and populist ideas. Contemporaries answered in the same way: “All of them (Fet’s poems) are of such content that a horse could write them if it learned to write poetry,” this is the textbook assessment of Nikolai Gavrilovich Chernyshevsky.

Afanasy Fet returned to literary work only in the 1880s after returning to Moscow. Now he was no longer the rootless poor Fet, but the rich and respected nobleman Shenshin (in 1873, his dream finally came true, he received a letter of nobility and his father's surname), a skilled Oryol landowner and owner of a mansion in Moscow. He again became close to his old friends: Polonsky, Strakhov, Solovyov. In 1881, his translation of the main work of Arthur Schopenhauer "The World as Will and Representation" was published, a year later - the first part of "Faust", in 1883 - the works of Horace, later Decimus Junius Juvenal, Gaius Valerius Catullus, Ovid, Maron Publius Virgil, Johann Friedrich Schiller, Alfred de Musset, Heinrich Heine and other famous writers and poets. Collections of poems under the general title "Evening Lights" were published in small editions. In 1890, two volumes of memoirs, My Memoirs, appeared; the third, The Early Years of My Life, was published posthumously, in 1893.

By the end of his life, Fet's physical condition became unbearable: his eyesight deteriorated sharply, aggravated asthma was accompanied by asthma attacks and excruciating pains. On November 21, 1892, Fet dictated to his secretary: “I don’t understand the conscious increase in inevitable suffering, I voluntarily go towards the inevitable.” The suicide attempt failed: the poet died earlier from apoplexy.

All Fet's work can be considered in the dynamics of its development. The first verses of the university period tend to glorify the sensual, pagan beginning. The beautiful acquires specific visual forms, harmonious and complete. There is no contradiction between the spiritual and carnal worlds, there is something that unites them - beauty. The search and disclosure of beauty in nature and man is the main task of the early Fet. Already in the first period, tendencies appear that are characteristic of later creativity. The objective world became less clear, and shades of the emotional state, impressionistic sensations came to the fore. The expression of the inexpressible, the unconscious, music, fantasy, experience, an attempt to grasp the sensual, not the object, but the impression of the object - all this determined the poetry of Afanasy Fet in the 1850s-1860s. The later lyrics of the writer took shape largely under the influence of the tragic philosophy of Schopenhauer. The creativity of the 1880s is characterized by an attempt to escape into another world, the world of pure ideas and essences. In this, Fet was close to the aesthetics of the Symbolists, who considered the poet their teacher.

Afanasy Afanasyevich Fet passed away December 3 (November 21, old style), 1892, in Moscow.

“His articles, in which he advocated for the interests of the landowners, aroused the indignation of the entire advanced press. After a long break in poetic work, in his seventh decade, in the 80s, Fet published a collection of poems “Evening Lights”, where his work unfolded from new strength.

Fet entered the history of Russian poetry as a representative of the so-called "pure art". He argued that beauty is the only goal of the artist. Nature and love were the main themes of Fet's works. But in this relatively narrow sphere, his talent manifested itself with great brilliance. ...

Athanasius Fet especially skillfully conveyed the nuances of feelings, vague, fluent or barely nascent moods. "The ability to catch the elusive" - ​​this is how criticism characterized this trait of his talent.

Poems by Athanasius Fet

Don't wake her up at dawn
At dawn she sleeps so sweetly;
Morning breathes on her chest
Brightly puffs on the pits of the cheeks.

And her pillow is hot
And a hot tiring dream,
And, blackening, they run on their shoulders
Braids tape on both sides.

And yesterday at the window in the evening
For a long, long time she sat
And watched the game through the clouds,
What, sliding, started the moon.

And the brighter the moon played
And the louder the nightingale whistled,
She became more and more pale
My heart was beating harder and harder.

That's why on a young chest,
On the cheeks so the morning burns.
Don't wake her, don't wake her...
At dawn she sleeps so sweetly!

I came to you with greetings
Say that the sun has risen
What is hot light
The sheets fluttered;

Tell that the forest woke up
All woke up, each branch,
Startled by every bird
And full of spring thirst;

Tell that with the same passion
Like yesterday, I came again
That the soul is still the same happiness
And ready to serve you;

Tell that from everywhere
Joy blows on me
I don't know what I will
Sing - but only the song matures.

There are some sounds
And cling to my headboard.
They are full of languid separation,
Trembling with unparalleled love.

It would seem, so what? resounded
Last gentle caress
Dust ran down the street
The postal stroller disappeared...

And only... But the parting song
Unrealizable teases love,
And light sounds are carried
And cling to my headboard.

Muse

How long has she visited my corner again,
Made you languish and love?
Whom did you incarnate this time?
Whose speech affectionate managed to bribe?

Give me a hand. Sit down. Light your torch of inspiration.
Sing, good one! In silence I recognize your voice
And I will stand, trembling, on my knees,
Memorize the verses sung by you.

How sweet, forgetting worldly excitement,
From pure thoughts to blaze and go out,
Your mighty smelling breath,
And listen to your eternally virginal words.

Come, heavenly, to my sleepless nights
More blissful dreams and glory and love,
And with a gentle name, barely spoken,
Bless my thoughtful work again.

All night the neighboring ravine thundered,
The brook, bubbling, ran to the brook,
Resurrected waters pressure last
He announced his victory.

Did you sleep. I opened the window
Cranes were crying in the steppe,
And the power of thought carried away
Beyond the borders of the native land,

Fly to the boundless, off-road,
Through the forests, through the fields, -
And under me spring shivers
The earth was moving.

How to trust the migratory shadow?
Why this instant affliction
When you are here; my good genius
A troubled friend?

Learn from them - from the oak, from the birch.
Around winter. Tough time!
In vain, tears froze on them,
And cracked, shrinking, the bark.

All the angrier blizzard and every minute
Angrily tears the last sheets, -
And a fierce cold grabs at the heart;
They stand silent; shut up and you!

But believe in spring. Genius will rush her
Breathing warmth and life again.
For clear days, for new revelations
A grieving soul will be ill.

Forgive and forget everything in your cloudless hour,
Like a young moon at the height of azure;
And they break into the outer bliss more than once
With the aspiration of the young frightening storms.

When under a cloud, transparent and pure,
The dawn will tell that the day of bad weather has passed, -
You will not find a blade of grass and you will not find a leaf,
So that he does not cry and does not shine with happiness.

With one push to drive the rook alive
From the smoothed ebb of the sands,
One wave to rise into another life,
Feel the wind from the flowering shores.

To interrupt a dreary dream with a single sound,
Get drunk suddenly unknown, dear,
Give life a sigh, give sweetness to secret torment
Someone else instantly feel your own,

Whisper about what the tongue goes numb to,
Strengthen the fight of fearless hearts -
That's what the singer only the chosen one owns,
That is his sign and crown!

Spruce covered the path with my sleeve.
Wind. In the forest alone
Noisy, and creepy, and sad, and fun,
I do not understand anything.

Wind. All around is buzzing and swaying,
Leaves swirl at your feet.
Chu, there is suddenly heard in the distance
Subtly calling horn.

Sweet call to me herald copper!
Dead sheets to me!
It seems that the poor wanderer came from afar
You warmly greet.
1891.

Afanasy Afanasyevich Fet - quotes

Night. Can't hear city noise. There is a star in the sky - and from it, Like a spark, a thought was sown Secretly in my sad heart.

Mum! Look out of the window - To know, yesterday it was not for nothing that the cat Washed its nose: There is no dirt, the whole yard is covered, It brightened, turned white - It can be seen that there is a frost. Not prickly, light blue Frost is hung on the branches - Look at least you! As if someone with a thorny Fresh, white, puffy cotton wool All removed the bushes.

Long forgotten, under a light layer of dust, Cherished features, you are again in front of me And in the hour of mental anguish, you instantly resurrected Everything that was lost by the soul a long time ago. Burning with the fire of shame, the eyes again meet One credulity, hope and love, And faded patterns of sincere words From my heart to the cheeks drive blood.

If I meet a bright dawn in the sky, I tell her about my secret, If I approach the forest key And I whisper to him about the secret. And as the stars tremble in the night, I'm glad to tell them all night; Only when I look at you, I will never say anything.

From the thin lines of the ideal, From the children's sketches of the chela You have not lost anything, But all of a sudden you have gained. Your gaze is open and fearless, Although your soul is quiet; But yesterday's paradise shines in it And an accomplice of sin.

Fet Afanasy Afanasyevich (November 23, 1820 - November 21, 1892), the great Russian lyric poet, memoirist, translator.

Biography

Video about Fet

Childhood

Afanasy Fet was born in Novoselki, a small estate located in the Mtsensk district of the Oryol province. His own father is Johann Peter Wilhelm Feth, an assessor of the city court in Darmstadt, his mother is Charlotte Elisabeth Becker. Being seven months pregnant, she left her husband and secretly left for Russia with 45-year-old Afanasy Shenshin. When a boy was born, he was baptized according to the Orthodox rite and named Athanasius. It was recorded as Shenshin's son. In 1822, Charlotte Elizaveta Fet converted to Orthodoxy and married Afanasy Shenshin.

Education

Athanasius received an excellent education. A capable boy was easy to learn. In 1837 he graduated from a private German boarding school in Verro, Estonia. Even then, Fet began to write poetry, showed interest in literature and classical philology. After school, in order to prepare for entering the university, he studied at the boarding house of Professor Pogodin, a writer, historian and journalist. In 1838, Afanasy Fet entered the law department, and then - the philosophical faculty of Moscow University, where he studied at the historical and philological (verbal) department.

At the university, Athanasius became close to one of the students, Apollon Grigoriev, who was also fond of poetry. Together they began to attend a circle of students who were intensively engaged in philosophy and literature. With the participation of Grigoriev, Fet released his first collection of poems "Lyrical Pantheon". The creativity of the young student earned Belinsky's approval. And Gogol spoke of him as "an undoubted talent." This became a kind of "blessing" and inspired Afanasy Fet to further work. In 1842, his poems were published in many publications, including the popular journals Otechestvennye Zapiski and Moskvityanin. In 1844, Fet graduated from the university.

Military service

In 1845, Fet left Moscow and joined a provincial cuirassier regiment in southern Russia. Athanasius believed that military service would help him regain his lost noble rank. A year after the start of the service, Fet received the rank of officer. In 1853 he was transferred to the guards regiment, which was stationed near St. Petersburg. He often visited the capital, met with Turgenev, Goncharov, Nekrasov, became close to the editors of the popular Sovremennik magazine. In general, the poet's military career was not very successful. In 1858, Fet retired, having risen to the rank of headquarters captain.

Love

During the years of service, the poet experienced a tragic love, which influenced all his further work. The poet's lover, Maria Lazich, was from a good but poor family, which was an obstacle to their marriage. They broke up, and after some time the girl tragically died in a fire. The poet kept the memory of his unhappy love until his death.

Family life

At the age of 37, Afanasy Fet married Maria Botkina, the daughter of a wealthy tea merchant. His wife was not distinguished by youth and beauty. It was an arranged marriage. Before the wedding, the poet revealed to the bride the truth about his origin, as well as about some kind of “family curse”, which could become a serious obstacle to their marriage. But these confessions did not frighten Maria Botkina, and in 1857 they got married. A year later, Fet retired. He settled in Moscow and devoted himself to literary work. His family life was quite prosperous. Fet increased the fortune brought to him by Maria Botkina. True, they had no children. In 1867, Afanasy Fet was elected a justice of the peace. He lived on his estate and led the life of a real landowner. Only after the return of the stepfather's surname and all the privileges that a hereditary nobleman could enjoy, the poet began to work with renewed vigor.

Creation

Afanasy Fet left a significant mark on Russian literature. He published his first collection of poems "Lyrical Pantheon" when he was a student at the university. Fet's first poems were an attempt to get away from reality. He sang the beauty of nature, wrote a lot about love. Even then, a characteristic feature appeared in his work - he spoke about important and eternal concepts in hints, was able to convey the subtlest shades of mood, awakening pure and bright emotions in readers.

After the tragic death of Maria Lazich, Fet's work took on a new direction. He dedicated the poem "Talisman" to his beloved. It is assumed that all subsequent poems by Fet about love are dedicated to her. In 1850, a second collection of his poems was published. It aroused the interest of critics, who did not skimp on positive reviews. Then Fet was recognized as one of the best contemporary poets.

Afanasy Fet was a representative of "pure art", he did not touch upon burning social issues in his works and remained a staunch conservative and monarchist until the end of his life. In 1856, Fet published the third collection of poems. He sang beauty, considering it the sole purpose of his work.

The heavy blows of fate did not go unnoticed for the poet. He became hardened, broke off relations with friends, almost stopped writing. In 1863, the poet published a two-volume collection of his poems, and then a twenty-year break came in his work.

Only after the surname of his stepfather and the privileges of a hereditary nobleman was returned to the poet, he took up creativity with renewed vigor. By the end of his life, the poems of Athanasius Fet became more and more philosophical, they were present in metaphysical idealism. The poet wrote about the unity of man and the universe, about the highest reality, about eternity. In the period from 1883 to 1891, Fet wrote more than three hundred poems, which were included in the collection Evening Lights. The poet published four editions of the collection, and the fifth came out after his death.

Death

Afanasy Fet died of a heart attack. Researchers of the life and work of the poet are convinced that before his death he tried to commit suicide.

Main achievements

• Afanasy Fet left behind a great creative legacy. Fet was recognized by contemporaries, his poems were admired by Gogol, Belinsky, Turgenev, Nekrasov. In the fifties of his century, he was the most significant representative of the poets who promoted "pure art" and sang "eternal values" and "absolute beauty". The work of Athanasius Fet marked the end of the poetry of the new classicism. Fet is still considered one of the brightest poets of his time.
• The translations of Athanasius Fet are also of great importance for Russian literature. He translated the entire "Faust" of Goethe, as well as the works of a number of Latin poets: Horace, Juvenal, Catullus, Ovid, Virgil, Persia and others.

Important dates in life

• 1820, November 23 - was born in the estate of Novoselki, Oryol province
• 1834 - was deprived of all the privileges of a hereditary nobleman, the surname Shenshin and Russian citizenship
• 1835-1837 - studied at a private German boarding school in the city of Werro
• 1838-1844 - studied at the university
• 1840 - the first collection of poems "Lyrical Pantheon" was published
• 1845 - entered the provincial cuirassier regiment in southern Russia
• 1846 - received an officer's rank
• 1850 - the second collection of poems "Poems" was published
• 1853 - transferred to the service in the guards regiment
• 1856 - the third collection of poems was published
• 1857 - married Maria Botkina
• 1858 - retired
• 1863 - a two-volume collection of poems was published
• 1867 - Elected Justice of the Peace
• 1873 - returned noble privileges and the surname Shenshin
• 1883 - 1891 - worked on the five-volume "Evening Lights"
• 1892, November 21 - died in Moscow from a heart attack

• In 1834, when the boy was 14 years old, it turned out that legally he was not the son of the Russian landowner Shenshin, and the recording was made illegally. The cause of the proceedings was an anonymous denunciation, the author of which remained unknown. The decision of the spiritual consistory sounded like a sentence: from now on, Athanasius had to bear his mother's surname, was deprived of all the privileges of a hereditary nobleman and Russian citizenship. From a rich heir, he suddenly became a "man without a name", an illegitimate child of dubious parentage. Fet took this event as a shame, and the return of the lost position became his goal, an obsession, which largely determined the poet's future life path. Only in 1873, when Afanasy Fet was 53 years old, did the dream of his whole life come true. By decree of the king, the noble privileges and the surname Shenshin were returned to the poet. Nevertheless, he continued to sign his literary works with the surname Fet.
• In 1847, during military service, in the small estate of Fedorovka, the poet met Maria Lazich. This relationship began with a light, non-committal flirting, which gradually grew into a deep feeling. But Maria, a beautiful, well-educated girl from a good family, still could not be a good match for a person who hoped to regain the title of nobility. Realizing that he truly loves this girl, Fet, nevertheless, decided that he would never marry her. Maria reacted calmly to this, but after a while she decided to break off relations with Athanasius. And after a while, Fet was informed about the tragedy that occurred in Fedorovka. A fire broke out in Maria's room, her clothes caught fire. Trying to save herself, the girl ran out onto the balcony, then into the garden. But the wind only fanned the flames. Maria Lazich was dying for several days. Her last words were about Athanasius. The poet took this loss hard. Until the end of his life, he regretted that he had not married a girl, because there was no true love in his life anymore. His soul was empty.
• The poet carried a heavy burden. The fact is that he had crazy people in his family. His two brothers, already as adults, lost their minds. At the end of her life, Afanasy Fet's mother also suffered from insanity and begged to take her life. Shortly before Fet's marriage to Maria Botkina, his sister Nadia also ended up in a psychiatric clinic. Her brother visited her there, but she did not recognize him. Behind him, the poet often noticed bouts of heavier melancholy. Fet was always afraid that in the end he would suffer the same fate.

Name: Eduard Asadov

Age: 80 years old

Place of Birth: Merv, Turkestan ASSR

Place of death: Odintsovo, Moscow region, Russia

Activity: Soviet poet

Family status: was married

Eduard Asadov - biography

Eduard Asadov's poems have never been in the school curriculum, and critics mercilessly scolded the poet. However, his books instantly disappeared from store shelves, and in the halls where he spoke, there was nowhere for an apple to fall. After all, he wrote about things understandable to every person: love, friendship, betrayal, kindness ...

Narrow dusty streets, colorful noisy bazaars, white-hot roofs of houses... Little Eduard had such memories of Turkmenistan, where he was born.

Eduard Asadov - childhood

Edward grew up in a loving Armenian family, but his sunny childhood did not last long. In 1929, my father died suddenly, and my mother decided to move with her 6-year-old son to Sverdlovsk, closer to relatives. Already at the age of 8, Edward wrote his first work and persuaded his mother to give it to the drama circle of the local Palace of Pioneers. He so dreamed of becoming a great theater director! The people around had no doubt: the artist is growing. Such an ardent, enthusiastic boy must certainly be on stage ...

When he and his mother moved to Moscow, Eduard was in seventh heaven with happiness: this is his city - big, noisy, hectic. He wrote new poems literally about everything he saw around, as if fixing it for the future.

Graduation party at school No. 38 was held on June 14, 1941. Eduard still hesitated which university to go to: literary or acting. There were only a few days left to decide. But all plans were crossed out by the war. On the very first day, the 17-year-old poet rushed to the military enlistment office to sign up for volunteers and a few days later he was already riding in a train car bound for the front.

Eduard Asadov - front-line biography

Asadov fought on the most difficult frontiers, and in between battles he continued to write poetry and read them to fellow soldiers. Much later, he would tell his critics, who reproached him for his overly idealized picture of the life of a soldier, that war is also life. And people on it also love, suffer, dream, joke.

The poet went from a mortar gunner, the famous "Katyusha", to a lieutenant and battalion commander of guards mortars. In early May 1944, during the bloody battles on the outskirts of Sevastopol, his battery was broken, but there was still ammunition left, which was in great need at the neighboring line. Edward received an order: to deliver the surviving shells there. “Flying through death in an old truck along a sun-drenched road, in full view of the enemy, under continuous artillery and mortar fire, under bombardment is a feat,” his commander, General Ivan Semenovich Strelbitsky, wrote years later in his book “For Your Sake, people".

It was an almost impossible task. In the middle of the journey, a shell fragment hit Lieutenant Asadov in the head. But, losing consciousness and bleeding, he continued on his way and took the shells to their destination. For this feat in 1998, the poet was awarded the title of Hero of the Soviet Union.

Asadov did not like to remember the war, and especially his injury. Natural modesty and pain that did not subside over the years affected. Only in verse did he return to that difficult time.

The month between life and death. Two years of hospitals, 12 surgeries. When he regained consciousness and opened his eyes, he ... saw nothing. As a result of a severe head injury, Asadov lost his sight forever. For the first time in his life, he fell into depression - he did not want to live, immersed in darkness.

How is it to die?! Such a strong and courageous person like you has strange thoughts, - the nurse who cared for the lieutenant was sincerely indignant.

Who needs me! exclaimed the wounded soldier bitterly.

To me! Yes, I'm ready to marry you right now!

The thought that someone else needed him breathed life into Asadov. As he later admitted, it was the love of women that saved him then. Old friends and classmates came. Asadov's cheerfulness and optimism conquered the girls. While he was in the hospital, he was offered a hand and heart six times!

Eduard Asadov - biography of personal life

Edward could not refuse one girl

The artist of the children's theater Irina Viktorova became his first love and wife. But family life did not work out. It soon became clear that for Irina, love for Asadov was more of a hobby than a real feeling. Therefore, she was not ready to devote her life to a blind poet who needed constant support. A few years later, the couple separated.

Asadov needed to hear the opinion of a professional, whom he found in the face. The poet sent him several of his poems and waited. In the response letter, only the surname and name of Eduard Asadov remained untouched by Chukovsky's comments. The writer criticized every line, but at the end he made an unexpected conclusion: “... however, despite everything that has been said above, I can say with full responsibility that you are a true poet. For you have that genuine poetic breath, which is inherent only in a poet! Wish you luck. K. Chukovsky.

Inspired Asadov entered the Gorky Literary Institute and graduated with honors. After the publication of the very first collection of poems "Bright Roads" an incredible success came to him. Asadov was accepted into the Writers' Union, publishing houses vied with each other to publish his collections, literary evenings were held in a full hall. "Poems about the red mongrel" knew every second inhabitant of the Land of Soviets. Thousands of letters came from grateful readers.

That day there was a full house at the Palace of Culture of Moscow State University on Stromynka. Eduard Asadov, among other invited poets, was preparing to go on stage when a young woman approached them, introducing herself as an artist of the Mosconcert. She asked me to let her go ahead in order to catch the plane. This insignificant, at first glance, meeting was deposited in the heart of Asadov. He sent his poems to the artist, then they met, began to perform together - and soon got married.

So Galina Razumovskaya, whom the poet had never seen, became his lifelong friend for 36 long years. They practically did not part: Galina accompanied Asadov everywhere. He didn't even have a wand, because they always went hand in hand. His wife completely corrected the verses that Asadov typed on his own on a typewriter. In the evenings, she read books aloud to him for hours, and at the age of 60 she learned to drive a car to make it easier for her husband to move around the city.

The 1990s were a difficult test for Eduard Arkadyevich. As a poet, he turned out to be unclaimed, his wife died, his friends disappeared in all directions. Give up and just live out your life? No, giving up is not in the character of a former front-line soldier. He continued to write to the table and believed that someday they would still remember him and millions would read his poems again. And so it happened: Asadov has not been with us for more than 10 years, but his poems about simple human feelings still warm hearts.

Biography

Eduard Arkadievich

Poet, honorary citizen of the city of Sevastopol

Born on September 7, 1923 in the Turkmen city of Merv (now Mary). Father - Asadov Arkady Grigoryevich (1898−1929), graduated from Tomsk University, during the Civil War - commissar, commander of the 1st company of the 2nd Infantry Regiment, in peacetime he worked as a school teacher. Mother - Asadova (Kurdova) Lidia Ivanovna (1902−1984), teacher. Wife - Asadova (Razumovskaya) Galina Valentinovna (1925-1997), artist of the Mosconcert. Granddaughter - Asadova Kristina Arkadyevna (born in 1978), a graduate of the Faculty of Philology of Moscow State University, a teacher of Italian at MGIMO.

In 1929, Edward's father died, and Lidia Ivanovna moved with her son to Sverdlovsk (now Yekaterinburg), where the grandfather of the future poet, Ivan Kalustovich Kurdov, lived, whom Eduard Arkadyevich calls with a kind smile his "historical grandfather." Living in Astrakhan, Ivan Kalustovich from 1885 to 1887 served as a copyist secretary for Nikolai Gavrilovich Chernyshevsky after his return from Vilyui exile and was forever imbued with his lofty philosophical ideas. In 1887, on the advice of Chernyshevsky, he entered Kazan University, where he met student Vladimir Ulyanov and, following him, joined the revolutionary student movement, participated in the organization of illegal student libraries. Later, after graduating from the natural faculty of the university, he worked in the Urals as a zemstvo doctor, and since 1917 - the head of the medical department of the Gubzdrav. The depth and eccentricity of Ivan Kalustovich's thinking had a huge impact on the formation of the character and worldview of his grandson, the education in him of willpower and courage, on his faith in conscience and kindness, and ardent love for people.

The working Urals, Sverdlovsk, where Eduard Asadov spent his childhood and adolescence, became the second home for the future poet, and he wrote his first poems at the age of eight. During these years, he traveled almost the entire Urals, especially often visiting the city of Serov, where his uncle lived. He forever fell in love with the strict and even harsh nature of this region and its inhabitants. All these bright and vivid impressions will later be reflected in many poems and poems by Eduard Asadov: "Forest River", "Date with Childhood", "Poem of the First Tenderness", etc. The theater attracted him no less than poetry - while studying at school , he studied in the drama club at the Palace of Pioneers, which was led by an excellent teacher, director of the Sverdlovsk radio Leonid Konstantinovich Dikovsky.

In 1939, Lidia Ivanovna, as an experienced teacher, was transferred to work in Moscow. Here Edward continued to write poems - about school, about recent events in Spain, about hiking in the forest, about friendship, about dreams. He read and re-read his favorite poets: Pushkin, Lermontov, Nekrasov, Petofi, Blok, Yesenin, whom he still considers his creative teachers.

The graduation ball at school N ° 38 of the Frunzensky district of Moscow, where Eduard Asadov studied, took place on June 14, 1941. When the war began, he, without waiting for the call, came to the district committee of the Komsomol with a request to send him as a volunteer to the front. This request was granted. He was sent to Moscow, where the first units of the famous Guards mortars were formed. He was appointed as a gunner in the 3rd Battalion of the 4th Guards Artillery Mortar Regiment. After a month and a half of intensive study, the division in which Asadov served was sent near Leningrad, becoming the 50th separate guards artillery division. Having fired the first volley at the enemy on September 19, 1941, the division fought on the most difficult sections of the Volkhov Front. Burning 30-40-degree frosts, hundreds and hundreds of kilometers back and forth along the broken front line: Voronovo, Gaitolovo, Sinyavino, Mga, Volkhov, Novaya village, Workers' settlement N ° 1, Putilovo ... In total, during the winter of 1941/42, Asadov's gun fired 318 volleys at enemy positions. In addition to the position of a gunner, he in a short time studied and mastered the duties of other crew numbers.

In the spring of 1942, in one of the battles near the village of Novaya, the commander of the gun, Sergeant M. M. Kudryavtsev, was seriously wounded. Asadov, together with medical instructor Vasily Boyko, carried the sergeant out of the car, helped bandage him and, without waiting for orders from his immediate commander, took command of the combat installation, while simultaneously performing the duties of a gunner. Standing near the combat vehicle, Eduard accepted the missiles brought by the soldiers, installed them on rails and secured them with clamps. A German bomber emerged from the clouds. Turning around, he began to dive. The bomb fell 20-30 meters from Sergeant Asadov's combat vehicle. Loader Nikolai Boikov, who was carrying a projectile on his shoulder, did not have time to execute the command "Lie down!". A shell fragment tore off his left arm. Gathering all his will and strength, the soldier, swaying, stood 5 meters from the installation. Another second or two - and the projectile will poke into the ground, and then nothing alive will remain for tens of meters around. Asadov quickly assessed the situation. He instantly jumped up from the ground, jumped up to Boikov with one jump and picked up a projectile falling from his comrade's shoulder. There was nowhere to charge it - the combat vehicle was on fire, thick smoke was pouring from the cockpit. Knowing that one of the gas tanks was under the seat in the cab, he carefully lowered the projectile to the ground and rushed to help the driver Vasily Safonov fight the fire. The fire was defeated. Despite his burned hands, refusing to be hospitalized, Asadov continued to carry out his combat mission. Since then, he has performed two duties: gun commander and gunner. And in short breaks between fights he continued to write poetry. Some of them ("Letter from the front", "To the starting line", "In the dugout") were included in the first book of his poems.

At that time, the guards mortar units experienced an acute shortage of officers. The best junior commanders with combat experience were sent to military schools by order of the command. So in the fall of 1942, Eduard Asadov was urgently sent to the 2nd Omsk Guards Artillery School. For 6 months of study, it was necessary to complete a two-year course of study. They practiced day and night, 13-16 hours a day.

In May 1943, having successfully passed the exams and received the rank of lieutenant and a diploma for excellent success (at the state final exams, he received thirteen "excellent" and only two "good" in 15 subjects), Eduard Asadov arrived on the North Caucasian front. As the head of communications of the division of the 50th guards artillery regiment of the 2nd guards army, he took part in the battles near the village of Krymskaya.

An appointment to the 4th Ukrainian Front soon followed. He first served as an assistant commander of a battery of guards mortars, and when battalion commander Turchenko near Sevastopol “went on a promotion”, he was appointed battery commander. Roads again, and battles again: Chaplino, Sofiyivka, Zaporozhye, Dnepropetrovsk region, Melitopol, Orekhov, Askania-Nova, Perekop, Armyansk, State Farm, Kacha, Mamashai, Sevastopol ...

When the offensive of the 2nd Guards Army near Armyansk began, the most dangerous and difficult place for this period turned out to be the "gates" through the Turkish Wall, which the enemy was constantly hitting. It was extremely difficult for artillerymen to transport equipment and ammunition through the "gate". The commander of the division, Major Khlyzov, entrusted this most difficult section to Lieutenant Asadov, given his experience and courage. Asadov calculated that the shells hit the "gates" exactly every three minutes. He made a risky, but the only possible decision: to slip with the machines precisely in these short intervals between gaps. Having driven the car to the “gates”, after another gap, without even waiting for the dust and smoke to settle, he ordered the driver to turn on the maximum speed and rush forward. Breaking through the "gates", the lieutenant took another, empty, car, returned back and, standing in front of the "gates", again waited for a gap and again repeated the throw through the "gates", only in the reverse order. Then he again moved into the car with ammunition, again drove up to the aisle and thus drove the next car through the smoke and dust of the gap. In total, on that day, he made more than 20 such throws in one direction and the same number in the other ...

After the liberation of Perekop, the troops of the 4th Ukrainian Front moved to the Crimea. 2 weeks before approaching Sevastopol, Lieutenant Asadov took command of the battery. At the end of April, they occupied the village of Mamashai. An order was received to place 2 batteries of guards mortars on a hill and in a hollow near the village of Belbek, in close proximity to the enemy. The area was looked through by the enemy. For several nights, under continuous shelling, they prepared installations for battle. After the first volley, heavy enemy fire fell on the batteries. The main blow from the ground and from the air fell on Asadov's battery, which by the morning of May 3, 1944 was practically defeated. However, many shells survived, while upstairs, on the Ulyanov battery, there was a sharp shortage of shells. It was decided to transfer the surviving rocket shells to the Ulyanov battery in order to fire a decisive salvo before storming the enemy fortifications. At dawn, Lieutenant Asadov and driver V. Akulov drove a car loaded to capacity up a mountainous slope ...

The ground units of the enemy immediately noticed a moving vehicle: bursts of heavy shells kept shaking the ground. When they got out on the plateau, they were also spotted from the air. Two "Junkers", emerging from the clouds, made a circle above the car - a machine-gun burst obliquely pierced the upper part of the cabin, and soon a bomb fell somewhere very close by. The motor ran intermittently, the riddled machine moved slowly. The most difficult section of the road began. The lieutenant jumped out of the cab and went ahead, showing the driver the way among the stones and craters. When Ulyanov's battery was already close, a roaring column of smoke and flame shot up nearby - Lieutenant Asadov was seriously wounded and lost his sight forever.

Years later, the artillery commander of the 2nd Guards Army, Lieutenant-General I. S. Strelbitsky, in his book about Eduard Asadov “For the sake of you, people,” writes about his feat: “... Eduard Asadov accomplished an amazing feat. A flight through death in an old truck, along a sun-drenched road, in full view of the enemy, under continuous artillery and mortar fire, under bombardment is a feat. Riding almost to certain death for the sake of saving comrades is a feat ... Any doctor would confidently say that a person who has received such an injury has very little chance of surviving. And he is not able not only to fight, but in general to move. But Eduard Asadov did not withdraw from the battle. Constantly losing consciousness, he continued to command, carry out a combat operation and drive a car to a goal that he now saw only with his heart. And brilliantly completed the task. I don’t remember such a case in my long military life ... "

The volley decisive before the assault on Sevastopol was fired on time, a volley for the sake of saving hundreds of people, for the sake of victory ... For this feat of the guard, Lieutenant Asadov was awarded the Order of the Red Star, and many years later, by Decree of the Permanent Presidium of the Congress of People's Deputies of the USSR of November 18, 1998, he was awarded the title Hero of the Soviet Union. He was also awarded the title of honorary citizen of the Hero City of Sevastopol.

And the feat continued. I had to believe in myself again, mobilize all my strength and will, be able to love life again, love it so that I could tell about it in my poems in all the variety of colors. In the hospital between operations, he continued to write poetry. In order to impartially assess their dignity, and no professional poet had yet read his poems, he decided to send them to Korney Chukovsky, whom he knew not only as the author of funny children's books, but also as a tough and merciless critic. A few days later the answer came. According to Eduard Arkadyevich, "perhaps only his surname and dates remained from the poems he sent, almost every line was provided with Chukovsky's lengthy comments." The most unexpected for him was the conclusion: “…however, despite everything that has been said above, I can say with full responsibility that you are a true poet. For you have that genuine poetic breath, which is inherent only in a poet! Wish you luck. K. Chukovsky. The significance of these sincere words for the young poet was difficult to overestimate.

In the fall of 1946, Eduard Asadov entered the Gorky Literary Institute. During these years, Alexei Surkov, Vladimir Lugovskoy, Pavel Antokolsky, Evgeny Dolmatovsky became his literary mentors.

While still a student, Eduard Asadov managed to declare himself as an original poet (“Spring in the Forest”, “Poems about a red mongrel”, “In the taiga”, the poem “Back in service”). In the late 1940s, Vasily Fedorov, Rasul Gamzatov, Vladimir Soloukhin, Evgeny Vinokurov, Naum Grebnev, Yakov Kozlovsky, Margarita Agashina, Yulia Drunina, Grigory Pozhenyan, Igor Kobzev, Yuri Bondarev, Vladimir Tendryakov, Grigory Baklanov and many other later famous poets, prose writers and playwrights. Once, a competition for the best poem or poem was announced at the institute, to which the majority of students responded. By decision of a strict and impartial jury chaired by Pavel Grigoryevich Antokolsky, the first prize was awarded to Eduard Asadov, the second to Vladimir Soloukhin, and the third was shared by Konstantin Vanshenkin and Maxim Tolmachev. On May 1, 1948, the first publication of his poems took place in the Ogonyok magazine. And a year later, his poem "Back in Service" was submitted for discussion in the Writers' Union, where it received the highest recognition from such eminent poets as Vera Inber, Stepan Shchipachev, Mikhail Svetlov, Alexander Kovalenkov, Yaroslav Smelyakov and others.

For 5 years of study at the institute, Eduard Asadov did not receive a single triple and graduated from the institute with a "red" diploma. In 1951, after the publication of his first book of poems, Light Roads, he was admitted to the Writers' Union of the USSR. Numerous trips around the country began, conversations with people, creative meetings with readers in dozens of cities and towns.

Since the beginning of the 1960s, the poetry of Eduard Asadov has acquired the widest sound. His books, published in 100,000 copies, instantly disappeared from the shelves of bookstores. Literary evenings of the poet, organized by the Propaganda Bureau of the Union of Writers of the USSR, Moskontsert and various philharmonics, for almost 40 years were held with the same full house in the country's largest concert halls, accommodating up to 3,000 people. Their permanent participant was the wife of the poet - a wonderful actress, master of the artistic word Galina Razumovskaya. These were truly bright holidays of poetry, bringing up the brightest and noblest feelings. Eduard Asadov read his poems, talked about himself, answered numerous notes from the audience. He was not allowed to leave the stage for a long time, and meetings often dragged on for 3, 4 or even more hours.

Impressions from communication with people formed the basis of his poems. To date, Eduard Arkadievich is the author of 50 collections of poetry, which in different years included such widely known poems as “Back in Service”, “Shurka”, “Galina”, “The Ballad of Hatred and Love”.

One of the fundamental features of Eduard Asadov's poetry is a heightened sense of justice. His poems captivate the reader with great artistic and life truth, originality and originality of intonations, polyphonic sound. A characteristic feature of his poetic work is the appeal to the most burning topics, the attraction to the action-packed verse, to the ballad. He is not afraid of sharp corners, does not avoid conflict situations, on the contrary, he strives to solve them with the utmost sincerity and directness (“Slanderers”, “Unequal Fight”, “When Friends Become Bosses”, “Necessary People”, “Gap”). Whatever topic the poet touches on, whatever he writes about, it is always interesting and bright, it always excites the soul. These are hot poems full of emotions on civil topics (“Relics of the country”, “Russia did not begin with a sword!”, “Coward”, “My Star”), and poems about love imbued with lyricism (“They were students”, “My love”, “Heart”, “Don't hesitate”, “Love and cowardice”, “I will see you off”, “I can really wait for you”, “On the wing”, “Fates and hearts”, “Her love”, etc. .).

One of the main themes in the work of Eduard Asadov is the theme of the Motherland, fidelity, courage and patriotism (“Smoke of the Fatherland”, “Twentieth Century”, “Forest River”, “Dream of Ages”, “About what cannot be lost”, a lyrical monologue "Motherland"). Poems about nature are closely connected with poems about the Motherland, in which the poet figuratively and excitedly conveys the beauty of his native land, finding bright, rich colors for this. Such are “In the Forest Land”, “Night Song”, “Taiga Spring”, and other poems, as well as a whole series of poems about animals (“Bear Cub”, “Bengal Tiger”, “Pelican”, “Ballad of the Brown Pensioner”, “ Yashka", "Zoryanka" and one of the most widely known poems of the poet - "Poems about the red mongrel"). Eduard Asadov is a life-affirming poet: even his most dramatic line carries a charge of ardent love for life.

Eduard Asadov died on April 21, 2004. He was buried in Moscow at the Kuntsevo cemetery. But he bequeathed to bury his heart on Sapun Mountain in Sevastopol, where on May 4, 1944 he was wounded and lost his sight.

Asadov Eduard Arkadievich - Soviet poet and prose writer. Born in a family of teachers on September 7, 1923. Asadov's father, Arkady Grigoryevich, fought in civilian life as a commander of a rifle company, being a commissar of a rifle regiment. Mother Asadova (Kurdova) Lidia Ivanovna - a teacher, in 1929 she moved after the death of her husband to Sverdlovsk, to the grandfather of the future poet, Kurdov Ivan Kalustovich. It was the grandfather who influenced the development of the worldview and character of the grandson, his faith in people and attitude towards them. The poet's adolescent years passed in Sverdlovsk, here he wrote his first poem at the age of eight. At school, he became interested in the lessons of the drama circle of the Palace of Pioneers with Leonid Konstantinovich Dikovsky, director of the Sverdlovsk radio.

In 1939, Asadov and his mother moved to Moscow. In Moscow, the poet studied at school No. 38, after the evening of graduates on June 14, 1941, without waiting for the call, Eduard Asadov volunteered for the front. He ended up as a gunner in the 4th Guards Artillery Mortar Regiment, located near Moscow. A month and a half later, the 3rd division of the regiment, in which Asadov served, was transferred to Leningrad. In the winter of 1941/42 alone, Asadov's gun fired 318 volleys at enemy positions. Since the spring of 1942, Eduard Asadov has been fighting as a commander and gunner. And already in the fall of 1942, Eduard Grigorievich was urgently sent to the 2nd Omsk Guards Artillery School. For 6 months of study, the fighters completed a two-year training course. In May 1943, Asadov graduated from college with honors, with the rank of lieutenant. A year later, in May 1944, while fighting in the Crimea, in a battle near the village of Belbek, Lieutenant Asadov was wounded, which deprived him of his sight for the rest of his life. For this fight, he was awarded the Order of the Red Star, subsequently on November 18, 1998, Asadov was awarded the title of Hero of the Soviet Union, as well as the title of honorary citizen of the hero city of Sevastopol.

After the war, in 1946, in the autumn he entered the Gorky Literary Institute. Even during his studies, Asadov received the first prize in the institute's competition for the best poem or poem, beating Vladimir Soloukhin. In 1951, after graduating from the institute with a "red" diploma, Asadov became a member of the Writers' Union of the USSR after the publication of the collection of poems "Bright Roads". In the early sixties, the poetry of Eduard Asadov began to enjoy extraordinary popularity, his books were published in thousands of copies, creative evenings were sold out in the largest concert halls of the Soviet Union. In total, during the creative activity of Eduard Asadov, 50 collections of poetry were published. A constant participant in the creative activity of the poet was his wife - Galina Razumovskaya, an actress and master of artistic performance. Asadov's poetry is action-packed, with a keen sense of justice, interesting and bright in its originality.

Eduard Grigoryevich Asadov died on April 21, 2004 in Moscow. His grave is located at the Kuntsevsky cemetery of the city. But the poet bequeathed to bury his heart in Sevastopol, on Sapun Mountain, in the place where he lost his sight in the battle of 1944.