Feldman David Markovich. Soviet ideology in the context of the political history of Russia in the XX century. Feldman David Markovich Literature and history david feldman
Or
A TRUE STORY ABOUT HOW THE EMPLOYEE OF THE "LITERARY REVIEW" WAS BEAT, HOW THE MAGAZINE STAFF DEFENDED AND DID NOT DEFEND THEIR HONOR, AS WELL AS ABOUT ITS WISE LEADER WHO WANTED PEACE, BUT RECEIVED A SLAP, AND WHAT WAS THE RESULT OF IT
Editor-in-chief of the journal
"Literary review"
L.I. Lavlinsky
From S.Yu.Mazur, editor
Dep. history and theory lit.
MEMORANDUM
I bring to your attention that on March 5 of this year, between 13 and 14 hours, David Markovich Feldman, a researcher at IMLI, a member of the editorial board of the journal "Strannik" and, as far as I know, a publisher and businessman, beat me in my office.<...>
Before moving on to the main purpose of his visit - beating, D.M. Feldman outlined his claims to me:
1) he is dissatisfied with the fact that M.I. Shapir and I informed M.A. Tarkovskaya that D.M. Feldman was going to publish a collection of poems by Ars. Tarkovsky;
2) he is also dissatisfied with the fact that M.I. Shapir called S.A. Yakovlev, editor-in-chief of the Stranger magazine, and G.A. Belaya, professor, dean of the philological faculty of the Russian State University, asking them to try to influence D.M. Feldman in order to prevent the publication of Ars. Tarkovsky;
3) he "didn't like" how I talked to his wife, whom I informed that "famous cultural figures" were going to call D.M. Feldman, outraged by the forthcoming publication;
4) he "doesn't like" that I write "denunciations";
5) he is outraged that I "slandered" him in front of a well-known writer, informing the latter that D.M. Feldman, during our student days, "drove me into the construction team."
In conclusion, DM Feldman told me that I was a "dishonest person", which, however, I had already been "told". To my question: "Who exactly?" - he answered: "Katsis". He then added that I probably thought I was dealing with intelligent people, but he was Feldman, "not an intellectual." At these words, he stood up (he was sitting in an armchair opposite me), tore off my glasses (one glass fell out, but did not break) and began to beat me in the face with his fists. He beat for a long time (inflicted at least 6-7 blows), with visible pleasure and "carefully" (that is, as far as I understand, with knowledge of the matter, since bruises and swelling arose above and below the eyes, on the neck; I was conscious did not lose it, the blood did not flow). All this time, D.M. Feldman was saying that he could “strangle” me, but for now he won’t do it, and if I don’t draw the appropriate conclusions from the lesson he taught, he will find a way to “destroy” me - if not himself then through "other people".
M.I. Shapir and I really called M.A. Tarkovskaya to find out if the heirs of Ars.A. Tarkovsky and personally to her, as the secretary of the commission on the literary heritage of her father, knew about the publication "prepared" by Yu.A. Arpishkin by order D.M. Feldman. The fact is that Yu.A. Arpishkin, without the permission of M.I. Shapira, was going to publish his article about Tarkovsky as a preface to the collection. But M.I. Shapir, having found out that he was dealing with an ignoramus and a swindler, and not wanting to cover up the tricks of a swindler with his name and work, forbade Yu.A. Arpishkin to publish his article. He swore, but after some time M.I. Shapir learned from D.M. Feldman that the collection compiled by Yu.A. author. In response to M.I. Shapir's demand to remove his article, D.M. Feldman replied that most likely he would not be able to do this; then M.I. Shapir turned to S.Ya. that this particular publishing house intends to publish Tarkovsky), but S.A. Yakovlev said that he had nothing to do with the publishing affairs of D.M. Feldman and could not help in any way. As for G. A. Belaya, she promised M. I. Shapir to shame her graduate student D. M. Feldman, which she did.
Of course, M.A. Tarkovskaya did not know about the upcoming publication and was categorically against it, which she informed D.M. Feldman, demanding that he stop the publication, regardless of the stage of production of the book. According to M.A. Tarkovskaya, D.M. Feldman spoke to her in the highest degree impudently, did not promise to stop printing the book, but said that he would try to find out if it was possible to do this. He allegedly is not afraid of the court, in the worst case, the court will decide to pay a fine, but for him, Feldman, this is nothing.
Not satisfied with the result of negotiations with D.M. Feldman, M.A. Tarkovskaya and M.I. Shapir decided to publish a letter of protest in the newspaper. In addition to the press, M.A. Tarkovskaya intended to seek help from the members of the commission on the literary heritage of A.A. Tarkovsky, including its chairman, D.S. Likhachev. Negotiations were already underway with newspaper correspondents, and there was no doubt that the members of the commission on the literary heritage of A.A. Tarkovsky would respond to the request of the poet’s daughter. However, all this could take time, during which the infamous pirated publication would have had time to be published. And since M.A. Tarkovskaya and M.I. Shapir had exhausted their entire supply of arguments and received no guarantees from D.M. Feldman, I undertook to help them.
I called D.M. Feldman, he was not at home, and then I asked his wife to tell D.M. Feldman that “if he does not inform M.A. Tarkovskaya and M.I. their demands", she will have to "take telephone messages from famous figures of science and culture who dream of wishing her husband a Happy New Year and telling him something very important." My call apparently "worked". D.M. Feldman turned out to be prudent enough and almost immediately called M.A. Tarkovskaya, assuring her with an oath that the publication would be stopped and she would receive official confirmation of this (which she has not received to this day - Feldman limited himself to what he read to her phone letter).
<...>By the way, by my "denunciations" D.M. Feldman probably meant a statement to the police regarding Yu.A. Arpishkin, which had nothing to do with Feldman. It is strange that D.M. Feldman has something against exposing a swindler who not only pretends to be a scientist and writer without any reason, but does not disdain even the most common thefts of money and books. In my opinion, any honest editor and publisher should only be interested in exposing a rogue who is trying to get into the pages of the press (at the suggestion of D.M. Feldman, by the way, an opus by Y.A. Arpishkin was published in the journal "Strannik").
L.F. Katsis really called me a "dishonest person" - both to my face and behind my back. As I was able to understand from his incoherent speeches, he formed such an opinion of me on the basis of the following:
1) I "slandered" Arpishkin, arguing that he was not a member of the Writers' Union, not a researcher at the Institute of Art History, not a candidate of art history, etc. etc., and even his age is not 35 years old (as he reports about himself, but according to L.F. Katsis, he also has an appropriate passport), but 22 years old (as in reality). Moreover, L.F. Katsis repeatedly accused me (to my face and behind my back) that I "forged" a certificate from the police, which indicated the true year of Arpishkin's birth;
2) I did not hide from anyone, including L.F. Katsis himself, my negative assessment of his professional and human qualities.<...>But what is "dishonest" in this, especially since I have repeatedly expressed my opinion to him personally?
It remains for me to comment on two more provisions from M.D. Feldman's accusatory speech. I sadly have to state that D.M. Feldman will have to kill or "destroy" a good third of the young generation of Moscow philologists, who, probably, have not forgotten one of the most active Komsomol "leaders" of the philological faculty of Moscow State University. I well remember how, driving me into the "construction team", he effortlessly used well-known threats: expulsion from the Komsomol, expulsion from the university. I was rescued by a faculty teacher I knew, a member of the party committee. He took care of it, and D.M. Feldman had mercy - he excluded me from the lists. I also remember the comic detail of this conversation. I saw D.M. Feldman for the first time, and we argued for a long time over how we should talk: on "you" or on "you". He explained to me that they (i.e., in the Komsomol) decided to communicate with each other on "you". Then it surprised me. However, even later I was jarred by his amikoshonstvo. Naturally, if only for this reason, I never had any illusions about the "intelligence" of D.M. Feldman. But the fact that D.M. Feldman - a man with the manners of not only a sergeant major, but also a gangster - came as a surprise to me.
In my opinion, the evil and slander associated with the adventures of Yu.A. Arpishkin and L.F. Katsis acquire such a scale and character that it becomes simply necessary to give wide publicity to both the very case of D.M. Feldman’s hooliganism, and all of it. background. I look forward to your help and support.
›| David Feldman | |
| Date of Birth: | |
|---|---|
| Place of Birth: | |
| The country: | |
| Scientific area: | Russian history |
| Place of work: | Russian State University for the Humanities |
| Academic degree: | Doctor of Historical Sciences |
| Academic title: | Professor |
| Alma mater: | Moscow State University M.V. Lomonosov |
| Supervisor: | E.B. Skorospelova |
David Markovich Feldman(b. May 3, 1954, Moscow) - Russian historian and literary critic, deals with issues of Russian history, literature and journalism of the 20th century, the history of political terminology.
Biography. Scientific and pedagogical activityIn 1985 he graduated from the Faculty of Philology of the Moscow State University. M. V. Lomonosov. He worked at the Central State Archive of Literature and Art of the USSR, at the Institute of World Literature. M. Gorky of the Academy of Sciences of the USSR, in the editorial office of the journal Literary Review. Since 1996 - at the Russian State University for the Humanities, at the Department of Russian Literature of the Faculty of History and Philology. In 2000, together with M. P. Odessky and O. I. Kiyanskaya, he moved to the newly organized Faculty of Journalism, to the Department of Literary Criticism. Reads courses of lectures "History of Russian literature of the 20th century", "History of Russian journalism of the 20th century", "Media rhetoric", "Theory of journalism". Head of the master's program "Media rhetoric".
Published since 1985.
Scientific interestsScientific interests - political history of the USSR, history of political terminology, textual criticism, journalism of the 19th - 20th centuries, literary associations and groupings of the late 19th - early 20th centuries, history of the USSR, history of Russian literature and journalism of the Soviet period (N. S. Gumilyov, V. S. Grossman, I. G. Erenburg, A. A. Bogdanov, I. A. Ilf and E. P. Petrov, V. I. Narbut, B. A. Pilnyak, I. E. Babel, M. E. Koltsov , Ya. M. Belsky and others).
ProceedingsBooks
- The Poetics of Terror and the New Administrative Mentality: Essays on the History of Formation. - M.: RGGU, 1997. (Co-authored with M. P. Odessky) - ISBN 5-7281-0174-7
- Salon-enterprise: writers' association and cooperative publishing house "Nikitinsky subbotniki" in the context of the literary process of the 1920-1930s. - M., RGGU, 1998. - ISBN 5-7281-0003-1
- terminology of power. Soviet political terms in the historical and cultural context. - M., RGGU, 2006. - ISBN 5-7281-0823-7
- Poetics of power. Tyranny. The revolution. Terror. - M.: ROSSPEN, 2012. (Co-authored with M. P. Odessky) - ISBN 978-5-8243-1702-2
- Essays on the history of Russian Soviet literature and journalism in the 1920s-1930s: Portraits and scandals. - M.: Forum, 2015. (Co-authored with O. I. Kiyanskaya) - ISBN 978-5-00091-011-5
Edition of works by I. A. Ilf and E. P. Petrov
- Ilf I., Petrov E. Twelve chairs: a novel / prepared. text, intro. Art., commentary by M. P. Odessa and D. M. Feldman. - M.: Vagrius, 1997.
- I. Ilf and E. Petrov. The Golden Calf": a novel / preparation of the text, introductory articles by M. P. Odessky and D. M. Feldman. - M .: Vagrius, 2000.
- Ilf I., Petrov E. 12 chairs. Golden calf / prep. text, foreword and after. M. P. Odessa and D. M. Feldman. - M.: Slovo / Slovo, 2001.
- Ilf I., Petrov E. Twelve chairs: the full version of the novel / prepared. text, intro. Art., comment. M. P. Odessa and D. M. Feldman. - St. Petersburg: Azbuka, 2014.
- Ilf I., Petrov E. Twelve chairs: the full version of the novel / prepared. text, intro. Art. M. P. Odessa and D. M. Feldman. - St. Petersburg: Azbuka, 2014.
Some articles
- Gumilyov case // Novy Mir. - M., 1989. - No. 4.
- Get out alive. Russian Literature: Poetics of Disease, Health and Labor // Friendship of Peoples. - M., 1994. - No. 3 (jointly with M.P. Odessa).
- Babel and Hasidism // Literary Review. - M., 1995. - No. 1 (with M. P. Odessa).
- Evno Azef - Jew, author, terrorist // Parallels. Russian-Jewish historical-literary and bibliographic almanac. - M., 2002. - No. 1 (Jointly with M.P. Odessa).
- Red Whites: Soviet Political Terms in the Historical and Cultural Context // Questions of Literature. - M., 2006. - No. 4. - S. 5-25.
- The Edge of Scandal: A. I. Tarasov-Rodionov's story "Chocolate" in the political context of the 1920s // Questions of Literature. - 2007. - No. 5. - P. 171-208 (Jointly with A. V. Shcherbina).
- Decembrist studies today: terminology, ideology, methodology // Decembrists. Actual problems and new approaches. - M.: RGGU, 2008. - S. 663-713.
- Intrigue and fate of Vasily Grossman // Questions of Literature. - 2010. - No. 6. - P. 153-182 (Jointly with Yu. G. Bit-Yunan).
- The history of the “balanka”: poets, functionaries and the Soviet criminal code // New Literary Review. - 2011. - No. 108. - S. 116-133.
- The Edge of Scandal: I. Babel's cycle of short stories "Konarmiya" in the literary and political context of the 1920s // Questions of Literature. - 2011 - No. 6. - P. 23-38 (Jointly with Yu. V. Parsamov).
- Myth-building technology: on the history of the publication of the novel by V. S. Grossman "Life and Fate" // Russia XXI. - 2013. - No. 4. - P. 26-53 (Jointly with Yu. G. Bit-Yunan).
- Stalin Prizes of Vasily Grossman: history with bibliography // Questions of Literature. - 2013. - No. 4. - S. 186-223 (Jointly with Yu. G. Bit-Yunan).
- On the history of the publication of the novel by V. Grossman "Life and Fate", or "as it was" by B. Sarnov // Toronto Slavic Quarterly. - 2013. - No. 45. - P. 175-203 (Jointly with Yu. G. Bit-Yunan).
- Experience in the analysis of journalistic discourse: “partisans” in “domestic” and other wars // Bulletin of the Russian State Humanitarian University - 2013 - No. 12 (93). - Ser: “Philological Sciences. Journalism. Literary Criticism". - S. 126-141.
Chapter 1
Chapter 2. Ideologeme rehabilitation in 103-171 Soviet law and Soviet ideology
Chapter 3
Chapter 4
Similar theses in the specialty "National History", 07.00.02 VAK code
Methods and technologies of ideological influence on the population in 1944-1956: on the example of the Novgorod region 2011, Candidate of Historical Sciences Astashkin, Dmitry Yurievich
The activities of the authorities in the formation of social and confrontational moods in Soviet society in 1928-1941: Based on the materials of the Middle Volga region 2006, candidate of historical sciences Miku, Natalia Valentinovna
Political censorship in the Far East of the USSR: 1946-first half of the 1950s. 2011, candidate of historical sciences Galenko, Elena Vasilievna
Political Ideas of the Soviet People in the 1930s: On the Materials of the Ural Region 2002, candidate of historical sciences Bykova, Svetlana Ivanovna
The image of the "enemy of the people" in the system of Soviet social mobilization: ideological and propaganda aspect: December 1934 - November 1938 2010, candidate of historical sciences Arnautov, Nikita Borisovich
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Mikhail Pavlovich Odessa(March 18, 1961, Moscow) - Russian philologist, deals with the history of Russian literature and culture of the XV-XX centuries.
In 1983 he graduated from the Faculty of Philology of the Moscow State University. M.V. Lomonosov. He worked at the State Literary Museum (Museum-apartment of F.M. Dostoevsky), the magazines "Children's Literature", "Literary Review". Since 1998 - at the Russian State University for the Humanities, at the Department of Russian Literature of the Faculty of History and Philology. In 2000, together with D.M. Feldman and O.I. Kiyanskaya - moved to the newly created faculty of journalism, headed the department of literary criticism. Reads courses of lectures "History of Old Russian Literature", "Fundamentals of the Theory of Literature", "Fundamentals of the Theory of Drama", "History of Old Russian Journalism", "Fundamentals of Textual Studies".
David Markovich Feldman(May 3, 1954, Moscow) - Soviet and Russian historian and literary critic, deals with issues of Russian history, literature and journalism of the 20th century, the history of political terminology.
In 1985 he graduated from the Faculty of Philology of the Moscow State University. M.V. Lomonosov.
He worked at the Central State Archive of Literature and Art of the USSR, at the Institute of World Literature. M. Gorky of the Academy of Sciences of the USSR, in the editorial office of the journal Literary Review.
Since 1996 - at the Russian State University for the Humanities, at the Department of Russian Literature of the Faculty of History and Philology. In 2000, together with M.P. Odessa and O.I. Kiyanskaya - moved to the newly organized faculty of journalism, to the department of literary criticism.
Reads courses of lectures "History of Russian literature of the 20th century", "History of Russian journalism of the 20th century", "Media rhetoric", "Theory of journalism". Head of the master's program "Media rhetoric".
Published since 1985. In 2016 - member of the jury of the Russian Booker literary award
Books (3)
Mira I.A. Ilfa and E.P. Petrova: Essays on Verbalized Everyday Life
The book of teachers of the RSUH M.P. Odessa and D.M. Feldman - about the novels of I.A. Ilfa and E.P. Petrov "The Twelve Chairs" and "The Golden Calf", which make up a dilogy about the adventures of the modern rogue Ostap Bender. By "worlds" the book refers to different levels of text that require different approaches and can be studied as relatively independent.
The first world is the everyday life of that time, turning the novels of Ilf and Petrov into an "encyclopedia of Soviet life." The second world is quotations: parodies, polemics, jokes for “their own”, responses to Soviet newspapers. The third world - biographies of co-authors. The Fourth World - Textual Criticism: An analysis of the creative history of the novels, revealing Ilf and Petrov's gripping struggle with censorship and auto-censorship. Finally, the fifth world is a myth, because even A.V. Lunacharsky saw in Bender not just a rogue, but a modern version of a mythological hero.
Poetics of power. Tyranny. The revolution. Terror
The philosophical-historical approach, which takes into account the achievements of philology, sociology, cultural studies, also determined a specific methodology. The revolutionary tradition is analyzed from the perspective of the "poetics of power". By the concept of “poetics of power”, the authors of the book designate a system of means of expression traditionally used to control public consciousness.